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Mose Allison|Wild Man On The Loose

Wild Man On The Loose

Mose Allison

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Langue disponible : anglais

The lion's share of recordings by this artist are in a piano trio setting, and this mid-'60s session finds him working with one of the best combinations he ever had. Bassist Earl May is a solid, inventive player who is beautifully recorded here with a sound that can have the soulfulness of a classical guitar at times. On drums, Paul Motian is something of a legend, and here is heard at his most straight-ahead, simple and swinging with some nice touches from the brushes. He is also recorded extremely well, giving the pianist a really beautiful base to take off from, as well as making the overall tracks sound brilliant. The art of recording piano trios in this manner, with such a clear and immediate sound, seems to have been lost unfortunately. Sometimes a weak link on his records, even the Allison instrumentals come across forcefully. Is there a Cecil Taylor influence, or is it just the same Duke Ellington touches heard in Taylor's music? The instrumental track "Power House" is one of the finest numbers of this sort Allison has recorded. Vocal performances are smooth as always, although the set does not contain any totally classic numbers.

© Eugene Chadbourne /TiVo

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Wild Man On The Loose

Mose Allison

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1
Wild Man on the Loose
00:02:04

Mose Allison, Composer, Piano, Vocals, MainArtist - Ben Tucker, Bass Guitar - Nesuhi Ertegun, Producer - Ron Lundberg, Drums

© 1966 Atlantic Recording Corp. ℗ 1966 Atlantic Recording Corp.

2
No Trouble Livin'
00:02:17

Mose Allison, Piano, Vocals, Writer, MainArtist - Nesuhi Ertegun, Producer

© 1966 Atlantic Recording Corp. ℗ 1966 Atlantic Recording Corp.

3
Night Watch
00:04:34

Mose Allison, Piano, Vocals, Writer, MainArtist - Nesuhi Ertegun, Producer

© 1966 Atlantic Recording Corp. ℗ 1966 Atlantic Recording Corp.

4
What's with You
00:02:55

Arif Mardin, Producer - Mose Allison, Piano, Vocals, Writer, MainArtist - Nesuhi Ertegun, Producer - Bob Porter, Producer - PAUL MOTIAN, Drums - Earl May, Bass Guitar

© 1966 Atlantic Recording Corp. ℗ 1966 Atlantic Recording Corp.

5
Power House
00:05:00

Mose Allison, Piano, Vocals, Writer, MainArtist - Nesuhi Ertegun, Producer

© 1966 Atlantic Recording Corp. ℗ 1966 Atlantic Recording Corp.

6
You Can Count on Me to Do My Part
00:02:11

Arif Mardin, Producer - Mose Allison, Piano, Vocals, Writer, MainArtist - Nesuhi Ertegun, Producer - PAUL MOTIAN, Drums - Earl May, Bass Guitar

© 1966 Atlantic Recording Corp. ℗ 1966 Atlantic Recording Corp.

7
Never More
00:04:27

Mose Allison, Piano, Vocals, Writer, MainArtist - Nesuhi Ertegun, Producer

© 1966 Atlantic Recording Corp. ℗ 1966 Atlantic Recording Corp.

8
That's the Stuff You Gotta Watch
00:02:12

Arif Mardin, Producer - Mose Allison, Piano, Vocals, MainArtist - Nesuhi Ertegun, Producer - Buddy Johnson, Writer - Bob Porter, Producer - PAUL MOTIAN, Drums - Earl May, Bass Guitar

© 1966 Atlantic Recording Corp. ℗ 1966 Atlantic Recording Corp.

9
War Horse
00:06:59

Mose Allison, Piano, Vocals, Writer, MainArtist - Nesuhi Ertegun, Producer

© 1966 Atlantic Recording Corp. ℗ 1966 Atlantic Recording Corp.

Chronique

The lion's share of recordings by this artist are in a piano trio setting, and this mid-'60s session finds him working with one of the best combinations he ever had. Bassist Earl May is a solid, inventive player who is beautifully recorded here with a sound that can have the soulfulness of a classical guitar at times. On drums, Paul Motian is something of a legend, and here is heard at his most straight-ahead, simple and swinging with some nice touches from the brushes. He is also recorded extremely well, giving the pianist a really beautiful base to take off from, as well as making the overall tracks sound brilliant. The art of recording piano trios in this manner, with such a clear and immediate sound, seems to have been lost unfortunately. Sometimes a weak link on his records, even the Allison instrumentals come across forcefully. Is there a Cecil Taylor influence, or is it just the same Duke Ellington touches heard in Taylor's music? The instrumental track "Power House" is one of the finest numbers of this sort Allison has recorded. Vocal performances are smooth as always, although the set does not contain any totally classic numbers.

© Eugene Chadbourne /TiVo

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