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Jascha Nemtsov|Hans Heller: Piano Works & Songs

Hans Heller: Piano Works & Songs

Jascha Nemtsov, Tehila Nini Goldstein

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Langue disponible : anglais

After Hans Heller’s death on December 9, 1969, and after the end of Ingrid Heller’s pianistic career, Heller's name disappeared altogether from the music scene. To this day, his oeuvre has been largely ignored by musicological research. It is to be hoped that Hans Heller’s work will soon be finally accorded the recognition it deserves, both on the German and international music scene. His musical quality and originality, his humanistic message and its contemporary relevance are the best preconditions for that to come about.

Heller had already decided in 1924 to concentrate entirely on composing music. For that reason he moved in August 1924 to Berlin, where from 1925 to 1929 he studied counterpoint, instrumentation and composition with Franz Schreker. Before long, Franz Schreker and his wife, the singer Maria Schreker (1892-1978), had formed a deep, lifelong friendship with Heller. “Schrekers and Hellers became friends in the 1920s”, Peter Heller later recalled. “They went out together in the evenings after work, they played cards together. Hindemith was also part of the circle, with his wife Trude. Musical life centred on this group of friends. My parents met Schoenberg, Berg, Krenek”.

The rediscovery of the German Jewish composer Hans Heller is a prime example of how the historical reappraisal of the effects of totalitarian systems on the development of music in the 20th century can in no way be considered as completed. © Haenssler Classic

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Hans Heller: Piano Works & Songs

Jascha Nemtsov

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Piano Sonata, Op. 3 (Hans Heller)

1
I. Molto allegro - Molto agitato
00:04:34

Jascha Nemtsov, Artist, MainArtist - Hans Heller, Composer

(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC

2
II. Lento
00:03:01

Jascha Nemtsov, Artist, MainArtist - Hans Heller, Composer

(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC

3
III. Presto
00:06:56

Jascha Nemtsov, Artist, MainArtist - Hans Heller, Composer

(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC

4 Lieder, Op. 8 "Vom kleinen Alltag" (Hans Heller)

4
No. 1, Nichts ist so rührend wie dieHabseligkeiten der Toten
00:03:05

Tehila Nini Goldstein, Artist, MainArtist - Jascha Nemtsov, Artist, MainArtist - Anton Wildgans, Lyricist - Hans Heller, Composer

(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC

5
No. 2, Man muss die Frauen der kleinen Beamten sehen
00:03:15

Tehila Nini Goldstein, Artist, MainArtist - Jascha Nemtsov, Artist, MainArtist - Anton Wildgans, Lyricist - Hans Heller, Composer

(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC

6
No. 3, Die armen Leute ziehen am Sonntag hinaus
00:03:52

Tehila Nini Goldstein, Artist, MainArtist - Jascha Nemtsov, Artist, MainArtist - Anton Wildgans, Lyricist - Hans Heller, Composer

(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC

7
No. 4, Arbeiter reißen die Straße auf
00:04:20

Tehila Nini Goldstein, Artist, MainArtist - Jascha Nemtsov, Artist, MainArtist - Anton Wildgans, Lyricist - Hans Heller, Composer

(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC

2 Scherzi, Op. 4 (Hans Heller)

8
No. 1, Prestissimo
00:04:33

Jascha Nemtsov, Artist, MainArtist - Hans Heller, Composer

(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC

9
No. 2, Allegro
00:04:14

Jascha Nemtsov, Artist, MainArtist - Hans Heller, Composer

(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC

Schlafen, schlafen... (Hans Heller)

10
Schlafen, schlafen...
00:03:03

Friedrich Hebbel, Lyricist - Tehila Nini Goldstein, Artist, MainArtist - Jascha Nemtsov, Artist, MainArtist - Hans Heller, Composer

(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC

Little Suite for Piano (Hans Heller)

11
I. Prelude
00:01:02

Jascha Nemtsov, Artist, MainArtist - Hans Heller, Composer

(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC

12
II. Meditation
00:02:31

Jascha Nemtsov, Artist, MainArtist - Hans Heller, Composer

(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC

13
III. Scherzino
00:01:14

Jascha Nemtsov, Artist, MainArtist - Hans Heller, Composer

(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC

14
IV. Elegie
00:01:59

Jascha Nemtsov, Artist, MainArtist - Hans Heller, Composer

(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC

15
V. Like the Song of a Bird
00:01:28

Jascha Nemtsov, Artist, MainArtist - Hans Heller, Composer

(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC

16
VI. Molto vivace
00:01:16

Jascha Nemtsov, Artist, MainArtist - Hans Heller, Composer

(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC

Les aveugles (Hans Heller)

17
Les aveugles
00:05:11

Charles Baudelaire, Lyricist - Tehila Nini Goldstein, Artist, MainArtist - Jascha Nemtsov, Artist, MainArtist - Hans Heller, Composer

(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC

Divertimento for Piano (Hans Heller)

18
I. Introduzione
00:01:56

Jascha Nemtsov, Artist, MainArtist - Hans Heller, Composer

(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC

19
II. Allegretto scherzando
00:00:48

Jascha Nemtsov, Artist, MainArtist - Hans Heller, Composer

(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC

20
III. Vivace
00:01:03

Jascha Nemtsov, Artist, MainArtist - Hans Heller, Composer

(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC

21
IV. Andante molto
00:00:59

Jascha Nemtsov, Artist, MainArtist - Hans Heller, Composer

(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC

22
V. Veemente
00:01:32

Jascha Nemtsov, Artist, MainArtist - Hans Heller, Composer

(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC

23
VI. Teneramente
00:00:53

Jascha Nemtsov, Artist, MainArtist - Hans Heller, Composer

(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC

24
VII. Tempo di marcia
00:01:10

Jascha Nemtsov, Artist, MainArtist - Hans Heller, Composer

(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC

Chronique

After Hans Heller’s death on December 9, 1969, and after the end of Ingrid Heller’s pianistic career, Heller's name disappeared altogether from the music scene. To this day, his oeuvre has been largely ignored by musicological research. It is to be hoped that Hans Heller’s work will soon be finally accorded the recognition it deserves, both on the German and international music scene. His musical quality and originality, his humanistic message and its contemporary relevance are the best preconditions for that to come about.

Heller had already decided in 1924 to concentrate entirely on composing music. For that reason he moved in August 1924 to Berlin, where from 1925 to 1929 he studied counterpoint, instrumentation and composition with Franz Schreker. Before long, Franz Schreker and his wife, the singer Maria Schreker (1892-1978), had formed a deep, lifelong friendship with Heller. “Schrekers and Hellers became friends in the 1920s”, Peter Heller later recalled. “They went out together in the evenings after work, they played cards together. Hindemith was also part of the circle, with his wife Trude. Musical life centred on this group of friends. My parents met Schoenberg, Berg, Krenek”.

The rediscovery of the German Jewish composer Hans Heller is a prime example of how the historical reappraisal of the effects of totalitarian systems on the development of music in the 20th century can in no way be considered as completed. © Haenssler Classic

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