Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
It's not necessary to make extravagant claims for Francesco Cavalli's originality to recognize his absolute mastery of the style of mid-17th century Venetian opera perfected by Monteverdi in L'incoronazione di Poppea. The fact that he was able to keep the operatic form so fresh and vital (and most importantly, hugely entertaining) for more than a generation after Monteverdi's death is achievement enough. The modern revivals of more and more unknown Cavalli operas continue to add luster to his legacy. Artemisia overflows with examples of the first-rate inventiveness of Cavalli's imagination; examples include the magical triple echoes of Eurillo's second-act "Regina, udiste mai"; the ravishing lyricism of the aria "Ardo, sospiro, e piango"; and the expressive intensity of his slithering Gesualdo-like harmonic digressions. Like Monteverdi (and all great opera composers), Cavalli had a consummate gift for using music to drive the drama forward, and Claudio Cavina knows how to exploit that gift; he and his ensemble La Venexiana make this obscure opera spring to startling life. His singers throw themselves into their roles with unguarded passion, and even though the details of the plots may be impenetrable, the characters' emotions are urgently immediate. All of the soloists are superb. Sopranos Francesca Lombardi Mazzulli, Roberta Mameli, Valentina Coladonato, and Silvia Frigato stand out; they are simply remarkable for the piercing purity and fullness of their voices, the extravagant agility of their coloratura, and the transparent honesty of their characterizations. The instrumental ensemble plays with wonderful fluidity and Cavina draws a maximum of timbral variety from his group of 12 bowed and plucked strings. The upper strings have a somewhat nasal quality that may require a period of adjustment for modern listeners. Like Cavina's exemplary 2010 recording of L'incoronazione di Poppea with La Venexiana, his world-premiere recording of Artemisia raises the bar very high for performances of Baroque opera, or any opera, for that matter. Glossa's sound is characteristically natural, absolutely clean, and warmly enveloping. Highly recommended.
© TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
DISC 2
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
DISC 3
Claudio Cavina, Conductor - Salvo Vitale, bass - Claudio Cavina, Conductor - Venexiana, La, Ensemble - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Salvo Vitale, bass - Roberta Mameli, soprano - Valentina Coladonato, soprano - Maarten Engeltjes, counter-tenor - Andrea Arrivabene, counter-tenor - Marina Bartoli, soprano - Silvia Frigato, soprano - Alberto Allegrezza, vocals - Alessandro Giangrande, counter-tenor - La Venexiana - Claudio Cavina, Conductor
Albumbeschreibung
It's not necessary to make extravagant claims for Francesco Cavalli's originality to recognize his absolute mastery of the style of mid-17th century Venetian opera perfected by Monteverdi in L'incoronazione di Poppea. The fact that he was able to keep the operatic form so fresh and vital (and most importantly, hugely entertaining) for more than a generation after Monteverdi's death is achievement enough. The modern revivals of more and more unknown Cavalli operas continue to add luster to his legacy. Artemisia overflows with examples of the first-rate inventiveness of Cavalli's imagination; examples include the magical triple echoes of Eurillo's second-act "Regina, udiste mai"; the ravishing lyricism of the aria "Ardo, sospiro, e piango"; and the expressive intensity of his slithering Gesualdo-like harmonic digressions. Like Monteverdi (and all great opera composers), Cavalli had a consummate gift for using music to drive the drama forward, and Claudio Cavina knows how to exploit that gift; he and his ensemble La Venexiana make this obscure opera spring to startling life. His singers throw themselves into their roles with unguarded passion, and even though the details of the plots may be impenetrable, the characters' emotions are urgently immediate. All of the soloists are superb. Sopranos Francesca Lombardi Mazzulli, Roberta Mameli, Valentina Coladonato, and Silvia Frigato stand out; they are simply remarkable for the piercing purity and fullness of their voices, the extravagant agility of their coloratura, and the transparent honesty of their characterizations. The instrumental ensemble plays with wonderful fluidity and Cavina draws a maximum of timbral variety from his group of 12 bowed and plucked strings. The upper strings have a somewhat nasal quality that may require a period of adjustment for modern listeners. Like Cavina's exemplary 2010 recording of L'incoronazione di Poppea with La Venexiana, his world-premiere recording of Artemisia raises the bar very high for performances of Baroque opera, or any opera, for that matter. Glossa's sound is characteristically natural, absolutely clean, and warmly enveloping. Highly recommended.
© TiVo
Informationen zu dem Album
- 3 Disc(s) - 48 Track(s)
- Gesamte Laufzeit: 02:27:37
- 1 digitales Booklet
- Künstler: Claudio Cavina
- Komponist: Francesco Cavalli
- Label: Glossa
- Genre: Klassik Oper Gesamtaufnahmen von Opern
- Zeitraum: Barockmusik
Warum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.