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Ike Quebec|Ballads

Ballads

Ike Quebec

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Langue disponible : anglais

Tenor saxophonist Ike Quebec always had a big, warm sound, and he was particularly expert on ballads. This 1997 sampler CD surprisingly does not have any examples of his early work on Blue Note in the mid- to late 1940s, instead concentrating on selections from four of Quebec's seven late-period Blue Note albums, a few songs originally issued as 45s, and "Born to Be Blue," which is taken from an album by guitarist Grant Green. The eight ballads are all standards and put the focus very much on Quebec, making for a fine mood album even if acquiring the full sessions (all but "It Might As Well Be Spring" are currently available on CD) is preferable.

© Scott Yanow /TiVo

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Ballads

Ike Quebec

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1
Nancy (With The Laughing Face)
00:07:24

Judy Lynn, ComposerLyricist - Milt Hinton, Musician, AssociatedPerformer, Bass (Vocal) - Alfred Lion, Producer - Art Blakey, Musician, AssociatedPerformer - Sonny Clark, Musician, AssociatedPerformer - Ike Quebec, MainArtist - Jimmy Van Heusen, ComposerLyricist - Lindy Doherty, ComposerLyricist - Jack Albertson, ComposerLyricist - Rose Marie, ComposerLyricist

(C) 1997 Blue Note Records ℗ 1962 Blue Note Records

2
Born To Be Blue
00:04:54

Mel TORME, ComposerLyricist - Robert Wells, ComposerLyricist - Alfred Lion, Producer - Ike Quebec, MainArtist

(C) 1997 Blue Note Records ℗ 1962 Blue Note Records

3
The Man I Love (Digitally Remastered)
00:06:30

George Gershwin, Composer - Ira Gershwin, Author - Alfred Lion, Producer - Ike Quebec, MainArtist - Gregory Stone, Translator

(C) 1997 Blue Note Records ℗ 1961 Blue Note Records

4
Lover Man
00:05:58

Rudy Van Gelder, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Ike Quebec, MainArtist - Jimmie Davis, ComposerLyricist - Jimmy Sherman, ComposerLyricist - Roger Ramirez, ComposerLyricist

(C) 1997 Blue Note Records ℗ 1962 Blue Note Records

5
Willow Weep For Me
00:05:21

Milt Hinton, Musician, AssociatedPerformer, Bass (Vocal) - Al Harewood, Musician, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Ike Quebec, MainArtist - Ann Ronell, ComposerLyricist - Freddy Roach, Musician, AssociatedPerformer

(C) 1997 Blue Note Records ℗ 1962 Blue Note Records

6
If I Could Be With You (One Hour Tonight)
00:06:04

Milt Hinton, Musician, AssociatedPerformer, Bass (Vocal) - Alfred Lion, Producer - Ike Quebec, MainArtist - Sir Charles Thompson, Musician, AssociatedPerformer - Henry Creamer, Composer - Jimmie Johnson, Composer - J.C. Heard, Musician, AssociatedPerformer

(C) 1997 Blue Note Records ℗ 1960 Blue Note Records

7
Everything Happens To Me (Long Version)
00:06:39

Milt Hinton, Musician, AssociatedPerformer, Bass (Vocal) - Alfred Lion, Producer - Matt Dennis, ComposerLyricist - Tom Adair, ComposerLyricist - Ike Quebec, MainArtist - Sir Charles Thompson, Musician, AssociatedPerformer - J.C. Heard, Musician, AssociatedPerformer

(C) 1997 Blue Note Records ℗ 1960 Blue Note Records

8
Imagination
00:05:10

Alfred Lion, Producer - Johnny Burke, Composer - Sam Jones, Musician, AssociatedPerformer, Bass (Vocal) - Ike Quebec, MainArtist - Jimmy Van Heusen, Composer - Willie Jones, Musician, AssociatedPerformer - Earl Van Dyke, Musician, AssociatedPerformer - Wilbert Hogan, Musician, AssociatedPerformer

(C) 1997 Blue Note Records ℗ 1962 Capitol Records, LLC

9
There Is No Greater Love
00:04:43

Marty Symes, Composer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Isham Jones, Composer - Sam Jones, Musician, AssociatedPerformer, Bass (Vocal) - Ike Quebec, Tenor Saxophone, MainArtist, AssociatedPerformer - Willie Jones, Guitar, Musician, AssociatedPerformer - Earl Van Dyke, Organ, Musician, AssociatedPerformer - Wilbert Hogan, Drums, Musician, AssociatedPerformer

(C) 1997 Blue Note Records ℗ 1962 Capitol Records, LLC

Chronique

Tenor saxophonist Ike Quebec always had a big, warm sound, and he was particularly expert on ballads. This 1997 sampler CD surprisingly does not have any examples of his early work on Blue Note in the mid- to late 1940s, instead concentrating on selections from four of Quebec's seven late-period Blue Note albums, a few songs originally issued as 45s, and "Born to Be Blue," which is taken from an album by guitarist Grant Green. The eight ballads are all standards and put the focus very much on Quebec, making for a fine mood album even if acquiring the full sessions (all but "It Might As Well Be Spring" are currently available on CD) is preferable.

© Scott Yanow /TiVo

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