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David Hill|Finzi: Intimations of Immortality, For St Cecilia

Finzi: Intimations of Immortality, For St Cecilia

James Gilchrist, Bournemouth Symphony Chorus & Orchestra, David Hill

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Perhaps no other English composer of the first half of the twentieth century had the talent of fitting words to music that Gerald Finzi did. So complete was the unity of his art that Finzi was acknowledged in his time to be the finest composer of English songs. Even in his larger works for soloist, chorus, and orchestra, Finzi never faltered but created works in which it was nearly impossible to tell which came first, the music or the poetry. In this 2005 Naxos recording, tenor James Gilchrist and conductor David Hill leading the Bournemouth Symphony Chorus & Orchestra turn in superlative performances of Finzi's Intimations of Immortality and For St. Cecilia. Part of the excellence is Hill's skill as a choral conductor -- listen to the bright, alert, and always sincere singing of the Bournemouth Chorus -- and part of it is Hill's skill as an orchestral conductor -- listen to the warm, sustained, and always graceful playing of the Bournemouth Symphony. But the largest part of the excellence is owed to James Gilchrist. A doctor turned tenor, Gilchrist has a supple yet strong voice that wonderfully captures the lyrical ecstasy of Finzi's writing. Better yet, Gilchrist has a sensitive yet objective soul that marvelously catches the subtle insights of Finzi's settings. Preserved in Naxos' clear yet deep sound, these performances are as fine as the best ever recorded of either work and are well worth hearing by anyone who loves twentieth century English vocal music.
© TiVo

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Finzi: Intimations of Immortality, For St Cecilia

David Hill

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Intimations of Immortality, op. 29 (Gerald Finzi)

1
Andante sostenuto
Bournemouth Symphony Chorus
00:04:40

James Gilchrist, tenor - Greg Beardsell, choirmaster - Bournemouth Symphony Orchestra - Bournemouth Symphony Chorus

2006 Naxos 2006 Naxos

2
There was a time when meadow, grove and stream
Bournemouth Symphony Chorus
00:02:56

James Gilchrist, ténor - Chœur et Orchestre Symphonique de Bournemouth - David Hill, direction

2006 Naxos 2006 Naxos

3
The Rainbow comes and goes
Bournemouth Symphony Chorus
00:02:04

James Gilchrist, ténor - Chœur et Orchestre Symphonique de Bournemouth - David Hill, direction

2006 Naxos 2006 Naxos

4
Now, while the birds thus sing a joyous song
Bournemouth Symphony Chorus
00:04:43

James Gilchrist, ténor - Chœur et Orchestre Symphonique de Bournemouth - David Hill, direction

2006 Naxos 2006 Naxos

5
Ye blessed Creatures, I have heard the call
Bournemouth Symphony Chorus
00:00:58

James Gilchrist, ténor - Chœur et Orchestre Symphonique de Bournemouth - David Hill, direction

2006 Naxos 2006 Naxos

6
Oh evil day! If I were sullen
Bournemouth Symphony Chorus
00:02:14

James Gilchrist, ténor - Chœur et Orchestre Symphonique de Bournemouth - David Hill, direction

2006 Naxos 2006 Naxos

7
But there's a Tree, of many, one
Bournemouth Symphony Chorus
00:01:51

James Gilchrist, ténor - Chœur et Orchestre Symphonique de Bournemouth - David Hill, direction

2006 Naxos 2006 Naxos

8
Our birth is but a sleep and a forgetting
Bournemouth Symphony Chorus
00:03:05

James Gilchrist, ténor - Chœur et Orchestre Symphonique de Bournemouth - David Hill, direction

2006 Naxos 2006 Naxos

9
Earth fills her lap with pleasures of her own
Bournemouth Symphony Chorus
00:01:52

James Gilchrist, ténor - Chœur et Orchestre Symphonique de Bournemouth - David Hill, direction

2006 Naxos 2006 Naxos

10
Oh joy! That in our embers
Bournemouth Symphony Chorus
00:02:49

James Gilchrist, ténor - Chœur et Orchestre Symphonique de Bournemouth - David Hill, direction

2006 Naxos 2006 Naxos

11
But for those first affections
Bournemouth Symphony Chorus
00:03:51

James Gilchrist, ténor - Chœur et Orchestre Symphonique de Bournemouth - David Hill, direction

2006 Naxos 2006 Naxos

12
Then sing, ye Birds, sing, sing a joyous song!
Bournemouth Symphony Chorus
00:03:20

James Gilchrist, ténor - Chœur et Orchestre Symphonique de Bournemouth - David Hill, direction

2006 Naxos 2006 Naxos

13
And O, ye Fountains, Meadows, Hills and Groves
Bournemouth Symphony Chorus
00:04:40

James Gilchrist, ténor - Chœur et Orchestre Symphonique de Bournemouth - David Hill, direction

2006 Naxos 2006 Naxos

For St. Cecilia, Op. 30 (Gerald Finzi)

14
Delightful Goddess, in whose fashionings
Bournemouth Symphony Chorus
00:02:19

James Gilchrist, ténor - Chœur et Orchestre Symphonique de Bournemouth - David Hill, direction

2006 Naxos 2006 Naxos

15
Changed is the age; mysterious, man's next star
Bournemouth Symphony Chorus
00:03:18

James Gilchrist, ténor - Chœur et Orchestre Symphonique de Bournemouth - David Hill, direction

2006 Naxos 2006 Naxos

16
How came you, lady of fierce martyrdom
Bournemouth Symphony Chorus
00:04:42

James Gilchrist, ténor - Chœur et Orchestre Symphonique de Bournemouth - David Hill, direction

2006 Naxos 2006 Naxos

17
How smilingly the saint among her friends
Bournemouth Symphony Chorus
00:02:13

James Gilchrist, ténor - Chœur et Orchestre Symphonique de Bournemouth - David Hill, direction

2006 Naxos 2006 Naxos

18
Wherefore we bid you to the full concent
Bournemouth Symphony Chorus
00:03:51

James Gilchrist, ténor - Chœur et Orchestre Symphonique de Bournemouth - David Hill, direction

2006 Naxos 2006 Naxos

Albumbeschreibung

Perhaps no other English composer of the first half of the twentieth century had the talent of fitting words to music that Gerald Finzi did. So complete was the unity of his art that Finzi was acknowledged in his time to be the finest composer of English songs. Even in his larger works for soloist, chorus, and orchestra, Finzi never faltered but created works in which it was nearly impossible to tell which came first, the music or the poetry. In this 2005 Naxos recording, tenor James Gilchrist and conductor David Hill leading the Bournemouth Symphony Chorus & Orchestra turn in superlative performances of Finzi's Intimations of Immortality and For St. Cecilia. Part of the excellence is Hill's skill as a choral conductor -- listen to the bright, alert, and always sincere singing of the Bournemouth Chorus -- and part of it is Hill's skill as an orchestral conductor -- listen to the warm, sustained, and always graceful playing of the Bournemouth Symphony. But the largest part of the excellence is owed to James Gilchrist. A doctor turned tenor, Gilchrist has a supple yet strong voice that wonderfully captures the lyrical ecstasy of Finzi's writing. Better yet, Gilchrist has a sensitive yet objective soul that marvelously catches the subtle insights of Finzi's settings. Preserved in Naxos' clear yet deep sound, these performances are as fine as the best ever recorded of either work and are well worth hearing by anyone who loves twentieth century English vocal music.
© TiVo

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