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Theodore Bikel|Songs Of Russia Old and New

Songs Of Russia Old and New

Theodore Bikel

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Langue disponible : anglais

1958's Songs of a Russian Gypsy was a considerable commercial and critical success for the distinguished actor and musician Theodore Bikel, so it's no great surprise that he returned to Russian folk music in 1960 with Songs of Russia Old & New. The second album was a bit more ambitious in that it encompassed a broader thematic range than its precursor, including some songs specific to the Soviet Union rather than the old Russia, and focused less on upbeat material, though Bikel's passionate performing style still gave all 14 selections plenty of life. Bikel's background in the theater is often apparent in his performances, and he isn't afraid to sing with rafter-shaking force (he roars through "Pomnya Ya [I Remember]" with such vigor that one gets winded just listening to it), but he also well knew enough to match his performance to the material, and he's able to communicate both the mood and the meaning of these tunes even to an audience who can't understand the lyrics, and the skill of his performances had only improved since his first Russian album. Songs of Russia Old & New also boasted slightly glossier production and more elaborate arrangements, though they never intrude upon the material, and the musicians approach the material with the same intelligence and taste as Bikel. America has had few performers with the range of talents Theodore Bikel displayed in his career, and Songs of Russia Old & New preserves the man's musical ability at the peak of his strength.

© Mark Deming /TiVo

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Songs Of Russia Old and New

Theodore Bikel

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1
Pomnyu Ya (I Remember)
00:02:24

Theodore Bikel, MainArtist

© 1960 Elektra Records ℗ 1975 Elektra/Asylum Records

2
Yamshchik Gani-Ka K Yaru (Coachman, Away to the Fair)
00:02:31

Theodore Bikel, MainArtist

© 1960 Elektra Records ℗ 1975 Elektra/Asylum Records

3
Noch Tikha (Quiet Night)
00:02:19

Theodore Bikel, MainArtist

© 1960 Elektra Records ℗ 1975 Elektra/Asylum Records

4
Polso Bylo Lyublyatse (I Never Meant to Love)
00:03:40

Theodore Bikel, MainArtist

© 1960 Elektra Records ℗ 1975 Elektra/Asylum Records

5
Gari Gari Maya Zvyezda (Twinkle, Twinkle, My Star)
00:02:09

Theodore Bikel, MainArtist

© 1960 Elektra Records ℗ 1975 Elektra/Asylum Records

6
Chupchik (Curly Forelock)
00:02:26

Theodore Bikel, MainArtist

© 1960 Elektra Records ℗ 1975 Elektra/Asylum Records

7
Vyecherny Zvon (Evening Bells)
00:01:22

Theodore Bikel, MainArtist

© 1960 Elektra Records ℗ 1975 Elektra/Asylum Records

8
At Volgi da Dona (From the Volga to the Don)
00:02:54

Theodore Bikel, MainArtist

© 1960 Elektra Records ℗ 1975 Elektra/Asylum Records

9
Talyanochka (The Concertina)
00:02:38

Theodore Bikel, MainArtist

© 1960 Elektra Records ℗ 1975 Elektra/Asylum Records

10
Padmaskovniye Vyechera (Moscow Evenings)
00:04:19

Theodore Bikel, MainArtist

© 1960 Elektra Records ℗ 1975 Elektra/Asylum Records

11
Padrushka Milaya (My Old Pal)
00:02:39

Theodore Bikel, MainArtist

© 1960 Elektra Records ℗ 1975 Elektra/Asylum Records

12
Katiusha
00:01:58

Theodore Bikel, MainArtist

© 1960 Elektra Records ℗ 1975 Elektra/Asylum Records

13
Pravazhanye (Parting)
00:02:20

Theodore Bikel, MainArtist

© 1960 Elektra Records ℗ 1975 Elektra/Asylum Records

14
Tyomnaya Noch (Dark Night)
00:03:19

Theodore Bikel, MainArtist

© 1960 Elektra Records ℗ 1975 Elektra/Asylum Records

Chronique

1958's Songs of a Russian Gypsy was a considerable commercial and critical success for the distinguished actor and musician Theodore Bikel, so it's no great surprise that he returned to Russian folk music in 1960 with Songs of Russia Old & New. The second album was a bit more ambitious in that it encompassed a broader thematic range than its precursor, including some songs specific to the Soviet Union rather than the old Russia, and focused less on upbeat material, though Bikel's passionate performing style still gave all 14 selections plenty of life. Bikel's background in the theater is often apparent in his performances, and he isn't afraid to sing with rafter-shaking force (he roars through "Pomnya Ya [I Remember]" with such vigor that one gets winded just listening to it), but he also well knew enough to match his performance to the material, and he's able to communicate both the mood and the meaning of these tunes even to an audience who can't understand the lyrics, and the skill of his performances had only improved since his first Russian album. Songs of Russia Old & New also boasted slightly glossier production and more elaborate arrangements, though they never intrude upon the material, and the musicians approach the material with the same intelligence and taste as Bikel. America has had few performers with the range of talents Theodore Bikel displayed in his career, and Songs of Russia Old & New preserves the man's musical ability at the peak of his strength.

© Mark Deming /TiVo

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