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Tony Bennett|I Left My Heart In San Francisco

I Left My Heart In San Francisco

Tony Bennett

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Along with his producer, Ernest Altschuler, and his arranger/pianist, Ralph Sharon, Tony Bennett had been searching for a repertoire and a musical approach beyond his long-gone pop work with Mitch Miller of the early '50s and his artistically pleasing but commercially dicey jazz work of the mid- to late '50s. It seemed to be a combination of Broadway songs and other contemporary material, carefully selected and arranged to show off Bennett's now-burnished vocals, which, as he approached the end of his thirties, were starting to be located in a more comfortable range closer to a baritone than a tenor. With this album, they found the key, not only by happening across a signature song in the title track, but also in the approach to songs like "Once Upon a Time," a gem from the flop musical All American, and Cy Coleman and Carolyn Leigh's "The Best Is Yet to Come," which Bennett helped make a standard. (Frank Sinatra didn't do it until two years later.) From here on until the world changed again toward the late '60s, Bennett would not have to feel that he had to compromise his art for popularity, making up-tempo singles in an attempt to meet the marketplace while longing to do ballads and swing material instead. I Left My Heart In San Francisco, a gold-selling Top Ten hit that stayed in the charts almost three years, demonstrated that he could have it all. (Tony Bennett won two 1962 Grammy Awards for the title song: Record of the Year and Best Solo Vocal Performance, Male.)

© William Ruhlmann /TiVo

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I Left My Heart In San Francisco

Tony Bennett

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1
I'm Always Chasing Rainbows
00:02:39

Joseph McCarthy, Composer, Author - Tony Bennett, Artist, MainArtist - Harry Carroll, Composer, Author

2020 total hot records 2 2020 total hot records 2

2
The Best Is Yet to Come
00:02:27

CY COLEMAN, Composer, Author - CAROLYN LEIGH, Composer, Author - Tony Bennett, Artist, MainArtist

2020 total hot records 2 2020 total hot records 2

3
I Left My Heart in San Francisco
00:02:50

Douglass Cross, Composer, Author - George Cory, Composer, Author - Tony Bennett, Artist, MainArtist

2020 total hot records 2 2020 total hot records 2

4
Love for Sale
00:03:06

Cole Porter, Composer, Author - Tony Bennett, Artist, MainArtist

2020 total hot records 2 2020 total hot records 2

5
Rules of the Road
00:02:31

CY COLEMAN, Composer, Author - CAROLYN LEIGH, Composer, Author - Tony Bennett, Artist, MainArtist

2020 total hot records 2 2020 total hot records 2

6
Once Upon A Time
00:02:57

CHARLES STROUSE, Composer, Author - LEE ADAMS, Composer, Author - Tony Bennett, Artist, MainArtist

2020 total hot records 2 2020 total hot records 2

7
Candy Kisses
00:02:22

Tony Bennett, Artist, MainArtist - George Morgan, Composer, Author

2020 total hot records 2 2020 total hot records 2

8
Smile
00:02:48

Charlie Chaplin, Composer, Author - John Turner, Composer, Author - Geoffrey Parsons, Composer, Author - Tony Bennett, Artist, MainArtist

2020 total hot records 2 2020 total hot records 2

9
Marry Young
00:02:19

CY COLEMAN, Composer, Author - CAROLYN LEIGH, Composer, Author - Tony Bennett, Artist, MainArtist

2020 total hot records 2 2020 total hot records 2

10
Taking A Chance on Love
00:01:51

Vernon Duke, Composer, Author - John Latouche, Composer, Author - Tony Bennett, Artist, MainArtist - Ted Fetter, Composer, Author

2020 total hot records 2 2020 total hot records 2

11
Have I Told You Lately?
00:02:37

Tony Bennett, Artist, MainArtist - Harold Rome, Composer, Author

2020 total hot records 2 2020 total hot records 2

12
Tender Is the Night
00:02:37

Paul Francis Webster, Composer, Author - Sammy Fain, Composer, Author - Tony Bennett, Artist, MainArtist

2020 total hot records 2 2020 total hot records 2

Chronique

Along with his producer, Ernest Altschuler, and his arranger/pianist, Ralph Sharon, Tony Bennett had been searching for a repertoire and a musical approach beyond his long-gone pop work with Mitch Miller of the early '50s and his artistically pleasing but commercially dicey jazz work of the mid- to late '50s. It seemed to be a combination of Broadway songs and other contemporary material, carefully selected and arranged to show off Bennett's now-burnished vocals, which, as he approached the end of his thirties, were starting to be located in a more comfortable range closer to a baritone than a tenor. With this album, they found the key, not only by happening across a signature song in the title track, but also in the approach to songs like "Once Upon a Time," a gem from the flop musical All American, and Cy Coleman and Carolyn Leigh's "The Best Is Yet to Come," which Bennett helped make a standard. (Frank Sinatra didn't do it until two years later.) From here on until the world changed again toward the late '60s, Bennett would not have to feel that he had to compromise his art for popularity, making up-tempo singles in an attempt to meet the marketplace while longing to do ballads and swing material instead. I Left My Heart In San Francisco, a gold-selling Top Ten hit that stayed in the charts almost three years, demonstrated that he could have it all. (Tony Bennett won two 1962 Grammy Awards for the title song: Record of the Year and Best Solo Vocal Performance, Male.)

© William Ruhlmann /TiVo

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