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Dakota String Quartet|America's Neglected Composer

America's Neglected Composer

Emanuele Arciuli, William Sharp, Dakota String Quartet

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Langue disponible : anglais

Arthur Farwell has been called "the most neglected composer in [American musical] history". Hounded by accusations of "cultural appropriation", he has posthumously fallen prey to changing notions of cultural authenticity. As the leader of the "Indianists'" movement, Farwell believed it was a democratic obligation of Americans of European descent to try to understand the indigenous Americans they displaced and oppressed. To this end, he merged Indian music and lore with Western concert forms – today, a controversial practice. The performances here recorded originated at a landmark PostClassical Ensemble festival at Washington’s National Cathedral. © Naxos

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America's Neglected Composer

Dakota String Quartet

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String Quartet in A Major, Op. 65 "The Hako" (Arthur Farwell)

1
String Quartet in A Major, Op. 65 "The Hako"
Dakota String Quartet
00:17:52

Arthur Farwell, Composer - Dakota String Quartet, Ensemble, MainArtist

(C) 2021 Naxos (P) 2021 Naxos

3 Indian Songs, Op. 32

2
No. 1, Song of the Deathless Voice
William Sharp
00:02:30

William Sharp, Artist, MainArtist - Emanuele Arciuli, Artist, MainArtist

(C) 2021 Naxos (P) 2021 Naxos

3
No. 2, Inketunga's Thunder Song
William Sharp
00:02:38

William Sharp, Artist, MainArtist - Emanuele Arciuli, Artist, MainArtist

(C) 2021 Naxos (P) 2021 Naxos

4
No. 3, The Old Man's Love Song
William Sharp
00:03:32

William Sharp, Artist, MainArtist - Arthur Farwell, Composer - Emanuele Arciuli, Artist, MainArtist

(C) 2021 Naxos (P) 2021 Naxos

4 Indian Songs, Op. 102 (Arthur Farwell)

5
No. 3, Pawnee Horses
University of Texas Chamber Singers
00:02:06

Arthur Farwell, Composer - James Morrow, Conductor, MainArtist - University of Texas Chamber Singers, Choir, MainArtist

(C) 2021 Naxos (P) 2021 Naxos

From Mesa and Plain, Op. 20 (Arthur Farwell)

6
No. 2, Pawnee Horses
Emanuele Arciuli
00:01:12

Arthur Farwell, Composer - Emanuele Arciuli, Artist, MainArtist

(C) 2021 Naxos (P) 2021 Naxos

Navajo War Dance No. 2, Op. 29 (Arthur Farwell)

7
Navajo War Dance No. 2, Op. 29
Emanuele Arciuli
00:03:48

Arthur Farwell, Composer - Emanuele Arciuli, Artist, MainArtist

(C) 2021 Naxos (P) 2021 Naxos

Dawn, Op. 12 (Arthur Farwell)

8
Dawn, Op. 12
Emanuele Arciuli
00:06:19

Arthur Farwell, Composer - Emanuele Arciuli, Artist, MainArtist

(C) 2021 Naxos (P) 2021 Naxos

Impressions of the Wa-Wan Ceremony of the Omahas, Op. 21 (Arthur Farwell)

9
No. 1, Receiving the Messenger
Emanuele Arciuli
00:02:17

Arthur Farwell, Composer - Emanuele Arciuli, Artist, MainArtist

(C) 2021 Naxos (P) 2021 Naxos

10
No. 2, Nearing the Village
Emanuele Arciuli
00:01:34

Arthur Farwell, Composer - Emanuele Arciuli, Artist, MainArtist

(C) 2021 Naxos (P) 2021 Naxos

11
No. 3, Song of Approach
Emanuele Arciuli
00:02:06

Arthur Farwell, Composer - Emanuele Arciuli, Artist, MainArtist

(C) 2021 Naxos (P) 2021 Naxos

12
No. 4, Laying Down the Pipes
Emanuele Arciuli
00:01:33

Arthur Farwell, Composer - Emanuele Arciuli, Artist, MainArtist

(C) 2021 Naxos (P) 2021 Naxos

13
No. 5, Raising the Pipes
Emanuele Arciuli
00:00:59

Arthur Farwell, Composer - Emanuele Arciuli, Artist, MainArtist

(C) 2021 Naxos (P) 2021 Naxos

14
No. 6, Invocation
Emanuele Arciuli
00:02:10

Arthur Farwell, Composer - Emanuele Arciuli, Artist, MainArtist

(C) 2021 Naxos (P) 2021 Naxos

15
No. 7, Song of Peace
Emanuele Arciuli
00:01:38

Arthur Farwell, Composer - Emanuele Arciuli, Artist, MainArtist

(C) 2021 Naxos (P) 2021 Naxos

16
No. 8, Choral
Emanuele Arciuli
00:01:36

Arthur Farwell, Composer - Emanuele Arciuli, Artist, MainArtist

(C) 2021 Naxos (P) 2021 Naxos

Chronique

Arthur Farwell has been called "the most neglected composer in [American musical] history". Hounded by accusations of "cultural appropriation", he has posthumously fallen prey to changing notions of cultural authenticity. As the leader of the "Indianists'" movement, Farwell believed it was a democratic obligation of Americans of European descent to try to understand the indigenous Americans they displaced and oppressed. To this end, he merged Indian music and lore with Western concert forms – today, a controversial practice. The performances here recorded originated at a landmark PostClassical Ensemble festival at Washington’s National Cathedral. © Naxos

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