Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
Bohemian composer Leopold Kozeluch is sometimes cited as the successor to Mozart at the Viennese court, as he was named to the position on June 12, 1792, by Emperor Francis II. However, "succession" to Mozart is not exactly the way to put it, as Mozart's Emperor Leopold II had died earlier in 1792, and so the court at which Kozeluch served was an entirely different one than had employed Mozart. One thing Kozeluch did have in common with Mozart was composing piano concertos -- Kozeluch wrote 23 such works in comparison to Mozart's 27, though all but two of them date from the 1780s, before his tenure in the Viennese court. Nonetheless, Kozeluch was based in Vienna at the time, and his concertos reflect the same high Viennese classical style Mozart perfected. Although they have been long known and cataloged, Kozeluch's piano concerti have never been recorded before, and the Kozeluch keyboard music that has made it onto recordings in the past have mainly been limited to his solo piano sonatas -- there are 50 of those -- and some of his shorter keyboard works. Swiss pianist Tomas Dratva, who has studied Kozeluch's piano concertos in manuscript and edited them for performance, takes the opportunity to go to the mat for Kozeluch on Oehms Classics' Leopold Kozeluch: Piano Concertos 1, 4 & 5, as accompanied by the Slovak Sinfonietta Zilina.
It's certainly a noble try -- these three concerti do share many of same elements that make Mozart's concerti enjoyable, including a clean sense of line, an attractive and restrained use of virtuosic filigree, and an inevitable sense of formal balance. However, they do lack that added melodic quality that makes Mozart's piano concertos from No. 17 up so immediately memorable even the first time one hears them. While Kozeluch's concertos are attractive to one's ear, once out of the ear they are out of mind. One barrier to enjoying these pieces is the recording, which is rather brittle in the top and sounds at times like something recorded in East Germany in the 1960s, though it was recorded only in 2006. Unless one desires a comprehensive understanding of the piano concerto in the eighteenth century or is devoted to the cause of Bohemian composers, it is probably safe to say that Oehms Classics' Leopold Kozeluch: Piano Concertos 1, 4 & 5 is not an essential choice.
© TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Piano Concerto No. 1 in F Major (Leopold Kozeluch)
Oliver von Dohnanyi, Conductor - Leopold Kozeluch, Composer - Tomas Dratva, Artist, MainArtist - Slovak Sinfonietta Zilina, Orchestra
(C) 2006 Oehms Classics (P) 2006 Oehms Classics
Oliver von Dohnanyi, Conductor - Leopold Kozeluch, Composer - Tomas Dratva, Artist, MainArtist - Slovak Sinfonietta Zilina, Orchestra
(C) 2006 Oehms Classics (P) 2006 Oehms Classics
Oliver von Dohnanyi, Conductor - Leopold Kozeluch, Composer - Tomas Dratva, Artist, MainArtist - Slovak Sinfonietta Zilina, Orchestra
(C) 2006 Oehms Classics (P) 2006 Oehms Classics
Piano Concerto No. 5 in E-Flat Major (Leopold Kozeluch)
Oliver von Dohnanyi, Conductor - Leopold Kozeluch, Composer - Tomas Dratva, Artist, MainArtist - Slovak Sinfonietta Zilina, Orchestra
(C) 2006 Oehms Classics (P) 2006 Oehms Classics
Oliver von Dohnanyi, Conductor - Leopold Kozeluch, Composer - Tomas Dratva, Artist, MainArtist - Slovak Sinfonietta Zilina, Orchestra
(C) 2006 Oehms Classics (P) 2006 Oehms Classics
Oliver von Dohnanyi, Conductor - Leopold Kozeluch, Composer - Tomas Dratva, Artist, MainArtist - Slovak Sinfonietta Zilina, Orchestra
(C) 2006 Oehms Classics (P) 2006 Oehms Classics
Piano Concerto No. 4 in A Major (Leopold Kozeluch)
Oliver von Dohnanyi, Conductor - Leopold Kozeluch, Composer - Tomas Dratva, Artist, MainArtist - Slovak Sinfonietta Zilina, Orchestra
(C) 2006 Oehms Classics (P) 2006 Oehms Classics
Oliver von Dohnanyi, Conductor - Leopold Kozeluch, Composer - Tomas Dratva, Artist, MainArtist - Slovak Sinfonietta Zilina, Orchestra
(C) 2006 Oehms Classics (P) 2006 Oehms Classics
Oliver von Dohnanyi, Conductor - Leopold Kozeluch, Composer - Tomas Dratva, Artist, MainArtist - Slovak Sinfonietta Zilina, Orchestra
(C) 2006 Oehms Classics (P) 2006 Oehms Classics
Albumbeschreibung
Bohemian composer Leopold Kozeluch is sometimes cited as the successor to Mozart at the Viennese court, as he was named to the position on June 12, 1792, by Emperor Francis II. However, "succession" to Mozart is not exactly the way to put it, as Mozart's Emperor Leopold II had died earlier in 1792, and so the court at which Kozeluch served was an entirely different one than had employed Mozart. One thing Kozeluch did have in common with Mozart was composing piano concertos -- Kozeluch wrote 23 such works in comparison to Mozart's 27, though all but two of them date from the 1780s, before his tenure in the Viennese court. Nonetheless, Kozeluch was based in Vienna at the time, and his concertos reflect the same high Viennese classical style Mozart perfected. Although they have been long known and cataloged, Kozeluch's piano concerti have never been recorded before, and the Kozeluch keyboard music that has made it onto recordings in the past have mainly been limited to his solo piano sonatas -- there are 50 of those -- and some of his shorter keyboard works. Swiss pianist Tomas Dratva, who has studied Kozeluch's piano concertos in manuscript and edited them for performance, takes the opportunity to go to the mat for Kozeluch on Oehms Classics' Leopold Kozeluch: Piano Concertos 1, 4 & 5, as accompanied by the Slovak Sinfonietta Zilina.
It's certainly a noble try -- these three concerti do share many of same elements that make Mozart's concerti enjoyable, including a clean sense of line, an attractive and restrained use of virtuosic filigree, and an inevitable sense of formal balance. However, they do lack that added melodic quality that makes Mozart's piano concertos from No. 17 up so immediately memorable even the first time one hears them. While Kozeluch's concertos are attractive to one's ear, once out of the ear they are out of mind. One barrier to enjoying these pieces is the recording, which is rather brittle in the top and sounds at times like something recorded in East Germany in the 1960s, though it was recorded only in 2006. Unless one desires a comprehensive understanding of the piano concerto in the eighteenth century or is devoted to the cause of Bohemian composers, it is probably safe to say that Oehms Classics' Leopold Kozeluch: Piano Concertos 1, 4 & 5 is not an essential choice.
© TiVo
Informationen zu dem Album
- 1 Disc(s) - 9 Track(s)
- Gesamte Laufzeit: 01:19:49
- Künstler: Tomas Dratva Slovak Sinfonietta, Zilina Oliver von Dohnanyi
- Komponist: Leopold Kozeluch
- Label: Oehms Classics
- Genre: Klassik
(C) 2006 Oehms Classics (P) 2006 Oehms Classics
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.