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Southwest Chamber Music, members|Chavez, C.: Chamber Music (Complete), Vol. 2 (Southwest Chamber Music)

Chavez, C.: Chamber Music (Complete), Vol. 2 (Southwest Chamber Music)

Southwest Chamber Music, members

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Text in englischer Sprache verfügbar

Southwest Chamber Music's Chávez: Complete Chamber Music, Vol. 1, on Lomita, CA-based indie Cambria was of such caliber that it earned the Grammy Award for Best Small Ensemble Performance -- a stunning achievement for a regional chamber group on a so-called "minor" label, albeit one that has been in business for 25 years. The standards of performance, recording quality, and packaging that so distinguished the first issue are all present in this second volume, Chávez: Complete Chamber Music, Vol. 2. But some of the music here is in Chávez's tougher, more abstract idiom and demands the patient attention of the listener, so it's a little more "work" this time around. Chávez: Complete Chamber Music, Vol. 2, is certainly worth the time and attention -- the outer pieces, Energia for nine instruments and Sonata for four horns (1929) are both works from the 1920s that are immediately appealing and tremendous fun. The Soli I for winds (1935) is a piquant and succinct work reminiscent of Stravinsky. Conductor and annotator Jeff von der Schmidt identifies it as signifying "things to come" for Chávez, but this view can't be confirmed; it just seems pleasantly neo-Classical with a few additional barbs and twists placed here and there. Energia (1925) is a milestone for Chávez in that it marks the first time the composer put into practice his "non-repetitive" style of composition, rejecting formal recapitulation schemes as a by-product of typically European stylistic devices that Chávez was trying to avoid. And in essence he was right on the money -- composers in the "old country" really didn't pick up on this idea until the 1950s, by which time Chávez had resolved his anti-European bias and was adopting some aspects of serial technique, much to the dismay of his Mexican colleagues. Both the Soli II for wind quintet (1961) and the Soli IV for brass trio come from squarely within this latter phase of Chávez's development. Frankly, neither work has worn particularly well, but of the two the Soli IV is preferable in that it makes more use of negative space and dynamics than the dense and somewhat clotted Soli II. But overall, Chávez: Complete Chamber Music, Vol. 2, is an entirely worthy continuation of this excellent cycle of recordings and makes an interested listener anxious to hear the forthcoming volumes.
© TiVo

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Chavez, C.: Chamber Music (Complete), Vol. 2 (Southwest Chamber Music)

Southwest Chamber Music, members

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Energia (Carlos Chavez)

1
I. Mosso
00:03:00

Carlos Chavez, Composer - Jeff von der Schmidt, Conductor - Southwest Chamber Music, members, Ensemble, MainArtist

(C) 2004 Cambria (P) 2004 Cambria

2
II. Moderato
00:01:27

Carlos Chavez, Composer - Jeff von der Schmidt, Conductor - Southwest Chamber Music, members, Ensemble, MainArtist

(C) 2004 Cambria (P) 2004 Cambria

3
III. Tempo senza rigore
00:00:36

Carlos Chavez, Composer - Jeff von der Schmidt, Conductor - Southwest Chamber Music, members, Ensemble, MainArtist

(C) 2004 Cambria (P) 2004 Cambria

4
IV. Vivo
00:01:04

Carlos Chavez, Composer - Jeff von der Schmidt, Conductor - Southwest Chamber Music, members, Ensemble, MainArtist

(C) 2004 Cambria (P) 2004 Cambria

Soli I (Carlos Chavez)

5
I. Sciolto e ritmico
00:01:04

Carlos Chavez, Composer - Jeff von der Schmidt, Conductor - Southwest Chamber Music, members, Ensemble, MainArtist

(C) 2004 Cambria (P) 2004 Cambria

6
II. Moderato
00:02:20

Carlos Chavez, Composer - Jeff von der Schmidt, Conductor - Southwest Chamber Music, members, Ensemble, MainArtist

(C) 2004 Cambria (P) 2004 Cambria

7
III. Molto lento
00:02:11

Carlos Chavez, Composer - Jeff von der Schmidt, Conductor - Southwest Chamber Music, members, Ensemble, MainArtist

(C) 2004 Cambria (P) 2004 Cambria

8
IV. Vivo
00:01:40

Carlos Chavez, Composer - Jeff von der Schmidt, Conductor - Southwest Chamber Music, members, Ensemble, MainArtist

(C) 2004 Cambria (P) 2004 Cambria

Soli II (Carlos Chavez)

9
I. Preludio
00:03:53

Carlos Chavez, Composer - Jeff von der Schmidt, Conductor - Southwest Chamber Music, members, Ensemble, MainArtist

(C) 2004 Cambria (P) 2004 Cambria

10
II. Rondo
00:03:53

Carlos Chavez, Composer - Jeff von der Schmidt, Conductor - Southwest Chamber Music, members, Ensemble, MainArtist

(C) 2004 Cambria (P) 2004 Cambria

11
III. Aria
00:04:20

Carlos Chavez, Composer - Jeff von der Schmidt, Conductor - Southwest Chamber Music, members, Ensemble, MainArtist

(C) 2004 Cambria (P) 2004 Cambria

12
IV. Sonatina
00:05:01

Carlos Chavez, Composer - Jeff von der Schmidt, Conductor - Southwest Chamber Music, members, Ensemble, MainArtist

(C) 2004 Cambria (P) 2004 Cambria

13
V. Finale
00:03:35

Carlos Chavez, Composer - Jeff von der Schmidt, Conductor - Southwest Chamber Music, members, Ensemble, MainArtist

(C) 2004 Cambria (P) 2004 Cambria

Soli IV (Carlos Chavez)

14
I. quarter note = 84
00:00:04

Carlos Chavez, Composer - Jeff von der Schmidt, Conductor - Southwest Chamber Music, members, Ensemble, MainArtist

(C) 2004 Cambria (P) 2004 Cambria

15
II. quarter note = 38
00:02:35

Carlos Chavez, Composer - Jeff von der Schmidt, Conductor - Southwest Chamber Music, members, Ensemble, MainArtist

(C) 2004 Cambria (P) 2004 Cambria

16
III. quarter note = 76
00:03:48

Carlos Chavez, Composer - Jeff von der Schmidt, Conductor - Southwest Chamber Music, members, Ensemble, MainArtist

(C) 2004 Cambria (P) 2004 Cambria

17
IV. quarter note = 72
00:00:08

Carlos Chavez, Composer - Jeff von der Schmidt, Conductor - Southwest Chamber Music, members, Ensemble, MainArtist

(C) 2004 Cambria (P) 2004 Cambria

18
V. quarter note = 50
00:01:42

Carlos Chavez, Composer - Jeff von der Schmidt, Conductor - Southwest Chamber Music, members, Ensemble, MainArtist

(C) 2004 Cambria (P) 2004 Cambria

19
VI. quarter note = 144
00:01:32

Carlos Chavez, Composer - Jeff von der Schmidt, Conductor - Southwest Chamber Music, members, Ensemble, MainArtist

(C) 2004 Cambria (P) 2004 Cambria

20
VII. quarter note = 84
00:00:43

Carlos Chavez, Composer - Jeff von der Schmidt, Conductor - Southwest Chamber Music, members, Ensemble, MainArtist

(C) 2004 Cambria (P) 2004 Cambria

Sonata for 4 Horns (Carlos Chavez)

21
I. Allegro
00:07:18

Carlos Chavez, Composer - Jeff von der Schmidt, Conductor - Southwest Chamber Music, members, Ensemble, MainArtist

(C) 2004 Cambria (P) 2004 Cambria

22
II. Adagio cantabile
00:08:40

Carlos Chavez, Composer - Jeff von der Schmidt, Conductor - Southwest Chamber Music, members, Ensemble, MainArtist

(C) 2004 Cambria (P) 2004 Cambria

23
III. Allegro
00:05:18

Carlos Chavez, Composer - Jeff von der Schmidt, Conductor - Southwest Chamber Music, members, Ensemble, MainArtist

(C) 2004 Cambria (P) 2004 Cambria

Albumbeschreibung

Southwest Chamber Music's Chávez: Complete Chamber Music, Vol. 1, on Lomita, CA-based indie Cambria was of such caliber that it earned the Grammy Award for Best Small Ensemble Performance -- a stunning achievement for a regional chamber group on a so-called "minor" label, albeit one that has been in business for 25 years. The standards of performance, recording quality, and packaging that so distinguished the first issue are all present in this second volume, Chávez: Complete Chamber Music, Vol. 2. But some of the music here is in Chávez's tougher, more abstract idiom and demands the patient attention of the listener, so it's a little more "work" this time around. Chávez: Complete Chamber Music, Vol. 2, is certainly worth the time and attention -- the outer pieces, Energia for nine instruments and Sonata for four horns (1929) are both works from the 1920s that are immediately appealing and tremendous fun. The Soli I for winds (1935) is a piquant and succinct work reminiscent of Stravinsky. Conductor and annotator Jeff von der Schmidt identifies it as signifying "things to come" for Chávez, but this view can't be confirmed; it just seems pleasantly neo-Classical with a few additional barbs and twists placed here and there. Energia (1925) is a milestone for Chávez in that it marks the first time the composer put into practice his "non-repetitive" style of composition, rejecting formal recapitulation schemes as a by-product of typically European stylistic devices that Chávez was trying to avoid. And in essence he was right on the money -- composers in the "old country" really didn't pick up on this idea until the 1950s, by which time Chávez had resolved his anti-European bias and was adopting some aspects of serial technique, much to the dismay of his Mexican colleagues. Both the Soli II for wind quintet (1961) and the Soli IV for brass trio come from squarely within this latter phase of Chávez's development. Frankly, neither work has worn particularly well, but of the two the Soli IV is preferable in that it makes more use of negative space and dynamics than the dense and somewhat clotted Soli II. But overall, Chávez: Complete Chamber Music, Vol. 2, is an entirely worthy continuation of this excellent cycle of recordings and makes an interested listener anxious to hear the forthcoming volumes.
© TiVo

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