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Sorcerer, the third album by the second Miles Davis Quintet, is in a sense a transitional album, a quiet, subdued affair that rarely blows hot, choosing to explore cerebral tonal colorings. Even when the tempo picks up, as it does on the title track, there's little of the dense, manic energy on Miles Smiles -- this is about subtle shadings, even when the compositions are as memorable as Tony Williams' "Pee Wee" or Herbie Hancock's "Sorcerer." As such, it's a little elusive, since it represents the deepening of the band's music as they choose to explore different territory. The emphasis is as much on complex, interweaving chords and a coolly relaxed sound as it is on sheer improvisation, though each member tears off thoroughly compelling solos. Still, the individual flights aren't placed at the forefront the way they were on the two predecessors -- it all merges together, pointing toward the dense soundscapes of Miles' later '60s work. It's such a layered, intriguing work that the final cut, recorded in 1962 with Bob Dorough on vocals, is an utterly jarring, inappropriate way to end the record, even if it's intended as a tribute to Miles' then-girlfriend (later, his wife), Cicely Tyson (whose image graces the cover).
© Stephen Thomas Erlewine /TiVo
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Miles Davis, Trumpet - Wayne Shorter, Tenor Saxophone - Herbie Hancock, Piano - Ronald Carter, Bass - Tony Williams, Drums - Wayne Shorter, Composer - Wayne Shorter, Lyricist - Teo Macero, Producer - Stan Tonkel, Recording Engineer - Rob Schwarz, Mastering Engineer - Mark Wilder, Mastering Engineer - Mark Wilder, Re-Mixer
Originally Released 1967, 1998 Sony Music Entertainment Inc. Originally Released 1967, 1998 Sony Music Entertainment Inc.
Wayne Shorter, Tenor Saxophone - Herbie Hancock, Piano - Ronald Carter, Bass - Tony Williams, Drums - Tony Williams, Composer - Tony Williams, Lyricist - Teo Macero, Producer - Stan Tonkel, Recording Engineer - Rob Schwarz, Mastering Engineer - Mark Wilder, Mastering Engineer - Mark Wilder, Re-Mixer
Originally Released 1967, 1998 Sony Music Entertainment Inc. Originally Released 1967, 1998 Sony Music Entertainment Inc.
Miles Davis, Trumpet - Wayne Shorter, Tenor Saxophone - Herbie Hancock, Piano - Ronald Carter, Bass - Tony Williams, Drums - Wayne Shorter, Composer - Wayne Shorter, Lyricist - Teo Macero, Producer - Stan Tonkel, Recording Engineer - Rob Schwarz, Mastering Engineer - Mark Wilder, Mastering Engineer - Mark Wilder, Re-Mixer
Originally Released 1967, 1998 Sony Music Entertainment Inc. Originally Released 1967, 1998 Sony Music Entertainment Inc.
Miles Davis, Trumpet - Wayne Shorter, Tenor Saxophone - Herbie Hancock, Piano - Ronald Carter, Bass - Tony Williams, Drums - Herbie Hancock, Composer - Herbie Hancock, Lyricist - Stan Tonkel, Recording Engineer - Rob Schwarz, Mastering Engineer - Mark Wilder, Mastering Engineer - Mark Wilder, Re-Mixer - Teo Macero, Producer
Originally Released 1967, 1998 Sony Music Entertainment Inc. Originally Released 1967, 1998 Sony Music Entertainment Inc.
Miles Davis, Trumpet - Wayne Shorter, Tenor Saxophone - Herbie Hancock, Piano - Ronald Carter, Bass - Tony Williams, Drums - Wayne Shorter, Composer - Wayne Shorter, Lyricist - Stan Tonkel, Recording Engineer - Rob Schwarz, Mastering Engineer - Mark Wilder, Mastering Engineer - Mark Wilder, Re-Mixer - Teo Macero, Producer
Originally Released 1967, 1998 Sony Music Entertainment Inc. Originally Released 1967, 1998 Sony Music Entertainment Inc.
Miles Davis, Trumpet - Wayne Shorter, Tenor Saxophone - Herbie Hancock, Piano - Ronald Carter, Bass - Tony Williams, Drums - Wayne Shorter, Composer - Wayne Shorter, Lyricist - Stan Tonkel, Recording Engineer - Rob Schwarz, Mastering Engineer - Mark Wilder, Mastering Engineer - Mark Wilder, Re-Mixer - Teo Macero, Producer
Originally Released 1967, 1998 Sony Music Entertainment Inc. Originally Released 1967, 1998 Sony Music Entertainment Inc.
Miles Davis, Trumpet - Wayne Shorter, Tenor Saxophone - Frank Rehak, Trombone - Paul Chambers, Bass - Jimmy Cobb, Drums - Willie Bobo (William Correa), Bongos - Bob Dorough, Vocals - Fran Landesman, Lyricist - Bob Dorough, Composer - Gill Evans, Arranger - Teo Macero, Producer - Stan Tonkel, Recording Engineer - Bob Beldon, Re-Issue Producer - Michael Cuscuna, Re-Issue Producer
Originally Released 1967, 1998 Sony Music Entertainment Inc. Originally Released 1967, 1998 Sony Music Entertainment Inc.
Miles Davis, Trumpet - Wayne Shorter, Tenor Saxophone - Herbie Hancock, Piano - Ronald Carter, Bass - Tony Williams, Drums - Wayne Shorter, Composer - Wayne Shorter, Lyricist - Teo Macero, Producer - Stan Tonkel, Recording Engineer - Rob Schwarz, Mastering Engineer - Mark Wilder, Mastering Engineer - Mark Wilder, Re-Mixer - Michael Cuscuna, Re-Issue Producer - Bob Beldon, Re-Issue Producer
Originally Released 1967, 1998 Sony Music Entertainment Inc. Originally Released 1967, 1998 Sony Music Entertainment Inc.
Miles Davis, Trumpet - Wayne Shorter, Tenor Saxophone - Tony Williams, Drums - Herbie Hancock, Piano - Buster Williams, Bass - Wayne Shorter, Composer - Wayne Shorter, Lyricist - Irving Townsend, Producer - Frank Laico, Recording Engineer - Michael Cuscuna, Re-Issue Producer - Bob Beldon, Re-Issue Producer
Originally Released 1967, 1998 Sony Music Entertainment Inc. Originally Released 1967, 1998 Sony Music Entertainment Inc.
Albumbeschreibung
Sorcerer, the third album by the second Miles Davis Quintet, is in a sense a transitional album, a quiet, subdued affair that rarely blows hot, choosing to explore cerebral tonal colorings. Even when the tempo picks up, as it does on the title track, there's little of the dense, manic energy on Miles Smiles -- this is about subtle shadings, even when the compositions are as memorable as Tony Williams' "Pee Wee" or Herbie Hancock's "Sorcerer." As such, it's a little elusive, since it represents the deepening of the band's music as they choose to explore different territory. The emphasis is as much on complex, interweaving chords and a coolly relaxed sound as it is on sheer improvisation, though each member tears off thoroughly compelling solos. Still, the individual flights aren't placed at the forefront the way they were on the two predecessors -- it all merges together, pointing toward the dense soundscapes of Miles' later '60s work. It's such a layered, intriguing work that the final cut, recorded in 1962 with Bob Dorough on vocals, is an utterly jarring, inappropriate way to end the record, even if it's intended as a tribute to Miles' then-girlfriend (later, his wife), Cicely Tyson (whose image graces the cover).
© Stephen Thomas Erlewine /TiVo
Informationen zu dem Album
- 1 Disc(s) - 9 Track(s)
- Gesamte Laufzeit: 00:52:29
- Künstler: Miles Davis
- Komponist: Various Composers
- Label: Columbia - Legacy
- Herkunft: Etats-Unis d'Amérique
- Genre: Jazz
Originally Released 1967, 1998 Sony Music Entertainment Inc. Originally Released 1967, 1998 Sony Music Entertainment Inc.
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