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cantoLX|Frescobaldi & Cage: Songs of Irrelevance and Passion

Frescobaldi & Cage: Songs of Irrelevance and Passion

cantoLX

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Langue disponible : anglais

There is substantial overlap between the fields of early music and contemporary music, and the performances on this release by the Luxembourgeois vocal group cantoLX and conductor Frank Agsteribbe are fully adequate. Indeed, Agsteribbe achieves a novel sound in the short songs of Frescobaldi: in contrast to the large, operatic continuo groups that have been used in this repertory, he restricts the continuo to harpsichord and theorbo. This produces a clean effect that puts the focus on the singers and remains true to the chamber uses of the music. The singers manage the extended vocal techniques in the Cage pieces without sounding like they're treading in hostile territory. So, the only real question here is the unusual program of Frescobaldi and Cage and whether it makes sense. The booklet casts the two composers as vocal experimenters, which is certainly true enough, and it might even be plausible to argue that each stood at the beginning of a fundamentally new musical language. The analogy between the two composers is a kind of musicological one. But it breaks down pretty quickly: extended vocal technique was a small part of Cage's compositional arsenal, and his music, though famous, has hardly been influential in the way Frescobaldi's was. You may find that the program has the flavor of one of those symphonic concerts of a generation ago that included an obligatory contemporary work through which everyone sat through dutifully so they could hear the Beethoven. But if you find that you buy the concept, you'll find nothing wrong with the execution.
© TiVo

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Frescobaldi & Cage: Songs of Irrelevance and Passion

cantoLX

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1
Degnati, ò gran Fernando (Canto in stile recitativo)
cantoLX
00:02:29

Girolamo Frescobaldi, Composer - Peter De Laurentiis, Soloist - Frank Agsteribbe, Conductor - cantoLX, MainArtist

2012 Etcetera 2012 Etcetera

2
Signor, c'hora frà gli ostri (Sonetto in stile recitativo)
cantoLX
00:01:47

Girolamo Frescobaldi, Composer - Mariví Blasco, Soloist - Frank Agsteribbe, Conductor - cantoLX, MainArtist

2012 Etcetera 2012 Etcetera

3
Se l'aura spira, F 7.15 (Aria)
cantoLX
00:01:11

Girolamo Frescobaldi, Composer - Stephan Van Dijck, Soloist - Frank Agsteribbe, Conductor - cantoLX, MainArtist

2012 Etcetera 2012 Etcetera

4
Se m'amate io v'adoro (Madrigale a due voci)
cantoLX
00:01:46

Girolamo Frescobaldi, Composer - Mariví Blasco, Soloist - Peter De Laurentiis, Soloist - Frank Agsteribbe, Conductor - cantoLX, MainArtist

2012 Etcetera 2012 Etcetera

5
Solo for Voice no. 53 (Aria 2B)
Marivi Blasco
00:02:21

John Cage, Composer - Mariví Blasco, MainArtist - Frank Agsteribbe, Conductor

2012 Etcetera 2012 Etcetera

6
Così mi disprezzate?, F 7.16 (Aria di passacaglia)
cantoLX
00:02:54

Girolamo Frescobaldi, Composer - Frank Agsteribbe, Conductor - Veronique Nosbaum, Soloist - cantoLX, MainArtist

2012 Etcetera 2012 Etcetera

7
Donna, siam rei di morte (Sonetto)
cantoLX
00:03:09

Girolamo Frescobaldi, Composer - Frank Agsteribbe, Conductor - Jean-Paul Majerus, Soloist - cantoLX, MainArtist

2012 Etcetera 2012 Etcetera

8
Se l'onde, ohime (Aria a voce sola)
cantoLX
00:03:01

Girolamo Frescobaldi, Composer - Stephan Van Dijck, Soloist - Frank Agsteribbe, Conductor - cantoLX, MainArtist

2012 Etcetera 2012 Etcetera

9
Troppo sotto due stelle, F 7.11 (Aria)
cantoLX
00:03:17

Girolamo Frescobaldi, Composer - Frank Agsteribbe, Conductor - Jean-Paul Majerus, Soloist - cantoLX, MainArtist

2012 Etcetera 2012 Etcetera

10
Solo for Voice no. 15 - The Wonderful Widow of Eighteen Springs
Peter De Laurentiis
00:03:22

John Cage, Composer - Peter De Laurentiis, MainArtist - Frank Agsteribbe, Conductor

2012 Etcetera 2012 Etcetera

11
Con dolcezza e pietate (Canzone)
cantoLX
00:01:15

Girolamo Frescobaldi, Composer - Stephan Van Dijck, Soloist - Frank Agsteribbe, Conductor - Jean-Paul Majerus, Soloist - Jonathan De Ceuster, Soloist - cantoLX, MainArtist

2012 Etcetera 2012 Etcetera

12
Dunque dovrò dul puro servir mio, F 2.13 (Aria di Romanesca)
cantoLX
00:02:43

Girolamo Frescobaldi, Composer - Frank Agsteribbe, Conductor - Veronique Nosbaum, Soloist - cantoLX, MainArtist

2012 Etcetera 2012 Etcetera

13
Dove ne vai pensiero (Canzona)
cantoLX
00:01:28

Girolamo Frescobaldi, Composer - Peter De Laurentiis, Soloist - Frank Agsteribbe, Conductor - Veronique Nosbaum, Soloist - cantoLX, MainArtist

2012 Etcetera 2012 Etcetera

14
Voi partite mio sole (Aria)
cantoLX
00:02:07

Girolamo Frescobaldi, Composer - Peter De Laurentiis, Soloist - Frank Agsteribbe, Conductor - cantoLX, MainArtist

2012 Etcetera 2012 Etcetera

15
Corilla danzando (Canzona)
cantoLX
00:00:55

Girolamo Frescobaldi, Composer - Stephan Van Dijck, Soloist - Frank Agsteribbe, Conductor - Veronique Nosbaum, Soloist - Jonathan De Ceuster, Soloist - cantoLX, MainArtist

2012 Etcetera 2012 Etcetera

16
Entro nave dorata, F 7.10 (Aria a voce sola)
cantoLX
00:02:28

Girolamo Frescobaldi, Composer - Peter De Laurentiis, Soloist - Frank Agsteribbe, Conductor - cantoLX, MainArtist

2012 Etcetera 2012 Etcetera

17
Begli occhi io non provo, F 7.18 (Canto)
cantoLX
00:03:05

Girolamo Frescobaldi, Composer - Mariví Blasco, Soloist - Frank Agsteribbe, Conductor - Veronique Nosbaum, Soloist - cantoLX, MainArtist

2012 Etcetera 2012 Etcetera

18
Occhi che sete, F 7.19 (Aria)
cantoLX
00:01:46

Girolamo Frescobaldi, Composer - Stephan Van Dijck, Soloist - Peter De Laurentiis, Soloist - Frank Agsteribbe, Conductor - cantoLX, MainArtist

2012 Etcetera 2012 Etcetera

19
Solo for Voice No. 27, 30, 34
Jonathan De Ceuster
00:03:22

John Cage, Composer - Peter De Laurentiis, MainArtist - Frank Agsteribbe, Conductor - Jean-Paul Majerus, MainArtist - Jonathan De Ceuster, MainArtist

2012 Etcetera 2012 Etcetera

20
Maddalena alla Croce (Sonetto spirituale)
cantoLX
00:02:41

Girolamo Frescobaldi, Composer - Frank Agsteribbe, Conductor - Veronique Nosbaum, Soloist - cantoLX, MainArtist

2012 Etcetera 2012 Etcetera

21
Dove, Signor (Sonetto spirituale in stile recitativo)
cantoLX
00:02:16

Girolamo Frescobaldi, Composer - Stephan Van Dijck, Soloist - Frank Agsteribbe, Conductor - cantoLX, MainArtist

2012 Etcetera 2012 Etcetera

22
Dopo si lungo error (Canto spirituale in stile recitativo)
cantoLX
00:02:13

Girolamo Frescobaldi, Composer - Frank Agsteribbe, Conductor - Jean-Paul Majerus, Soloist - cantoLX, MainArtist

2012 Etcetera 2012 Etcetera

23
Solo for Voice No. 52 (Aria 2)
Jonathan De Ceuster
00:10:19

John Cage, Composer - Frank Agsteribbe, Conductor - Veronique Nosbaum, MainArtist - Jonathan De Ceuster, MainArtist

2012 Etcetera 2012 Etcetera

24
Non mi negate, F 7.12 (Aria a voce sola)
cantoLX
00:01:39

Girolamo Frescobaldi, Composer - Mariví Blasco, Soloist - Frank Agsteribbe, Conductor - cantoLX, MainArtist

2012 Etcetera 2012 Etcetera

25
Di Licori un guardo altero, F 7.13 (Canto a voce sola)
cantoLX
00:01:54

Girolamo Frescobaldi, Composer - Stephan Van Dijck, Soloist - Frank Agsteribbe, Conductor - cantoLX, MainArtist

2012 Etcetera 2012 Etcetera

26
Eri già tutta mia (Canzona)
cantoLX
00:02:07

Girolamo Frescobaldi, Composer - Mariví Blasco, Soloist - Frank Agsteribbe, Conductor - Veronique Nosbaum, Soloist - cantoLX, MainArtist

2012 Etcetera 2012 Etcetera

27
Ardo, e taccio il mio mal (Canto in stile recitativo)
cantoLX
00:03:30

Girolamo Frescobaldi, Composer - Peter De Laurentiis, Soloist - Frank Agsteribbe, Conductor - cantoLX, MainArtist

2012 Etcetera 2012 Etcetera

Chronique

There is substantial overlap between the fields of early music and contemporary music, and the performances on this release by the Luxembourgeois vocal group cantoLX and conductor Frank Agsteribbe are fully adequate. Indeed, Agsteribbe achieves a novel sound in the short songs of Frescobaldi: in contrast to the large, operatic continuo groups that have been used in this repertory, he restricts the continuo to harpsichord and theorbo. This produces a clean effect that puts the focus on the singers and remains true to the chamber uses of the music. The singers manage the extended vocal techniques in the Cage pieces without sounding like they're treading in hostile territory. So, the only real question here is the unusual program of Frescobaldi and Cage and whether it makes sense. The booklet casts the two composers as vocal experimenters, which is certainly true enough, and it might even be plausible to argue that each stood at the beginning of a fundamentally new musical language. The analogy between the two composers is a kind of musicological one. But it breaks down pretty quickly: extended vocal technique was a small part of Cage's compositional arsenal, and his music, though famous, has hardly been influential in the way Frescobaldi's was. You may find that the program has the flavor of one of those symphonic concerts of a generation ago that included an obligatory contemporary work through which everyone sat through dutifully so they could hear the Beethoven. But if you find that you buy the concept, you'll find nothing wrong with the execution.
© TiVo

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