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Arabella Steinbacher|Fantasies, Rhapsodies and Daydreams

Fantasies, Rhapsodies and Daydreams

Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence Foster

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Until the 2016 release of this album on Pentatone, violinist Arabella Steinbacher had mostly explored heavy repertory of the 19th and 20th centuries on recordings of Strauss, Franck, Shostakovich. She shifts gears with this collection of virtuoso favorites that might easily have appeared on a concert program of a century ago, or nearly that long. It's not a program of encores, which is more common today. The works on this program are substantial and, with the exception of Massenet's famous Méditation, between nine and 15 minutes in length. The novelty here is the opening Carmen Fantasie by Franz Waxman, written for Jascha Heifetz and edited by that great violinist. Despite her disclaimer, Steinbacher takes after Heifetz stylistically with her soaring, Apollonian tone, and this work fits her well. Another highlight is an unusually light, agile performance of Vaughan Williams' The Lark Ascending, rather quick, but always seeming under control and not rushed. Steinbacher has plenty of competition here and elsewhere, but in the main, her performances have the refined quality that her classic models achieved, even in broadly popular repertory. She picks her material well, avoiding her polar opposite, Fritz Kreisler. Pentatone's spacious sound, recorded in an unspecified location, delivers on its audiophile claims, and Steinbacher's Booth Stradivarius sounds great. A recommended look back at the age of the star violin virtuoso.

© TiVo

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Fantasies, Rhapsodies and Daydreams

Arabella Steinbacher

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1
Carmen Fantasie
00:11:44

Lawrence Foster, Conductor, MainArtist - Orchestre Philharmonique de Monte-Carlo, Orchestra, MainArtist - Franz Waxman, Composer - Arabella Steinbacher, Violin, MainArtist - Job Maarse, Producer

2016 Pentatone Music B.V. 2016 Pentatone Music B.V.

2
Zigeunerweisen, Op. 20
00:09:04

Lawrence Foster, Conductor, MainArtist - Orchestre Philharmonique de Monte-Carlo, Orchestra, MainArtist - Pablo de Sarasate, Composer - Arabella Steinbacher, Violin, MainArtist - Job Maarse, Producer

2016 Pentatone Music B.V. 2016 Pentatone Music B.V.

3
The Lark Ascending
00:14:45

Ralph Vaughan Williams, Composer - Lawrence Foster, Conductor, MainArtist - Orchestre Philharmonique de Monte-Carlo, Orchestra, MainArtist - Arabella Steinbacher, Violin, MainArtist - Job Maarse, Producer

2016 Pentatone Music B.V. 2016 Pentatone Music B.V.

4
Havanaise, Op. 83, R. 202
00:11:11

CAMILLE SAINT-SAENS, Composer - Lawrence Foster, Conductor, MainArtist - Orchestre Philharmonique de Monte-Carlo, Orchestra, MainArtist - Arabella Steinbacher, Violin, MainArtist - Job Maarse, Producer

2016 Pentatone Music B.V. 2016 Pentatone Music B.V.

5
Introduction et Rondo capriccioso, Op. 28, R. 188: Introduction et Rondo Capriccioso, Op. 28, R. 188
00:09:56

CAMILLE SAINT-SAENS, Composer - Lawrence Foster, Conductor, MainArtist - Orchestre Philharmonique de Monte-Carlo, Orchestra, MainArtist - Arabella Steinbacher, Violin, MainArtist - Job Maarse, Producer

2016 Pentatone Music B.V. 2016 Pentatone Music B.V.

6
Thaïs: Méditation
00:06:01

Jules Massenet, Composer - Lawrence Foster, Conductor, MainArtist - Orchestre Philharmonique de Monte-Carlo, Orchestra, MainArtist - Arabella Steinbacher, Violin, MainArtist - Job Maarse, Producer

2016 Pentatone Music B.V. 2016 Pentatone Music B.V.

7
Tzigane, M. 76 (Version for Violin & Orchestra)
00:10:54

Maurice Ravel, Composer - Lawrence Foster, Conductor, MainArtist - Orchestre Philharmonique de Monte-Carlo, Orchestra, MainArtist - Arabella Steinbacher, Violin, MainArtist - Job Maarse, Producer

2016 Pentatone Music B.V. 2016 Pentatone Music B.V.

Chronique

Until the 2016 release of this album on Pentatone, violinist Arabella Steinbacher had mostly explored heavy repertory of the 19th and 20th centuries on recordings of Strauss, Franck, Shostakovich. She shifts gears with this collection of virtuoso favorites that might easily have appeared on a concert program of a century ago, or nearly that long. It's not a program of encores, which is more common today. The works on this program are substantial and, with the exception of Massenet's famous Méditation, between nine and 15 minutes in length. The novelty here is the opening Carmen Fantasie by Franz Waxman, written for Jascha Heifetz and edited by that great violinist. Despite her disclaimer, Steinbacher takes after Heifetz stylistically with her soaring, Apollonian tone, and this work fits her well. Another highlight is an unusually light, agile performance of Vaughan Williams' The Lark Ascending, rather quick, but always seeming under control and not rushed. Steinbacher has plenty of competition here and elsewhere, but in the main, her performances have the refined quality that her classic models achieved, even in broadly popular repertory. She picks her material well, avoiding her polar opposite, Fritz Kreisler. Pentatone's spacious sound, recorded in an unspecified location, delivers on its audiophile claims, and Steinbacher's Booth Stradivarius sounds great. A recommended look back at the age of the star violin virtuoso.

© TiVo

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