Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
Heritage, Opeth's tenth studio offering, finds the Swedish band abandoning death metal: no growled vocals, no blistering fast power riffs, no blastbeats. Mixed by Steven Wilson (Porcupine Tree, King Crimson) and engineered by Janne Hansson, Heritage is easily Opeth's most musically adventurous -- and indulgent -- recording. Written primarily by vocalist/guitarist Mikael Åkerfeldt, these ten songs are drenched in instrumental interludes, knotty key and chord changes, shifting time signatures, clean vocals, and a keyboard-heavy instrumentation that includes Mellotrons, Rhodes pianos, and Hammond organs -- ironic since keyboardist Per Wiberg left the band after Heritage was completed. Opening with the title track, a haunting solo piano instrumental, it careens into the explosive "The Devil's Orchard," with spectacular, arpeggiatic guitar work by Fredrik Åkesson and matching drums by Martin Axenrot. With a huge, swirling B-3 in the backdrop, it melds progressive metal to prog rock, with Åkerfeldt's clear, clean singing. "I Feel the Dark" marries Åkerfeldt's classical guitar to piano, flute, a droning Martin Mendez bassline, and double-timed, quietly tense drum kit work. "Slither" sounds like Motörhead meeting early-'70s Deep Purple. "Nepenthe" begins as a ballad but shifts toward jazz-rock in the instrumental break before finding its way back to a middle ground with sparse instrumentation and taut dynamics. "Haxprogress" draws real inspiration from early King Crimson; Mellotrons and nylon-string guitars give way to Åkerfeldt's crooning, thundering basslines, and syncopated drums. At eight-and-a-half minutes, "Famine" is the album's most abstract cut, with guest Alex Acuña adding Latin percussion to the mix, creating spaciousness in a long intro before giving way to colliding prog rock at the seam where King Crimson's "Larks Tongues in Aspic, Pt. 2" meets Jethro Tull's "Thick as a Brick." "The Lines in My Hand" is the set's most aggressive cut, with a deeply satisfying guitar crunch. "Folklore," with its myriad instrumental and vocal parts, complex melody, and breakbeats, comes off as an eight-minute suite before closing with another jazz- and folk-inflected instrumental entitled "Marrow of the Earth." Love it or hate it, Heritage, for its many excesses and sometimes blurry focus, is a brave album. It opens the door for Opeth to pursue many new directions and reinvent themselves as a band.
© Thom Jurek /TiVo
Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen
Downloaden Sie die Qobuz App
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Opeth, MainArtist - Mikael Akerfeldt, Producer, Engineer, Acoustic Guitar, Electric Guitar, Piano, Writer, Mellotron, MixingEngineer - Peter Mew, MasteringEngineer - Per Wiberg, Keyboards, Hammond Organ, Piano, Mellotron - Janne Hansson, Engineer - Steven Wilson, MixingEngineer, AdditionalEngineer - Fredrik Akesson, Electric Guitar - Martin Mendez, Bass Guitar - Joakim Svalberg, Piano - Martin Axenrot, Drums, Percussion
© 2011 The All Blacks B.V. ℗ 2011 The All Blacks B.V.
Opeth, MainArtist - Mikael Akerfeldt, Producer, Engineer, Acoustic Guitar, Electric Guitar, Piano, Writer, Mellotron, MixingEngineer - Peter Mew, MasteringEngineer - Per Wiberg, Keyboards, Hammond Organ, Piano, Mellotron - Janne Hansson, Engineer - Steven Wilson, MixingEngineer, AdditionalEngineer - Fredrik Akesson, Electric Guitar - Martin Mendez, Bass Guitar - Martin Axenrot, Drums, Percussion
© 2011 The All Blacks B.V. ℗ 2011 The All Blacks B.V.
Opeth, MainArtist - Mikael Akerfeldt, Producer, Engineer, Acoustic Guitar, Electric Guitar, Piano, Writer, Mellotron, MixingEngineer - Peter Mew, MasteringEngineer - Per Wiberg, Keyboards, Hammond Organ, Piano, Mellotron - Janne Hansson, Engineer - Steven Wilson, MixingEngineer, AdditionalEngineer - Fredrik Akesson, Electric Guitar - Martin Mendez, Bass Guitar - Martin Axenrot, Drums, Percussion
© 2011 The All Blacks B.V. ℗ 2011 The All Blacks B.V.
Opeth, MainArtist - Mikael Akerfeldt, Producer, Engineer, Acoustic Guitar, Electric Guitar, Piano, Writer, Mellotron, MixingEngineer - Peter Mew, MasteringEngineer - Per Wiberg, Keyboards, Hammond Organ, Piano, Mellotron - Janne Hansson, Engineer - Steven Wilson, MixingEngineer, AdditionalEngineer - Fredrik Akesson, Electric Guitar - Martin Mendez, Bass Guitar - Martin Axenrot, Drums, Percussion
© 2011 The All Blacks B.V. ℗ 2011 The All Blacks B.V.
Opeth, MainArtist - Mikael Akerfeldt, Producer, Engineer, Acoustic Guitar, Electric Guitar, Piano, Writer, Mellotron, MixingEngineer - Peter Mew, MasteringEngineer - Per Wiberg, Keyboards, Hammond Organ, Piano, Mellotron - Janne Hansson, Engineer - Steven Wilson, MixingEngineer, AdditionalEngineer - Fredrik Akesson, Electric Guitar - Martin Mendez, Bass Guitar - Martin Axenrot, Drums, Percussion
© 2011 The All Blacks B.V. ℗ 2011 The All Blacks B.V.
Opeth, MainArtist - Mikael Akerfeldt, Producer, Engineer, Acoustic Guitar, Electric Guitar, Piano, Writer, Mellotron, MixingEngineer - Peter Mew, MasteringEngineer - Per Wiberg, Keyboards, Hammond Organ, Piano, Mellotron - Janne Hansson, Engineer - Steven Wilson, MixingEngineer, AdditionalEngineer - Fredrik Akesson, Electric Guitar - Martin Mendez, Bass Guitar - Martin Axenrot, Drums, Percussion
© 2011 The All Blacks B.V. ℗ 2011 The All Blacks B.V.
Opeth, MainArtist - Mikael Akerfeldt, Producer, Engineer, Acoustic Guitar, Electric Guitar, Piano, Writer, Mellotron, MixingEngineer - Peter Mew, MasteringEngineer - Alex Acuna, Percussion - Per Wiberg, Keyboards, Hammond Organ, Piano, Mellotron - Janne Hansson, Engineer - Björn J:son Lindh, Flute - Steven Wilson, MixingEngineer, AdditionalEngineer - Fredrik Akesson, Electric Guitar - Martin Mendez, Bass Guitar - Martin Axenrot, Drums, Percussion
© 2011 The All Blacks B.V. ℗ 2011 The All Blacks B.V.
Opeth, MainArtist - Mikael Akerfeldt, Producer, Engineer, Acoustic Guitar, Electric Guitar, Piano, Writer, Mellotron, MixingEngineer - Peter Mew, MasteringEngineer - Per Wiberg, Keyboards, Hammond Organ, Piano, Mellotron - Janne Hansson, Engineer - Steven Wilson, MixingEngineer, AdditionalEngineer - Fredrik Akesson, Electric Guitar - Martin Mendez, Bass Guitar - Martin Axenrot, Drums, Percussion
© 2011 The All Blacks B.V. ℗ 2011 The All Blacks B.V.
Opeth, MainArtist - Mikael Akerfeldt, Producer, Engineer, Acoustic Guitar, Electric Guitar, Piano, Writer, Mellotron, MixingEngineer - Peter Mew, MasteringEngineer - Per Wiberg, Keyboards, Hammond Organ, Piano, Mellotron - Janne Hansson, Engineer - Steven Wilson, MixingEngineer, AdditionalEngineer - Fredrik Akesson, Electric Guitar - Martin Mendez, Bass Guitar - Martin Axenrot, Drums, Percussion
© 2011 The All Blacks B.V. ℗ 2011 The All Blacks B.V.
Opeth, MainArtist - Mikael Akerfeldt, Producer, Engineer, Acoustic Guitar, Electric Guitar, Piano, Writer, Mellotron, MixingEngineer - Peter Mew, MasteringEngineer - Per Wiberg, Keyboards, Hammond Organ, Piano, Mellotron - Janne Hansson, Engineer - Steven Wilson, MixingEngineer, AdditionalEngineer - Fredrik Akesson, Electric Guitar - Martin Mendez, Bass Guitar - Martin Axenrot, Drums, Percussion
© 2011 The All Blacks B.V. ℗ 2011 The All Blacks B.V.
Opeth, MainArtist - Mikael Akerfeldt, Producer, Engineer, Acoustic Guitar, Electric Guitar, Piano, Writer, Mellotron, MixingEngineer - Peter Mew, MasteringEngineer - Per Wiberg, Keyboards, Hammond Organ, Piano, Mellotron - Janne Hansson, Engineer - Steven Wilson, MixingEngineer, AdditionalEngineer - Fredrik Akesson, Electric Guitar - Martin Mendez, Bass Guitar - Martin Axenrot, Drums, Percussion - Fredrik Aakesson, Writer
© 2011 The All Blacks B.V. ℗ 2011 The All Blacks B.V.
Opeth, MainArtist - Mikael Akerfeldt, Producer, Engineer, Acoustic Guitar, Electric Guitar, Piano, Writer, Mellotron, MixingEngineer - Peter Mew, MasteringEngineer - Per Wiberg, Keyboards, Hammond Organ, Piano, Mellotron - Janne Hansson, Engineer - Steven Wilson, MixingEngineer, AdditionalEngineer - Fredrik Akesson, Electric Guitar - Martin Mendez, Bass Guitar - Martin Axenrot, Drums, Percussion
© 2011 The All Blacks B.V. ℗ 2011 The All Blacks B.V.
Albumbeschreibung
Heritage, Opeth's tenth studio offering, finds the Swedish band abandoning death metal: no growled vocals, no blistering fast power riffs, no blastbeats. Mixed by Steven Wilson (Porcupine Tree, King Crimson) and engineered by Janne Hansson, Heritage is easily Opeth's most musically adventurous -- and indulgent -- recording. Written primarily by vocalist/guitarist Mikael Åkerfeldt, these ten songs are drenched in instrumental interludes, knotty key and chord changes, shifting time signatures, clean vocals, and a keyboard-heavy instrumentation that includes Mellotrons, Rhodes pianos, and Hammond organs -- ironic since keyboardist Per Wiberg left the band after Heritage was completed. Opening with the title track, a haunting solo piano instrumental, it careens into the explosive "The Devil's Orchard," with spectacular, arpeggiatic guitar work by Fredrik Åkesson and matching drums by Martin Axenrot. With a huge, swirling B-3 in the backdrop, it melds progressive metal to prog rock, with Åkerfeldt's clear, clean singing. "I Feel the Dark" marries Åkerfeldt's classical guitar to piano, flute, a droning Martin Mendez bassline, and double-timed, quietly tense drum kit work. "Slither" sounds like Motörhead meeting early-'70s Deep Purple. "Nepenthe" begins as a ballad but shifts toward jazz-rock in the instrumental break before finding its way back to a middle ground with sparse instrumentation and taut dynamics. "Haxprogress" draws real inspiration from early King Crimson; Mellotrons and nylon-string guitars give way to Åkerfeldt's crooning, thundering basslines, and syncopated drums. At eight-and-a-half minutes, "Famine" is the album's most abstract cut, with guest Alex Acuña adding Latin percussion to the mix, creating spaciousness in a long intro before giving way to colliding prog rock at the seam where King Crimson's "Larks Tongues in Aspic, Pt. 2" meets Jethro Tull's "Thick as a Brick." "The Lines in My Hand" is the set's most aggressive cut, with a deeply satisfying guitar crunch. "Folklore," with its myriad instrumental and vocal parts, complex melody, and breakbeats, comes off as an eight-minute suite before closing with another jazz- and folk-inflected instrumental entitled "Marrow of the Earth." Love it or hate it, Heritage, for its many excesses and sometimes blurry focus, is a brave album. It opens the door for Opeth to pursue many new directions and reinvent themselves as a band.
© Thom Jurek /TiVo
Informationen zu dem Album
- 1 Disc(s) - 12 Track(s)
- Gesamte Laufzeit: 01:06:15
- Künstler: Opeth
- Label: Roadrunner Records
- Genre: Pop/Rock Rock
© 2011 The All Blacks B.V. ℗ 2011 The All Blacks B.V.
Verbesserung der Albuminformationen
Warum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.