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Carmell Jones|The Remarkable Carmell Jones

The Remarkable Carmell Jones

Carmell Jones

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Text in englischer Sprache verfügbar

Of the few records that trumpeter Carmell Jones led throughout his career, his first date was by far his best known and was generally his most satisfying. Teamed in Los Angeles with tenor saxophonist Harold Land, pianist Frank Strazzeri, bassist Gary Peacock, and drummer Leon Pettis, Jones is featured on music that is essentially cool-toned hard bop. In addition to a couple of Jones' originals, there is an obscurity by bassist Jimmy Bond and three other tunes, including an 11-minute investigation of Duke Ellington's "I'm Gonna Go Fishing." Jones' Clifford Brown-influenced style blends well with Land, and the music swings throughout in fine fashion. This album was reissued by the British Charly label on their Affinity subsidiary in the mid-'80s.

© Scott Yanow /TiVo

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The Remarkable Carmell Jones

Carmell Jones

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1
I'm Gonna Go Fishin'
00:11:15

Duke Ellington, ComposerLyricist - Richard Bock, Producer, Recording Engineer, StudioPersonnel - Peggy Lee, ComposerLyricist - Harold Land, Tenor Saxophone, AssociatedPerformer - Frank Strazzeri, Piano, AssociatedPerformer - Carmell Jones, Trumpet, MainArtist, AssociatedPerformer - Gary Peacock, AssociatedPerformer, Bass (Vocal) - Leon Pettis, Drums, AssociatedPerformer

℗ 1961 Capitol Records, LLC

2
Come Rain Or Come Shine
00:04:31

Johnny Mercer, ComposerLyricist - Harold Arlen, ComposerLyricist - Richard Bock, Producer, Recording Engineer, StudioPersonnel - Harold Land, Tenor Saxophone, AssociatedPerformer - Frank Strazzeri, Piano, AssociatedPerformer - Carmell Jones, Trumpet, MainArtist, AssociatedPerformer - Gary Peacock, AssociatedPerformer, Bass (Vocal) - Leon Pettis, Drums, AssociatedPerformer

℗ 1961 Capitol Records, LLC

3
Night Tide
00:04:03

Jimmy Bond, Composer - Richard Bock, Producer, Recording Engineer, StudioPersonnel - Harold Land, Tenor Saxophone, AssociatedPerformer - Frank Strazzeri, Piano, AssociatedPerformer - Carmell Jones, Trumpet, MainArtist, AssociatedPerformer - Gary Peacock, AssociatedPerformer, Bass (Vocal) - Leon Pettis, Drums, AssociatedPerformer

℗ 1961 Capitol Records, LLC

4
Sad March
00:05:47

Richard Bock, Producer, Recording Engineer, StudioPersonnel - Harold Land, Tenor Saxophone, AssociatedPerformer - Frank Strazzeri, Piano, AssociatedPerformer - Carmell Jones, Composer, Trumpet, MainArtist, AssociatedPerformer - Gary Peacock, AssociatedPerformer, Bass (Vocal) - Leon Pettis, Drums, AssociatedPerformer

℗ 1961 Capitol Records, LLC

5
Stellia
00:09:12

Richard Bock, Producer, Recording Engineer, StudioPersonnel - Harold Land, Tenor Saxophone, AssociatedPerformer - Frank Strazzeri, Piano, AssociatedPerformer - Carmell Jones, Composer, Trumpet, MainArtist, AssociatedPerformer - Gary Peacock, AssociatedPerformer, Bass (Vocal) - Leon Pettis, Drums, AssociatedPerformer

℗ 1961 Capitol Records, LLC

6
Full Moon And Empty Arms
00:06:37

Ted Mossman, Composer - Richard Bock, Producer, Recording Engineer, StudioPersonnel - Buddy Kaye, Composer - Harold Land, Tenor Saxophone, AssociatedPerformer - Frank Strazzeri, Piano, AssociatedPerformer - Carmell Jones, Trumpet, MainArtist, AssociatedPerformer - Gary Peacock, AssociatedPerformer, Bass (Vocal) - Leon Pettis, Drums, AssociatedPerformer

℗ 1961 Capitol Records, LLC

Albumbeschreibung

Of the few records that trumpeter Carmell Jones led throughout his career, his first date was by far his best known and was generally his most satisfying. Teamed in Los Angeles with tenor saxophonist Harold Land, pianist Frank Strazzeri, bassist Gary Peacock, and drummer Leon Pettis, Jones is featured on music that is essentially cool-toned hard bop. In addition to a couple of Jones' originals, there is an obscurity by bassist Jimmy Bond and three other tunes, including an 11-minute investigation of Duke Ellington's "I'm Gonna Go Fishing." Jones' Clifford Brown-influenced style blends well with Land, and the music swings throughout in fine fashion. This album was reissued by the British Charly label on their Affinity subsidiary in the mid-'80s.

© Scott Yanow /TiVo

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