Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
George Frideric Handel's Trio Sonatas, Op. 2, were between 10 and 30 years old when they first appeared in a bootleg edition under the imprint of Estienne Roger around 1730. Nonetheless, these sonatas, the second of which was written in Handel's 17th year and the rest created during his tenure with the Earl of Carnarvon in 1717 and 1718, were still innovative when Roger (really, John Walsh under a disguise) rolled them out minus the composer's approval. That they proved enormously popular right off the bat is due to these sonatas' seriousness of purpose, relative lack of frilly ornaments, and a freedom from the tendency toward "Liebhaber" (i.e., amateur) settings so common in printed trio sonatas of the early eighteenth century. The six sonatas in Handel's Op. 2 are obviously meant for skilled players and traverse a surprising range of expressive territory, experienced to the fullest in Sonnerie's Avie recording Handel: Trio Sonatas, Op. 2.
Monica Huggett and Sonnerie have chosen wisely in recording mainstream repertoire that is not to date overdone. Only the Academy of St. Martin-in-the-Fields Chamber Ensemble, London Baroque, and L'Ecole d'Orphée have recorded the Op. 2 set in its entirety, and some of these versions utilize the optional suggestion of flute or recorder over the solo violin. In the course of these performances, Huggett and her faithful second-in-command in Sonnerie Emilia Benjamin, establish through the authority of their playing that the violin was likely the only instrument that Handel himself had in mind when it came to these works, save the first sonata where it seems to make sense. The recording, made at Saint Silas Church in Kentish Town, London, is extraordinary, achieving a full and clear balance of all instruments including the continuo, which is expertly played by Joseph Crouch on the cello and Matthew Halls on a single-manual Italian harpsichord. While all of the performances are excellent, pressed to pick among the six sonatas in this set one gravitates most strongly toward Sonata No. 5 in G minor -- it is truly fabulous. The six sonatas are intelligently sequenced to facilitate attractive listening, rather than in the order given in the published set. As a result, Sonnerie's Handel: Trio Sonatas, Op. 2, moves forward so comfortably that when the end is reached it seems over long before one's threshold of patience is exceeded.
© TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Sonate n° 6 en sol mineur pour deux violons & basse continue (ici violoncelle & orgue) (Georg Friedrich Händel)
George Frideric Handel, Composer - Sonnerie, MainArtist - Monica Huggett, Violin, FeaturedArtist
(C) 2006 AVIE Records (P) 2006 AVIE Records
George Frideric Handel, Composer - Sonnerie, MainArtist - Monica Huggett, Violin, FeaturedArtist
(C) 2006 AVIE Records (P) 2006 AVIE Records
George Frideric Handel, Composer - Sonnerie, MainArtist - Monica Huggett, Violin, FeaturedArtist
(C) 2006 AVIE Records (P) 2006 AVIE Records
George Frideric Handel, Composer - Sonnerie, MainArtist - Monica Huggett, Violin, FeaturedArtist
(C) 2006 AVIE Records (P) 2006 AVIE Records
Sonate n° 4 en fa majeur pour flûte à bec, violon (ici deux violons) & basse continue (ici violoncelle & clavecin) (Georg Friedrich Händel)
George Frideric Handel, Composer - Sonnerie, MainArtist - Monica Huggett, Violin, FeaturedArtist
(C) 2006 AVIE Records (P) 2006 AVIE Records
George Frideric Handel, Composer - Sonnerie, MainArtist - Monica Huggett, Violin, FeaturedArtist
(C) 2006 AVIE Records (P) 2006 AVIE Records
George Frideric Handel, Composer - Sonnerie, MainArtist - Monica Huggett, Violin, FeaturedArtist
(C) 2006 AVIE Records (P) 2006 AVIE Records
George Frideric Handel, Composer - Sonnerie, MainArtist - Monica Huggett, Violin, FeaturedArtist
(C) 2006 AVIE Records (P) 2006 AVIE Records
George Frideric Handel, Composer - Sonnerie, MainArtist - Monica Huggett, Violin, FeaturedArtist
(C) 2006 AVIE Records (P) 2006 AVIE Records
Sonate n° 5 en sol mineur pour deux violons & basse continue (ici violoncelle & clavecin) (Georg Friedrich Händel)
George Frideric Handel, Composer - Sonnerie, MainArtist - Monica Huggett, Violin, FeaturedArtist
(C) 2006 AVIE Records (P) 2006 AVIE Records
George Frideric Handel, Composer - Sonnerie, MainArtist - Monica Huggett, Violin, FeaturedArtist
(C) 2006 AVIE Records (P) 2006 AVIE Records
George Frideric Handel, Composer - Sonnerie, MainArtist - Monica Huggett, Violin, FeaturedArtist
(C) 2006 AVIE Records (P) 2006 AVIE Records
George Frideric Handel, Composer - Sonnerie, MainArtist - Monica Huggett, Violin, FeaturedArtist
(C) 2006 AVIE Records (P) 2006 AVIE Records
Sonate n° 1 en si mineur pour flûte, violon & basse continue (ici violoncelle & clavecin) (Georg Friedrich Händel)
George Frideric Handel, Composer - Sonnerie, MainArtist - Monica Huggett, Violin, FeaturedArtist - Wilbert Hazelzet, Flute, FeaturedArtist
(C) 2006 AVIE Records (P) 2006 AVIE Records
George Frideric Handel, Composer - Sonnerie, MainArtist - Monica Huggett, Violin, FeaturedArtist - Wilbert Hazelzet, Flute, FeaturedArtist
(C) 2006 AVIE Records (P) 2006 AVIE Records
George Frideric Handel, Composer - Sonnerie, MainArtist - Monica Huggett, Violin, FeaturedArtist - Wilbert Hazelet, Flute, FeaturedArtist
(C) 2006 AVIE Records (P) 2006 AVIE Records
George Frideric Handel, Composer - Sonnerie, MainArtist - Monica Huggett, Violin, FeaturedArtist - Wilbert Hazelzet, Flute, FeaturedArtist
(C) 2006 AVIE Records (P) 2006 AVIE Records
Sonate n° 2 en sol mineur pour deux violons & basse continue (ici violoncelle & orgue) (Georg Friedrich Händel)
George Frideric Handel, Composer - Sonnerie, MainArtist - Monica Huggett, Violin, FeaturedArtist
(C) 2006 AVIE Records (P) 2006 AVIE Records
George Frideric Handel, Composer - Sonnerie, MainArtist - Monica Huggett, Violin, FeaturedArtist
(C) 2006 AVIE Records (P) 2006 AVIE Records
George Frideric Handel, Composer - Sonnerie, MainArtist - Monica Huggett, Violin, FeaturedArtist
(C) 2006 AVIE Records (P) 2006 AVIE Records
George Frideric Handel, Composer - Sonnerie, MainArtist - Monica Huggett, Violin, FeaturedArtist
(C) 2006 AVIE Records (P) 2006 AVIE Records
Sonate n° 3 en si bémol majeur pour deux violons & basse continue (ici violoncelle & clavecin) (Georg Friedrich Händel)
George Frideric Handel, Composer - Sonnerie, MainArtist - Monica Huggett, Violin, FeaturedArtist
(C) 2006 AVIE Records (P) 2006 AVIE Records
George Frideric Handel, Composer - Sonnerie, MainArtist - Monica Huggett, Violin, FeaturedArtist
(C) 2006 AVIE Records (P) 2006 AVIE Records
George Frideric Handel, Composer - Sonnerie, MainArtist - Monica Huggett, Violin, FeaturedArtist
(C) 2006 AVIE Records (P) 2006 AVIE Records
George Frideric Handel, Composer - Sonnerie, MainArtist - Monica Huggett, Violin, FeaturedArtist
(C) 2006 AVIE Records (P) 2006 AVIE Records
Albumbeschreibung
George Frideric Handel's Trio Sonatas, Op. 2, were between 10 and 30 years old when they first appeared in a bootleg edition under the imprint of Estienne Roger around 1730. Nonetheless, these sonatas, the second of which was written in Handel's 17th year and the rest created during his tenure with the Earl of Carnarvon in 1717 and 1718, were still innovative when Roger (really, John Walsh under a disguise) rolled them out minus the composer's approval. That they proved enormously popular right off the bat is due to these sonatas' seriousness of purpose, relative lack of frilly ornaments, and a freedom from the tendency toward "Liebhaber" (i.e., amateur) settings so common in printed trio sonatas of the early eighteenth century. The six sonatas in Handel's Op. 2 are obviously meant for skilled players and traverse a surprising range of expressive territory, experienced to the fullest in Sonnerie's Avie recording Handel: Trio Sonatas, Op. 2.
Monica Huggett and Sonnerie have chosen wisely in recording mainstream repertoire that is not to date overdone. Only the Academy of St. Martin-in-the-Fields Chamber Ensemble, London Baroque, and L'Ecole d'Orphée have recorded the Op. 2 set in its entirety, and some of these versions utilize the optional suggestion of flute or recorder over the solo violin. In the course of these performances, Huggett and her faithful second-in-command in Sonnerie Emilia Benjamin, establish through the authority of their playing that the violin was likely the only instrument that Handel himself had in mind when it came to these works, save the first sonata where it seems to make sense. The recording, made at Saint Silas Church in Kentish Town, London, is extraordinary, achieving a full and clear balance of all instruments including the continuo, which is expertly played by Joseph Crouch on the cello and Matthew Halls on a single-manual Italian harpsichord. While all of the performances are excellent, pressed to pick among the six sonatas in this set one gravitates most strongly toward Sonata No. 5 in G minor -- it is truly fabulous. The six sonatas are intelligently sequenced to facilitate attractive listening, rather than in the order given in the published set. As a result, Sonnerie's Handel: Trio Sonatas, Op. 2, moves forward so comfortably that when the end is reached it seems over long before one's threshold of patience is exceeded.
© TiVo
Informationen zu dem Album
- 1 Disc(s) - 25 Track(s)
- Gesamte Laufzeit: 01:05:30
- Künstler: Sonnerie
- Komponist: Georg Friedrich Händel
- Label: Avie Records
- Genre: Klassik
(C) 2006 AVIE Records (P) 2006 AVIE Records
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.