Milt Jackson
Before Milt Jackson, there were only two major vibraphonists: Lionel Hampton and Red Norvo. Jackson soon surpassed both of them in significance and, despite the rise of other players (including Bobby Hutcherson and Gary Burton), still won the popularity polls throughout the decades. Jackson (or "Bags" as he was long called) was at the top of his field for 50 years, playing bop, blues, and ballads with equal skill and sensitivity. In its essence, Jackson did for the vibes what Dizzy Gillespie did for the trumpet -- revolutionize its approach. He slowed the speed on the instrument's oscillator, changed its vibrato and perfected slow, cleverly paced blues solos. His floating solos with long, sustained notes and darting rhythms became a bop staple. A former singer, guitarist and pianist, Jackson was an extremely versatile player, cutting big-band dates, working with orchestras, and fighting to maintain a successful solo career yet retain his ties with the Modern Jazz Quartet, the group he co-founded with pianist John Lewis in 1952.
Milt Jackson started on guitar when he was seven, and piano at 11; a few years later, he switched to vibes. He actually made his professional debut singing in a touring gospel quartet. After Dizzy Gillespie discovered him playing in Detroit, he offered him a job with his sextet and (shortly after) his innovative big band (1946). Jackson recorded with Gillespie, and was soon in great demand. During 1948-1949, he worked with Charlie Parker, Thelonious Monk, Howard McGhee, and the Woody Herman Orchestra. After playing with Gillespie's sextet (1950-1952), which at one point included John Coltrane, Jackson recorded with a quartet comprised of John Lewis, Percy Heath, and Kenny Clarke (1952), which soon became a regular group called the Modern Jazz Quartet. Although he recorded regularly as a leader (including dates in the 1950s with Miles Davis and/or Thelonious Monk, Coleman Hawkins, John Coltrane, and Ray Charles), Milt Jackson stayed with the MJQ through 1974, becoming an indispensable part of their sound. By the mid-'50s, Lewis became the musical director and some felt that Bags was restricted by the format, but it actually served him well, giving him some challenging settings. And he always had an opportunity to jam on some blues numbers, including his "Bags' Groove." However, in 1974, Jackson felt frustrated by the MJQ (particularly financially) and broke up the group. He recorded frequently for Pablo in many all-star settings in the 1970s, and after a seven-year vacation, the MJQ came back in 1981. In addition to the MJQ recordings, Milt Jackson cut records as a leader throughout his career for many labels including Savoy, Blue Note (1952), Prestige, Atlantic, United Artists, Impulse, Riverside, Limelight, Verve, CTI, Pablo, Music Masters, and Qwest. He died of liver cancer on October 9, 1999, at the age of 76.
© Scott Yanow /TiVo
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Reunion Blues (Remastered Anniversary Edition)
Jazz - Editado por MPS el 1 ene. 1972
24-Bit 88.2 kHz - Stereo -
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Saga Jazz: Early MJQ
Jazz - Editado por SAGA el 27 ene. 2003
16-Bit CD Quality 44.1 kHz - Stereo -
Quintet / Sextet
Jazz - Editado por Prestige el 17 sept. 2020
24-Bit 192.0 kHz - Stereo -
Sunflower (CTI Records 40th Anniversary Edition)
Jazz fusión & Jazz rock - Editado por Masterworks Jazz el 1 ene. 1973
16-Bit CD Quality 44.1 kHz - Stereo -
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Bags Meets Wes! [Keepnews Collection]
Jazz - Editado por Riverside el 1 ene. 1961
16-Bit CD Quality 44.1 kHz - Stereo -
Ray Brown/Milt Jackson
Jazz - Editado por Verve Reissues el 1 ene. 1965
16-Bit CD Quality 44.1 kHz - Stereo -
A Celebration Of Duke
Sarah Vaughan, Zoot Sims, Joe Pass, Milt Jackson, Ray Brown, Mickey Roker
Jazz vocal - Editado por Pablo el 1 ene. 1980
16-Bit CD Quality 44.1 kHz - Stereo -
Oscar Peterson Trio et Milt Jackson (Mono Version)
Jazz - Editado por BNF Collection el 1 ene. 1962
24-Bit 96.0 kHz - Stereo -
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The Very Tall Band: Live At The Blue Note (Live At The Blue Note, New York City, NY / November 24-26, 1998)
Oscar Peterson, Ray Brown, Milt Jackson
Jazz - Editado por Telarc el 1 ene. 1962
16-Bit CD Quality 44.1 kHz - Stereo -
Bags Meets Wes
Jazz - Editado por Original Jazz Classics el 1 ene. 1961
16-Bit CD Quality 44.1 kHz - Stereo -
Jackson, Johnson, Brown & Company
Milt Jackson, J.J. Johnson, Ray Brown
Jazz - Editado por FANTASY RECORDS el 1 ene. 1983
16-Bit CD Quality 44.1 kHz - Stereo -
Ballads & Blues
Jazz - Editado por Rhino Atlantic el 20 feb. 1957
16-Bit CD Quality 44.1 kHz - Stereo -
What's Up?: The Very Tall Band (Live At The Blue Note, New York City, NY / November 24-26, 1998)
Oscar Peterson, Ray Brown, Milt Jackson
Jazz - Editado por Telarc el 27 feb. 2007
16-Bit CD Quality 44.1 kHz - Stereo -
Soul Brothers/Soul Meeting
Soul - Editado por Rhino Atlantic el 14 feb. 1989
16-Bit CD Quality 44.1 kHz - Stereo -
The Ballad Artistry Of Milt Jackson
Jazz - Editado por Rhino Atlantic el 14 nov. 2018
16-Bit CD Quality 44.1 kHz - Stereo -
Memphis Jackson
Jazz - Editado por Verve Reissues el 9 oct. 1969
16-Bit CD Quality 44.1 kHz - Stereo