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Reykjavík Chamber Orchestra|Windbells

Windbells

Reykjavík Chamber Orchestra, Hildigunnur Einarsdóttir, Ashildur Haraldsdottir

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"The title piece, Equilibrium IV: Windbells, was the seed this whole album grew from. It was premièred under rather unusual circumstances at the 2005 World Expo in Japan in a venue that more closely resembled a stadium than a concert stage for classical music. I was an integral part of the performance due to the interactive electronics in the piece. We had practiced that I would maintain eye contact with the musicians during performances, just a few meters from the stage. However, the mixer I was operating at the concert was housed in something that resembled an air traffic control tower some 100 meters away from the stage. Or at least it felt that way. From my perspective, the musicians were like tiny ants in one corner of the enormous stage and they could not see me at all. Despite these outlandish circumstances, we somehow managed to perform the piece. It has since become one of my most performed chamber pieces and has received several awards and recognitions. It has never been recorded in a studio up until now. So, after a recent performance with Reykjavík Chamber Orchestra, where it received very warm reviews, we decid- ed it was time to do something about it. That snowballed into what is now this album.

Equilibrium IV: Windbells is the oldest piece on the album, which spans seventeen years of my career. Looking back at this composition now, I almost feel like I’m again in that surreal air traffic control tower in Japan. I can also see early patterns emerging in this relatively early piece. Patterns that echo throughout the album. There are the contrasts of Crumb, the meditativeness of Messiaen and the atmospheric dramaturgy of my uncle and great musical influence Hafliði Hallgrímsson. There are plenty of other influences, and I have long since given up on hiding them or being ashamed of them. On the contrary, I find it fascinating how one composer can plant a seed that germinates within another composer. It is a process as organic and natural as life itself" (Hugi Gudmundsson).
© Sono Luminus

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Windbells

Reykjavík Chamber Orchestra

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Entropy (Hugi Guðmundsson)

1
I. Arrow of Time
00:02:52

Hugi Guðmundsson, Composer - Reykjavík Chamber Orchestra, Ensemble, MainArtist

(C) 2022 Sono Luminus (P) 2022 Sono Luminus

2
II. Asymmetry of Time
00:06:30

Hugi Guðmundsson, Composer - Reykjavík Chamber Orchestra, Ensemble, MainArtist

(C) 2022 Sono Luminus (P) 2022 Sono Luminus

Lux (Hugi Guðmundsson)

3
Lux
00:10:33

Ashildur Haraldsdottir, Artist, MainArtist - Hugi Guðmundsson, Composer - Reykjavík Chamber Orchestra, Ensemble, MainArtist

(C) 2022 Sono Luminus (P) 2022 Sono Luminus

Equilibrium 4, Windbells (Hugi Guðmundsson)

4
I. Agitated
00:04:51

Hugi Guðmundsson, Composer, Artist, MainArtist - Reykjavík Chamber Orchestra, Ensemble, MainArtist

(C) 2022 Sono Luminus (P) 2022 Sono Luminus

5
II. Funeral in a Deserted Church
00:03:00

Hugi Guðmundsson, Composer, Artist, MainArtist - Reykjavík Chamber Orchestra, Ensemble, MainArtist

(C) 2022 Sono Luminus (P) 2022 Sono Luminus

6
III. Wind Interrupt
00:03:16

Hugi Guðmundsson, Composer, Artist, MainArtist - Reykjavík Chamber Orchestra, Ensemble, MainArtist

(C) 2022 Sono Luminus (P) 2022 Sono Luminus

7
IV. Foreign
00:03:50

Hugi Guðmundsson, Composer, Artist, MainArtist - Reykjavík Chamber Orchestra, Ensemble, MainArtist

(C) 2022 Sono Luminus (P) 2022 Sono Luminus

Brot (Hugi Guðmundsson)

8
I. Ostinato
00:01:44

Hugi Guðmundsson, Composer, Artist, MainArtist - Reykjavík Chamber Orchestra, Ensemble, MainArtist

(C) 2022 Sono Luminus (P) 2022 Sono Luminus

9
II. Intermezzo
00:01:31

Hugi Guðmundsson, Composer, Artist, MainArtist - Reykjavík Chamber Orchestra, Ensemble, MainArtist

(C) 2022 Sono Luminus (P) 2022 Sono Luminus

10
III. Chorale
00:02:50

Hugi Guðmundsson, Composer, Artist, MainArtist - Reykjavík Chamber Orchestra, Ensemble, MainArtist

(C) 2022 Sono Luminus (P) 2022 Sono Luminus

11
IV. Intermezzo II
00:01:55

Hugi Guðmundsson, Composer, Artist, MainArtist - Reykjavík Chamber Orchestra, Ensemble, MainArtist

(C) 2022 Sono Luminus (P) 2022 Sono Luminus

12
V. Danse Macabre
00:02:42

Hugi Guðmundsson, Composer, Artist, MainArtist - Reykjavík Chamber Orchestra, Ensemble, MainArtist

(C) 2022 Sono Luminus (P) 2022 Sono Luminus

Songs From Hávamál 2 (Hugi Guðmundsson)

13
I. Ungur var eg fordum
00:02:30

Hugi Guðmundsson, Composer, Lyricist - Hildigunnur Einarsdóttir, Artist, MainArtist - Reykjavík Chamber Orchestra, Ensemble, MainArtist

(C) 2022 Sono Luminus (P) 2022 Sono Luminus

14
II. Mildir, fraeknir
00:02:01

Hugi Guðmundsson, Composer, Lyricist - Hildigunnur Einarsdóttir, Artist, MainArtist - Reykjavík Chamber Orchestra, Ensemble, MainArtist

(C) 2022 Sono Luminus (P) 2022 Sono Luminus

15
III. Vodir minar
00:02:19

Hugi Guðmundsson, Composer, Lyricist - Hildigunnur Einarsdóttir, Artist, MainArtist - Reykjavík Chamber Orchestra, Ensemble, MainArtist

(C) 2022 Sono Luminus (P) 2022 Sono Luminus

16
IV. Hrornar floll
00:03:55

Hugi Guðmundsson, Composer, Lyricist - Hildigunnur Einarsdóttir, Artist, MainArtist - Reykjavík Chamber Orchestra, Ensemble, MainArtist

(C) 2022 Sono Luminus (P) 2022 Sono Luminus

17
V. Litilla sanda
00:04:37

Hugi Guðmundsson, Composer, Lyricist - Hildigunnur Einarsdóttir, Artist, MainArtist - Reykjavík Chamber Orchestra, Ensemble, MainArtist

(C) 2022 Sono Luminus (P) 2022 Sono Luminus

Albumbeschreibung

"The title piece, Equilibrium IV: Windbells, was the seed this whole album grew from. It was premièred under rather unusual circumstances at the 2005 World Expo in Japan in a venue that more closely resembled a stadium than a concert stage for classical music. I was an integral part of the performance due to the interactive electronics in the piece. We had practiced that I would maintain eye contact with the musicians during performances, just a few meters from the stage. However, the mixer I was operating at the concert was housed in something that resembled an air traffic control tower some 100 meters away from the stage. Or at least it felt that way. From my perspective, the musicians were like tiny ants in one corner of the enormous stage and they could not see me at all. Despite these outlandish circumstances, we somehow managed to perform the piece. It has since become one of my most performed chamber pieces and has received several awards and recognitions. It has never been recorded in a studio up until now. So, after a recent performance with Reykjavík Chamber Orchestra, where it received very warm reviews, we decid- ed it was time to do something about it. That snowballed into what is now this album.

Equilibrium IV: Windbells is the oldest piece on the album, which spans seventeen years of my career. Looking back at this composition now, I almost feel like I’m again in that surreal air traffic control tower in Japan. I can also see early patterns emerging in this relatively early piece. Patterns that echo throughout the album. There are the contrasts of Crumb, the meditativeness of Messiaen and the atmospheric dramaturgy of my uncle and great musical influence Hafliði Hallgrímsson. There are plenty of other influences, and I have long since given up on hiding them or being ashamed of them. On the contrary, I find it fascinating how one composer can plant a seed that germinates within another composer. It is a process as organic and natural as life itself" (Hugi Gudmundsson).
© Sono Luminus

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