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Pieter Wispelwey|Haydn: Symphony No. 104, Cello Concerto in D & Cello Concerto in C

Haydn: Symphony No. 104, Cello Concerto in D & Cello Concerto in C

Pieter Wispelwey and Florilegium

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Haydn could be perfectly described as a genius who could work to order. After all, the great majority of his considerable oeuvre was written on commission either for the Esterházy orchestra, for his two tours to London, or for a friendly nobleman, noblewoman, or virtuoso. Thus he could be sure that nearly everything he composed would also actually be performed. This was surely a powerful stimulus to write even more, and even better music. Most of Haydn’s solo concerti were written for the Esterházy family, for their orchestra, and for the outstanding soloists who were members of that ensemble, and performed by these same musicians at the castle. This is obvious not only from the dedicatory formulas on the manuscripts, but also from the exceptionally virtuosic solo parts of Haydn’s concerti for violin, violoncello, keyboard, organ, flute, trumpet and horn. Haydn was able to produce an effortless combination of extreme virtuosity with intense lyricism and playful melodies, sometimes of a folklike quality, other times inclining more to the baroque. Thus audience and performers alike were satisfied in every respect...

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Haydn: Symphony No. 104, Cello Concerto in D & Cello Concerto in C

Pieter Wispelwey

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Cello Concerto No. 1 in C Major, Hob. VIIb/1 (Joseph Haydn)

1
I. Moderato
Pieter Wispelwey
00:09:40

Franz Joseph Haydn, Composer - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist - Pieter Wispelwey, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

2
II. Adagio
Pieter Wispelwey
00:07:50

Franz Joseph Haydn, Composer - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist - Pieter Wispelwey, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

3
III. Finale. Allegro molto
Pieter Wispelwey
00:06:07

Franz Joseph Haydn, Composer - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist - Pieter Wispelwey, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

Symphony No. 104 in D Major, Hob. I/104 "London" (Joseph Haydn)

4
I. Adagio - Allegro
Florilegium
00:08:03

Franz Joseph Haydn, Composer - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

5
II. Andante
Florilegium
00:07:39

Franz Joseph Haydn, Composer - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

6
III. Minuet. Allegro - Trio
Florilegium
00:03:54

Franz Joseph Haydn, Composer - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

7
IV. Finale. Spiritoso
Florilegium
00:06:22

Franz Joseph Haydn, Composer - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

Cello Concerto No. 2 in D Major, Hob. VIIb/2 (Joseph Haydn)

8
I. Allegro moderato
Pieter Wispelwey
00:12:47

Franz Joseph Haydn, Composer - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist - Pieter Wispelwey, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

9
II. Adagio
Pieter Wispelwey
00:05:06

Franz Joseph Haydn, Composer - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist - Pieter Wispelwey, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

10
III. Rondo. Allegro
Pieter Wispelwey
00:05:13

Franz Joseph Haydn, Composer - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist - Pieter Wispelwey, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

Albumbeschreibung

Haydn could be perfectly described as a genius who could work to order. After all, the great majority of his considerable oeuvre was written on commission either for the Esterházy orchestra, for his two tours to London, or for a friendly nobleman, noblewoman, or virtuoso. Thus he could be sure that nearly everything he composed would also actually be performed. This was surely a powerful stimulus to write even more, and even better music. Most of Haydn’s solo concerti were written for the Esterházy family, for their orchestra, and for the outstanding soloists who were members of that ensemble, and performed by these same musicians at the castle. This is obvious not only from the dedicatory formulas on the manuscripts, but also from the exceptionally virtuosic solo parts of Haydn’s concerti for violin, violoncello, keyboard, organ, flute, trumpet and horn. Haydn was able to produce an effortless combination of extreme virtuosity with intense lyricism and playful melodies, sometimes of a folklike quality, other times inclining more to the baroque. Thus audience and performers alike were satisfied in every respect...

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