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Sequentia|Music for Paradise - The Best of Hildegard von Bingen

Music for Paradise - The Best of Hildegard von Bingen

Sequentia

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This fine single-disc collection of music by German abbess Hildegarde of Bingen is not at all what is promised by the rather dubious graphics. The potential buyer may wonder what the phrase best-of might mean with regard to Hildegarde, who did not have specific "hits" in the modern sense. Even more noteworthy is the absence of any performer's name in the graphics. Apparently the compilers thought the name Sequentia would be unfamiliar to the target market, but this Swiss-German group was largely responsible for popularizing Hildegarde's music in the 1980s and 1990s, and you could hardly do better for a sampler. That's what you get here. The recordings are drawn from Sequentia's six albums of Hildegarde's music; the original sources are not indicated, but a large group seems to come from Symphoniae/Spiritual Songs (1983). The group cultivated a stark, dramatic sound that brought out the soaring, mystical lines of many of Hildegarde's chants, accompanying them lightly with one or more medieval fiddles and a small organ at times. The effect is suitably haunting. You will, of course, get more detail if you seek out Sequentia's original albums, but the collection hints at those riches: though most of the music is sung by a group of women's voices (led by the late Barbara Thornton), there is also a track, O beata infantia (track 8), sung by men, which, as the notes discuss, is suitable, for Hildegarde was quite famous among her male contemporaries. The early CD-era sound isn't always quite what it could be, but the notes give you a good idea of the different kinds of chants Hildegarde composed, and in general this release can be recommended for those wishing to get a taste of Hildegarde's music.

© TiVo

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Music for Paradise - The Best of Hildegard von Bingen

Sequentia

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1
O Jerusalem
00:10:22

Sequentia Women's and Instrumental Ensemble, Performer - Maria Jonas, Vocal - Diane Severson, Vocal - Allegra Silbiger, Vocal - Hildegard von Bingen, Composer - Klaus L. Neumann, Producer - Benjamin Bagby, Arranger - Elizabeth Gaver, Arranger - Barbara Thornton, Arranger

(P) 1997 Sony Music Entertainment

2
O rubor sanguinis
00:01:58

Barbara Thornton, Arranger - Barbara Thornton, Conductor - Heather Knutson, Vocal - Sequentia, Performer - Hildegard von Bingen, Composer - Hildegard von Bingen, Lyricist - Klaus L. Neumann, Producer - Barbara Valentin, Recording Engineer - Andreas Neubronner/TRITONUS, Mastering Engineer - Elizabeth Gaver, Arranger

(P) 1995 Sony Music Entertainment

3
O tu suavissima virga
00:11:13

Susanne Norin, Vocal - Klaus L. Neumann, Producer - Hildegard von Bingen, Composer - Hildegard von Bingen, Lyricist - Jan Höfermann, Executive Producer - Benjamin Bagby, Arranger - Elizabeth Gaver, Arranger - Sequentia, Performer - Barbara Thornton, Conductor

(P) 1994 Sony Music Entertainment

4
Symphoniae: O quam mirabilis
00:03:08

Sequentia, Performer - Hildegard von Bingen, Composer - Hildegard von Bingen, Lyricist - Norbert Rodenkirchen, Flute - Robert Mealy, Fiddle - Rachel Evans, Fiddle - Elizabeth Ostrow, Producer - Rene Schildgen, Assistant Producer - Elizabeth Gaver, Fiddle - Janet Youngdahl, Vocal - John Newton, Recording Engineer - Barbara Thornton, Vocal - Jeff Baust, Editor - Susanne Norin, Vocal - Marianne Nielsen, Vocal - Nancy Mayer, Vocal - Heather Knutson, Vocal - Maria Jonas, Vocal - Ellen Hargis, Vocal - Suzanne Ehly, Vocal - Pamela Dellal, Vocal - Rebecca Bain, Vocal

(P) 1998 Sony Music Entertainment

5
Caritas habundat in omnia
00:02:11

Sequentia, Performer - Klaus L. Neumann, Producer - Hildegard von Bingen, Composer - Hildegard von Bingen, Lyricist - Jan Höfermann, Executive Producer - Benjamin Bagby, Arranger - Elizabeth Gaver, Arranger - Barbara Thornton, Conductor

(P) 1994 Sony Music Entertainment

6
O cruor sanguinis
00:01:35

Barbara Thornton, Arranger - Barbara Thornton, Conductor - Carol Schlaikjer, Vocal - Sequentia, Performer - Klaus L. Neumann, Producer - Hildegard von Bingen, Composer - Hildegard von Bingen, Lyricist - Barbara Valentin, Recording Engineer - Andreas Neubronner/TRITONUS, Mastering Engineer - Elizabeth Gaver, Arranger

(P) 1995 Sony Music Entertainment

7
O vis eternitatis
00:07:56

Sequentia, Performer - Hildegard von Bingen, Composer - Hildegard von Bingen, Lyricist - Barbara Thornton, Conductor - Klaus L. Neumann, Producer - Jan Höfermann, Executive Producer - Laurie Monahan, Mezzo-Soprano - Benjamin Bagby, Arranger - Elizabeth Gaver, Arranger

(P) 1994 Sony Music Entertainment

8
O beata infantia (Antiphon, fol. 470v) / Domine, Dominus noster (Psalm 8)
00:05:55

Sequentia, Performer - Barbara Thornton, Conductor - Benjamin Bagby, Conductor - Hildegard von Bingen, Composer - Elizabeth Ostrow, Producer - Jon Aaron, Executive Producer - John Newton, Engineer

(P) 1998 Sony Music Entertainment

9
O vos, felices radices (De Patriarchis et Prophetis, Responsorium)
00:05:04

Sequentia, Performer - Klaus L. Neumann, Producer - Hildegard von Bingen, Composer - Barbara Thornton, Conductor

(P)1985 BMG Entertainment

10
O presul vere civitatis (sequence, fol. 475v)
00:08:44

Sequentia, Performer - Barbara Thornton, Conductor - Benjamin Bagby, Conductor - Hildegard von Bingen, Composer - Elizabeth Ostrow, Producer - Jon Aaron, Executive Producer - John Newton, Engineer

(P) 1998 Sony Music Entertainment

11
Instrumental dance II
00:01:47

Sequentia, Performer - Hildegard von Bingen, Composer - Hildegard von Bingen, Lyricist - Benjamin Bagby, Organ - Norbert Rodenkirchen, Flute - Robert Mealy, Fiddle - Elizabeth Ostrow, Producer - Rene Schildgen, Assistant Producer - Rachel Evans, Fiddle - John Newton, Recording Engineer - Jeff Baust, Editor - Elizabeth Gaver, Fiddle

(P) 1998 Sony Music Entertainment

12
Scene 4: Quae es, aut unde venis?
00:09:06

Sequentia, Performer - Hildegard von Bingen, Composer - Hildegard von Bingen, Lyricist - Benjamin Bagby, Organ - Benjamin Bagby, Vocal - Norbert Rodenkirchen, Flute - Elizabeth Ostrow, Producer - Rene Schildgen, Assistant Producer - Robert Mealy, Fiddle - Rachel Evans, Fiddle - John Newton, Recording Engineer - Elizabeth Gaver, Fiddle - Jeff Baust, Editor - William Hite, Vocal - Frank Kelley, Vocal - Mark McSweeney, Vocal - Eric Mentzel, Vocal - Paul Guttry, Vocal - Steven Grant, Vocal - John Fleagle, Vocal - Franz-Josef Heumannskaemper, Vocal - Janet Youngdahl, Vocal - Barbara Thornton, Vocal - Susanne Norin, Vocal - Marianne Nielsen, Vocal - Nancy Mayer, Vocal - Heather Knutson, Vocal - Maria Jonas, Vocal - Ellen Hargis, Vocal - Suzanne Ehly, Vocal - Pamela Dellal, Vocal - Rebecca Bain, Vocal

(P) 1998 Sony Music Entertainment

13
Finale: In principio
00:04:07

Sequentia, Performer - Elizabeth Ostrow, Producer - Rene Schildgen, Assistant Producer - John Newton, Recording Engineer - Jeff Baust, Editor - Benjamin Bagby, Organ - Benjamin Bagby, Vocal - Norbert Rodenkirchen, Flute - Robert Mealy, Fiddle - Rachel Evans, Fiddle - Elizabeth Gaver, Fiddle - William Hite, Vocal - Frank Kelley, Vocal - Mark McSweeney, Vocal - Eric Mentzel, Vocal - Paul Guttry, Vocal - Steven Grant, Vocal - John Fleagle, Vocal - Franz-Josef Heumannskaemper, Vocal - Janet Youngdahl, Vocal - Barbara Thornton, Vocal - Susanne Norin, Vocal - Marianne Nielsen, Vocal - Nancy Mayer, Vocal - Heather Knutson, Vocal - Maria Jonas, Vocal - Ellen Hargis, Vocal - Suzanne Ehly, Vocal - Pamela Dellal, Vocal - Hildegard von Bingen, Composer - Hildegard von Bingen, Lyricist - Rebecca Bain, Vocal

(P) 1998 Sony Music Entertainment

Chronique

This fine single-disc collection of music by German abbess Hildegarde of Bingen is not at all what is promised by the rather dubious graphics. The potential buyer may wonder what the phrase best-of might mean with regard to Hildegarde, who did not have specific "hits" in the modern sense. Even more noteworthy is the absence of any performer's name in the graphics. Apparently the compilers thought the name Sequentia would be unfamiliar to the target market, but this Swiss-German group was largely responsible for popularizing Hildegarde's music in the 1980s and 1990s, and you could hardly do better for a sampler. That's what you get here. The recordings are drawn from Sequentia's six albums of Hildegarde's music; the original sources are not indicated, but a large group seems to come from Symphoniae/Spiritual Songs (1983). The group cultivated a stark, dramatic sound that brought out the soaring, mystical lines of many of Hildegarde's chants, accompanying them lightly with one or more medieval fiddles and a small organ at times. The effect is suitably haunting. You will, of course, get more detail if you seek out Sequentia's original albums, but the collection hints at those riches: though most of the music is sung by a group of women's voices (led by the late Barbara Thornton), there is also a track, O beata infantia (track 8), sung by men, which, as the notes discuss, is suitable, for Hildegarde was quite famous among her male contemporaries. The early CD-era sound isn't always quite what it could be, but the notes give you a good idea of the different kinds of chants Hildegarde composed, and in general this release can be recommended for those wishing to get a taste of Hildegarde's music.

© TiVo

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