Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
In First Circle, the Pat Metheny Group settled into a lineup that lasted for quite a while -- with Metheny, keyboardist Lyle Mays, bassist Steve Rodby, and new drummer Paul Wertico forming the core quartet. The ever-restless Metheny also mixes up the music, not quite leaving the Brazilian glide behind but coming up with some fascinating permutations always affixed with his personal stamp. "Forward March," the album opener, is a bizarre parody full of detuned instruments and half-cocked trumpet from Mays; one wonders if this was directed at a few silly skirmishes of the day (Grenada? the Falklands?). "The First Circle" has Brazilian elements, but now in the service of a grander architectural context, while nothing could be simpler and yet more sophisticated than the delicate ballad "If I Could." "End of the Game" might be the best track on the record, equipped with a beautiful pop-flavored set of tunes and harmonies, with a rock beat fused to the floating ambience of South America as personified by the new Argentine percussionist/vocalist Pedro Aznar. "Praise," the closer, is an out-and-out rock tune, an affirmative flip side of "Forward March" and the last of a series of delightful surprises.
© Richard S. Ginell /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Pedro Aznar, Glockenspiel, AssociatedPerformer - Lyle Mays, Trumpet, AssociatedPerformer - Rob Eaton, Asst. Recording Engineer, StudioPersonnel - Pat Metheny, Producer, Synclavier, AssociatedPerformer, ComposerLyricist - Paul Wertico, Drum, AssociatedPerformer - STEVE RODBY, Drum, AssociatedPerformer - Pat Metheny Group, MainArtist - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel
℗ 1984 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Pedro Aznar, Bells, AssociatedPerformer - Lyle Mays, Piano, AssociatedPerformer, ComposerLyricist - Rob Eaton, Asst. Recording Engineer, StudioPersonnel - Pat Metheny, Producer, Sitar, AssociatedPerformer, ComposerLyricist - Paul Wertico, Drums, AssociatedPerformer - STEVE RODBY, Bass Guitar, AssociatedPerformer - Pat Metheny Group, MainArtist - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel
℗ 1984 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Pedro Aznar, Guitar, AssociatedPerformer - Lyle Mays, Piano, AssociatedPerformer, ComposerLyricist - Rob Eaton, Asst. Recording Engineer, StudioPersonnel - Pat Metheny, Producer, Guitar, AssociatedPerformer, ComposerLyricist - Paul Wertico, Drums, AssociatedPerformer - STEVE RODBY, AssociatedPerformer, Bass (Vocal) - Pat Metheny Group, MainArtist - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel
℗ 1984 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Lyle Mays, Synthesizer, AssociatedPerformer - Rob Eaton, Asst. Recording Engineer, StudioPersonnel - Pat Metheny, Producer, Guitar, AssociatedPerformer, ComposerLyricist - Paul Wertico, Drums, AssociatedPerformer - STEVE RODBY, AssociatedPerformer, Bass (Vocal) - Pat Metheny Group, MainArtist - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel
℗ 1984 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Pedro Aznar, Percussion, AssociatedPerformer - Lyle Mays, Piano, AssociatedPerformer, ComposerLyricist - Rob Eaton, Asst. Recording Engineer, StudioPersonnel - Pat Metheny, Producer, Guitar, AssociatedPerformer, ComposerLyricist - Paul Wertico, Drums, AssociatedPerformer - Pat Metheny Group, MainArtist - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel
℗ 1984 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Pedro Aznar, Percussion, AssociatedPerformer - Lyle Mays, Piano, AssociatedPerformer, ComposerLyricist - Rob Eaton, Asst. Recording Engineer, StudioPersonnel - Pat Metheny, Producer, ComposerLyricist - Paul Wertico, Drums, AssociatedPerformer - STEVE RODBY, AssociatedPerformer, Bass (Vocal) - Pat Metheny Group, MainArtist - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel
℗ 1984 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Pedro Aznar, Percussion, AssociatedPerformer - Rob Eaton, Asst. Recording Engineer, StudioPersonnel - Pat Metheny, Producer, Guitar, AssociatedPerformer, ComposerLyricist - Paul Wertico, Drums, AssociatedPerformer - STEVE RODBY, AssociatedPerformer, Bass (Vocal) - Pat Metheny Group, MainArtist - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel
℗ 1984 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Pedro Aznar, Guitar, AssociatedPerformer - Lyle Mays, Piano, AssociatedPerformer, ComposerLyricist - Rob Eaton, Asst. Recording Engineer, StudioPersonnel - Pat Metheny, Producer, Guitar, AssociatedPerformer, ComposerLyricist - Paul Wertico, Drums, AssociatedPerformer - STEVE RODBY, Bass Guitar, AssociatedPerformer - Pat Metheny Group, MainArtist - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel
℗ 1984 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Chronique
In First Circle, the Pat Metheny Group settled into a lineup that lasted for quite a while -- with Metheny, keyboardist Lyle Mays, bassist Steve Rodby, and new drummer Paul Wertico forming the core quartet. The ever-restless Metheny also mixes up the music, not quite leaving the Brazilian glide behind but coming up with some fascinating permutations always affixed with his personal stamp. "Forward March," the album opener, is a bizarre parody full of detuned instruments and half-cocked trumpet from Mays; one wonders if this was directed at a few silly skirmishes of the day (Grenada? the Falklands?). "The First Circle" has Brazilian elements, but now in the service of a grander architectural context, while nothing could be simpler and yet more sophisticated than the delicate ballad "If I Could." "End of the Game" might be the best track on the record, equipped with a beautiful pop-flavored set of tunes and harmonies, with a rock beat fused to the floating ambience of South America as personified by the new Argentine percussionist/vocalist Pedro Aznar. "Praise," the closer, is an out-and-out rock tune, an affirmative flip side of "Forward March" and the last of a series of delightful surprises.
© Richard S. Ginell /TiVo
À propos
- 1 disque(s) - 8 piste(s)
- Durée totale : 00:50:00
- 1 Livret Numérique
- Artistes principaux : Pat Metheny Group
- Compositeur : Various Composers
- Label : ECM Records
- Genre : Jazz
© 1984 ECM Records GmbH ℗ 1984 ECM Records GmbH
Améliorer les informations de l'album
Pourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.
Playlists