Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Compared with Baroque or even High Classical composers, recordings of Romantic music on period instruments remain rare. This release by the young Russian pianist, still a student (of Richard Egarr at this writing), offers a dramatic demonstration of possibilities that are only beginning to be explored. Pashchenko makes a good case that the "transitions" from Classical to Romantic were in part technical in nature, made possible by the burgeoning capabilities of the piano (and other instruments as well). Her program is unusual from a modern perspective, but an audience in the middle of the 19th century wouldn't have found it strange. It serves Pashchenko's aims admirably. She plays a pair of hitherto unknown pianos from the collection of Kremsegg Castle in Austria, an 1812 instrument by Donath Schöfftos (the stepson of Anton Walter, whose instruments are much more common) and an 1827 Graf fortepiano. Both tend toward great power and a brilliant upper register, and the Piano Sonata in F sharp minor, Op. 61, of Jan Ladislav Dussek, completed in 1807, exploits both of these. The work is subtitled "Harmonic Elegy on the Death of His Royal Highness Prince Ferdinand of Prussia," the dedicatee of Beethoven's Piano Concerto No. 3, who was killed in action in 1806. This is a spectacular blood-and-guts work, in two movements, as extreme pianistically as any of Beethoven's sonatas of the same period. The interpretation of the Beethoven Bagatelles, Op. 33, is similarly extreme, with the abrupt mannerisms of those works exaggerated and resolved in glittering cascades of high notes. The Beethoven Piano Sonata No. 32 in C minor, Op. 111, and Mendelssohn's Variations sérieuses for piano in D minor, Op. 54, are played on the Graf piano. Pashchenko's interpretations are a bit more restrained here, but they're cut from the same cloth; the syncopated variation in Beethoven's finale explodes with a force rarely heard on other recordings. Some may find her playing a bit over the top here, but it's hard to avoid the conclusion that she has offered a radically new way of thinking about early Romantic music and has carried through that way of thinking intelligently. If you find yourself attuned to Pashchenko's playing, this will be a rare thrill.
© TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Sonata in F-Sharp Minor, Elégie harmonique sur la mort de son Altesse Royale le Prince Louis Ferdinand de Prusse, Op. 61 (Jan Ladislav Dussek)
Olga Pashchenko, Performer - Jan Ladislav Dussek, Composer
2012 Outhere 2012 Outhere
Olga Pashchenko, Performer - Jan Ladislav Dussek, Composer
2012 Outhere 2012 Outhere
Seven Bagatelles, Op. 33 (Ludwig van Beethoven)
Olga Pashchenko, Performer - Ludwig van Beethoven, Composer
2012 Outhere 2012 Outhere
Olga Pashchenko, Performer - Ludwig van Beethoven, Composer
2012 Outhere 2012 Outhere
Olga Pashchenko, Performer - Ludwig van Beethoven, Composer
2012 Outhere 2012 Outhere
Olga Pashchenko, Performer - Ludwig van Beethoven, Composer
2012 Outhere 2012 Outhere
Olga Pashchenko, Performer - Ludwig van Beethoven, Composer
2012 Outhere 2012 Outhere
Olga Pashchenko, Performer - Ludwig van Beethoven, Composer
2012 Outhere 2012 Outhere
Olga Pashchenko, Performer - Ludwig van Beethoven, Composer
2012 Outhere 2012 Outhere
Sonata No. 32 in C Minor, Op. 111 (Ludwig van Beethoven)
Olga Pashchenko, Performer - Ludwig van Beethoven, Composer
2012 Outhere 2012 Outhere
Olga Pashchenko, Performer - Ludwig van Beethoven, Composer
2012 Outhere 2012 Outhere
Olga Pashchenko, Performer - Felix Mendelssohn, Composer
2012 Outhere 2012 Outhere
Chronique
Compared with Baroque or even High Classical composers, recordings of Romantic music on period instruments remain rare. This release by the young Russian pianist, still a student (of Richard Egarr at this writing), offers a dramatic demonstration of possibilities that are only beginning to be explored. Pashchenko makes a good case that the "transitions" from Classical to Romantic were in part technical in nature, made possible by the burgeoning capabilities of the piano (and other instruments as well). Her program is unusual from a modern perspective, but an audience in the middle of the 19th century wouldn't have found it strange. It serves Pashchenko's aims admirably. She plays a pair of hitherto unknown pianos from the collection of Kremsegg Castle in Austria, an 1812 instrument by Donath Schöfftos (the stepson of Anton Walter, whose instruments are much more common) and an 1827 Graf fortepiano. Both tend toward great power and a brilliant upper register, and the Piano Sonata in F sharp minor, Op. 61, of Jan Ladislav Dussek, completed in 1807, exploits both of these. The work is subtitled "Harmonic Elegy on the Death of His Royal Highness Prince Ferdinand of Prussia," the dedicatee of Beethoven's Piano Concerto No. 3, who was killed in action in 1806. This is a spectacular blood-and-guts work, in two movements, as extreme pianistically as any of Beethoven's sonatas of the same period. The interpretation of the Beethoven Bagatelles, Op. 33, is similarly extreme, with the abrupt mannerisms of those works exaggerated and resolved in glittering cascades of high notes. The Beethoven Piano Sonata No. 32 in C minor, Op. 111, and Mendelssohn's Variations sérieuses for piano in D minor, Op. 54, are played on the Graf piano. Pashchenko's interpretations are a bit more restrained here, but they're cut from the same cloth; the syncopated variation in Beethoven's finale explodes with a force rarely heard on other recordings. Some may find her playing a bit over the top here, but it's hard to avoid the conclusion that she has offered a radically new way of thinking about early Romantic music and has carried through that way of thinking intelligently. If you find yourself attuned to Pashchenko's playing, this will be a rare thrill.
© TiVo
À propos
- 1 disque(s) - 12 piste(s)
- Durée totale : 01:16:58
- 1 Livret Numérique
- Artistes principaux : Olga Pashchenko
- Compositeur : Various Composers
- Label : Fuga Libera
- Genre : Classique
2012 Outhere 2012 Outhere
Distinctions :
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.