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John Taverner|Western Wind (Taverner & Court Music for Henry VIII)

Western Wind (Taverner & Court Music for Henry VIII)

Taverner Choir & Players - Andrew Parrott

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Text in englischer Sprache verfügbar

What you have here is a well-performed sampling of music from England in the early 16th century. Because of the way the program is organized, the listener's mind may try to organize it into something more coherent than that, but it may not succeed. The centerpiece is the Western Wind Mass of John Taverner, which is broken up with secular pieces and then followed by music that might have been heard at the court of Henry VIII. This doesn't correspond to any program that would have been heard in Henry's time; chant and polyphonic sacred pieces, not secular songs, would have been interspersed among the sections of a mass. The justification given for this procedure is that Taverner's mass is exceptional among English masses for using a secular cantus firmus, but this doesn't quite explain why secular pieces should be mixed into it. The good news is that much of the music, taken on its own terms, is exceptionally beautiful. Sample the limpid pastoral song You and I and Amyas of William Cornysh (track 12), whose text in the booklet is helpfully glossed with translations of a few of the more obscure English words. The sacred pieces, in line with scholarly arguments by Taverner Choir & Players leader Andrew Parrott, are sung in a lower range than usual; this has a profitable effect that makes the music less ethereal and more immediate. With a mix of a cappella singing, instrumental ensemble pieces, keyboard music, and vocal solos, there is a greater variety for the casual listener than in most other Renaissance recordings, and it's all very musically done. Recommended even though some may ask exactly why the program contains the things it does.

© TiVo

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Western Wind (Taverner & Court Music for Henry VIII)

John Taverner

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The Western Wynde (Anonymous)

1
The western wynde
Uri Smilansky
00:00:38

Anonymous, Composer - Taverner Players, Ensemble - Taverner Choir, Ensemble - Uri Smilansky, MainArtist

(C) 2016 Andrew Parrott (P) 2016 Andrew Parrott

Kyrie (Rex sempiterne) (Traditional)

2
Kyrie (Rex sempiterne)
Andrew Parrott
00:01:45

Traditional, Composer - Andrew Parrott, Conductor - Taverner Players, Ensemble - Taverner Choir, Ensemble, MainArtist

(C) 2016 Andrew Parrott (P) 2016 Andrew Parrott

The Western Wynde Mass (John Taverner)

3
The western wynde: I. Gloria
Andrew Parrott
00:06:37

Andrew Parrott, Conductor - Taverner Players, Ensemble - Taverner Choir, Ensemble, MainArtist - John TAVERNER, Composer

(C) 2016 Andrew Parrott (P) 2016 Andrew Parrott

My lady careys dompe (Anonymous)

4
My lady Careys dompe
Steven Devine
00:02:17

Anonymous, Composer - Taverner Players, Ensemble - Taverner Choir, Ensemble - Steven Devine, MainArtist

(C) 2016 Andrew Parrott (P) 2016 Andrew Parrott

The Western Wynde Mass (John Taverner)

5
The western wynde: II. Credo
Andrew Parrott
00:07:06

Andrew Parrott, Conductor - Taverner Players, Ensemble - Taverner Choir, Ensemble, MainArtist - John TAVERNER, Composer

(C) 2016 Andrew Parrott (P) 2016 Andrew Parrott

If love now reynyd (Henry VIII)

6
If love now reynyd
00:01:36

Andrew Parrott, Conductor - Taverner Players, Ensemble - Taverner Consort, MainArtist - Taverner Choir, Ensemble - Henry VIII, Composer

(C) 2016 Andrew Parrott (P) 2016 Andrew Parrott

Preface (Sursum corda / Vere dignum) (Traditional)

7
Preface (Sursum corda / Vere dignum)
Charles Daniels
00:01:40

Traditional, Composer - Andrew Parrott, Conductor - Taverner Choir, Ensemble - Charles Daniels, MainArtist

(C) 2016 Andrew Parrott (P) 2016 Andrew Parrott

The Western Wynde Mass (John Taverner)

8
The western wynde: III. Sanctus
Andrew Parrott
00:07:28

Andrew Parrott, Conductor - Taverner Players, Ensemble - Taverner Choir, Ensemble, MainArtist - John TAVERNER, Composer

(C) 2016 Andrew Parrott (P) 2016 Andrew Parrott

My Lady Wynkfylds Rownde (Anonymous)

9
My lady Wynkfylds rownde
Kirsty Whatley
00:00:56

Anonymous, Composer - Taverner Players, Ensemble - Taverner Choir, Ensemble - Kirsty Whatley, MainArtist

(C) 2016 Andrew Parrott (P) 2016 Andrew Parrott

The Western Wynde Mass (John Taverner)

10
The western wynde: IV. Agnus Dei
Andrew Parrott
00:07:26

Andrew Parrott, Conductor - Taverner Players, Ensemble - Taverner Choir, Ensemble, MainArtist - John TAVERNER, Composer

(C) 2016 Andrew Parrott (P) 2016 Andrew Parrott

O blessed lord, how may this be (Anonymous)

11
O blessed lord, how may this be
Emily van Evera
00:01:34

Emily van Evera, MainArtist - Anonymous, Composer - Taverner Players, Ensemble - Taverner Choir, Ensemble - Charles Daniels, MainArtist

(C) 2016 Andrew Parrott (P) 2016 Andrew Parrott

Yow and I and Amyas (William Corynish the younger)

12
Yow and I and Amyas
Charles Daniels
00:05:50

Emily van Evera, MainArtist - Taverner Players, Ensemble - Taverner Choir, Ensemble - Charles Daniels, MainArtist - William Cornysh, Composer - Robert Macdonald, MainArtist - William Cornysh the younger, Composer

(C) 2016 Andrew Parrott (P) 2016 Andrew Parrott

A Hornepype (Hugh Aston)

13
A Hornepype
Steven Devine
00:04:16

Taverner Players, Ensemble - Taverner Choir, Ensemble - Hugh Aston, Composer - Steven Devine, MainArtist

(C) 2016 Andrew Parrott (P) 2016 Andrew Parrott

Wher be ye my love? (Anonymous)

14
Wher be ye my love?
Emily van Evera
00:05:58

Emily van Evera, MainArtist - Anonymous, Composer - Andrew Parrott, Conductor - Taverner Players, Ensemble

(C) 2016 Andrew Parrott (P) 2016 Andrew Parrott

Fa la sol (William Cornysh the younger)

15
Fa la sol
Taverner Players
00:06:58

Andrew Parrott, Conductor - Taverner Players, Ensemble, MainArtist - Taverner Choir, Ensemble - William Cornysh, Composer - William Cornysh the younger, Composer

(C) 2016 Andrew Parrott (P) 2016 Andrew Parrott

Taunder naken (Henry VIII)

16
Taunder naken
Taverner Players
00:02:19

Andrew Parrott, Conductor - Taverner Players, Ensemble, MainArtist - Taverner Choir, Ensemble - Henry VIII, Composer

(C) 2016 Andrew Parrott (P) 2016 Andrew Parrott

Audivi vocem de caelo (John Taverner)

17
Audivi vocem de caelo
Andrew Parrott
00:03:28

Andrew Parrott, Conductor - Taverner Players, Ensemble - Taverner Choir, Ensemble, MainArtist - John TAVERNER, Composer

(C) 2016 Andrew Parrott (P) 2016 Andrew Parrott

In nomine (John Taverner)

18
In nomine
Steven Devine
00:02:41

Taverner Players, Ensemble - Taverner Choir, Ensemble - John TAVERNER, Composer - Steven Devine, MainArtist

(C) 2016 Andrew Parrott (P) 2016 Andrew Parrott

Dum transisset Sabbatum (John Taverner)

19
Dum transisset sabbatum
Andrew Parrott
00:07:01

Andrew Parrott, Conductor - Taverner Players, Ensemble - Taverner Choir, Ensemble, MainArtist - John TAVERNER, Composer

(C) 2016 Andrew Parrott (P) 2016 Andrew Parrott

Westron wynde (Anonymous)

20
Westron wynde
Emily van Evera
00:00:45

Emily van Evera, MainArtist - Anonymous, Composer - Taverner Players, Ensemble - Taverner Choir, Ensemble

(C) 2016 Andrew Parrott (P) 2016 Andrew Parrott

Western winds (Anonymous)

21
Western winds
Taverner Players
00:00:49

Anonymous, Composer - Taverner Players, Ensemble - Taverner Choir, Ensemble - Uri Smilansky, MainArtist - Gawain Glenton, MainArtist

(C) 2016 Andrew Parrott (P) 2016 Andrew Parrott

Albumbeschreibung

What you have here is a well-performed sampling of music from England in the early 16th century. Because of the way the program is organized, the listener's mind may try to organize it into something more coherent than that, but it may not succeed. The centerpiece is the Western Wind Mass of John Taverner, which is broken up with secular pieces and then followed by music that might have been heard at the court of Henry VIII. This doesn't correspond to any program that would have been heard in Henry's time; chant and polyphonic sacred pieces, not secular songs, would have been interspersed among the sections of a mass. The justification given for this procedure is that Taverner's mass is exceptional among English masses for using a secular cantus firmus, but this doesn't quite explain why secular pieces should be mixed into it. The good news is that much of the music, taken on its own terms, is exceptionally beautiful. Sample the limpid pastoral song You and I and Amyas of William Cornysh (track 12), whose text in the booklet is helpfully glossed with translations of a few of the more obscure English words. The sacred pieces, in line with scholarly arguments by Taverner Choir & Players leader Andrew Parrott, are sung in a lower range than usual; this has a profitable effect that makes the music less ethereal and more immediate. With a mix of a cappella singing, instrumental ensemble pieces, keyboard music, and vocal solos, there is a greater variety for the casual listener than in most other Renaissance recordings, and it's all very musically done. Recommended even though some may ask exactly why the program contains the things it does.

© TiVo

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