Johnny Otis
Johnny Otis modeled an amazing number of contrasting musical hats over a career spanning more than half a century. Bandleader, record producer, talent scout, label owner, nightclub impresario, disc jockey, TV variety show host, author, R&B pioneer, rock & roll star -- Otis answered to all those descriptions and quite a few more. Not bad for a Greek-American who loved jazz and R&B so fervently that he adopted the African-American culture as his own.
California-born John Veliotes changed his name to the Blacker-sounding Otis when he was in his teens. Drums were his first passion -- he spent time behind the traps with the Oakland-based orchestra of Count Otis Matthews and kept time for various Midwestern swing outfits before settling in Los Angeles during the mid-'40s and joining Harlan Leonard's Rockets, then resident at The Club Alabam.
It wasn't long before The Alabam's owner entreated Otis to assemble his own orchestra for house-band duties. The group's 1945 debut sides for Excelsior were solidly in the big-band jazz vein and included an arrangement of the moody "Harlem Nocturne" that sold well. Shouter Jimmy Rushing fronted the band for two tracks at the same date. Otis' rep as a drummer was growing; he backed both Wynonie Harris and Charles Brown (with Johnny Moore's Three Blazers) that same year.
The Otis outfit continued to record for Excelsior through 1947 (one date featured Big Jay McNeely on sax), but his influence on L.A.'s R&B scene soared exponentially when he and partner Bardu Ali opened The Barrelhouse Club in Watts. R&B replaced jazz in Otis' heart; he pared the big-band down and discovered young talent such as the Robins, vocalists Mel Walker and Little Esther Phillips, and guitarist Pete Lewis that would serve him well in years to come.
Otis signed with Newark, New Jersey-based Savoy Records in 1949, and the R&B hits came in droves: "Double Crossing Blues," "Mistrustin' Blues," and "Cupid's Boogie" all hit number one that year (in all, Otis scored ten Top Ten smashes that year alone!); "Gee Baby," "Mambo Boogie," and "All Nite Long" lit the lamp in 1951; and "Sunset to Dawn" capped his amazing run in 1952 (vocals were shared by Esther, Walker, and other members of the group). By then, Otis had branched out to play vibes on many waxings.
In late 1951, Otis moved to Mercury, but apart from a Walker-led version of Floyd Dixon's "Call Operator 210," nothing found pronounced success with the public. A 1953-1955 contract with Don Robey's Peacock logo produced some nice jump blues sides but no hits (though the Otis orchestra backed one of his many discoveries, Big Mama Thornton, on her chart-topping "Hound Dog," as well as a young Little Richard while at Peacock). Otis was a masterful talent scout; among his platinum-edged discoveries were Jackie Wilson, Little Willie John, Hank Ballard, and Etta James (he produced her debut smash "Roll with Me Henry").
In 1955, Otis took studio matters into his own hands, starting up his own label, Dig Records, to showcase his own work as well as his latest discoveries (including Arthur Lee Maye & the Crowns, Tony Allen, and Mel Williams). Rock & roll was at its zenith in 1957 when the multi-instrumentalist signed on with Capitol Records; billed as The Johnny Otis Show, he set the R&B and pop charts ablaze in 1958 with his shave-and-a-haircut beat, "Willie and the Hand Jive," taking the vocal himself (other singers then with the Otis Show included Mel Williams and the gargantuan Marie Adams & the Three Tons of Joy). During the late '50s, Otis hosted his own variety program on L.A. television, starring his entire troupe (and on one episode, Lionel Hampton), and did a guest shot in a 1958 movie, Juke Box Rhythm.
After cutting some great rock & roll for Capitol from 1957 to 1959 with only one hit to show for it, Otis dropped anchor at King Records in 1961 and 1962 (in addition to his own output, Otis' band also backed Johnny "Guitar" Watson on several sides). Later in the decade, Otis recorded some ribald material for Kent and watched as his young son Shuggie built an enviable reputation as a blues guitarist while recording for Columbia. Father and son cut an album together for Alligator in 1982, accurately entitled The New Johnny Otis Show.
In later years, the multi-talented Otis added operating a California health-food emporium to his endless list of wide-ranging accomplishments. He was elected to the Rock and Roll Hall of Fame in 1994. Otis died at home in Altadena, California in January 2012 at the age of 90. If blues ever boasted a renaissance man among its ranks, Johnny Otis surely filled that bill.
© Bill Dahl /TiVo
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Presenting Johnny Otis
R&B - Editado por Universal Digital Enterprises el 25 feb. 1959
16-Bit CD Quality 44.1 kHz - Stereo -
Am I That Easy to Forget 1950 - 1962
Soul - Editado por Jasmine Records el 9 ago. 2013
16-Bit CD Quality 44.1 kHz - Stereo -
R&b Power
Soul - Editado por Rolled Gold Classics el 24 ene. 2012
16-Bit CD Quality 44.1 kHz - Stereo -
Doin' the Hully Gully
Johnny Otis, Mel Walker, Marie Adams, Marci Lee, Little Esther, Lee Graves
Rock - Editado por Jube Legends el 20 ago. 2021
24-Bit 48.0 kHz - Stereo -
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1951
Blues - Editado por Classics Blues & Rhythm Series el 4 ago. 2008
16-Bit CD Quality 44.1 kHz - Stereo -
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The godfather of rythm and blues vol.2
Jazz - Editado por EPM el 5 ago. 2003
16-Bit CD Quality 44.1 kHz - Stereo -
Original Classics Recording
Blues - Editado por Ladies Records el 31 jul. 2020
16-Bit CD Quality 44.1 kHz - Stereo -
The Classic Collection
Rock - Editado por Burning Fire el 13 ene. 2009
16-Bit CD Quality 44.1 kHz - Stereo -
Johnny Otis Rythm & Blus Caravan Vol. 2
Blues - Editado por Black Sheep Music el 6 sept. 2013
16-Bit CD Quality 44.1 kHz - Stereo -
The Best of Johnny Otis
Soul - Editado por Vintage Jukebox el 2 dic. 2019
16-Bit CD Quality 44.1 kHz - Stereo -
Johnny Otis And The Good Time Blues, Vol. 1
Jazz - Editado por Savoy el 11 nov. 2009
16-Bit CD Quality 44.1 kHz - Stereo -
Get On Up! (Live Chicago '93) (Live)
Blues - Editado por Wolf Tree el 12 abr. 2023
16-Bit CD Quality 44.1 kHz - Stereo -
The Fabulous Johnny Otis Show! (Remastered)
Soul - Editado por RevOla el 15 jun. 2021
24-Bit 96.0 kHz - Stereo -
Midnight in the Barrelhouse
Pop - Editado por The Sound of Bristol el 1 jun. 2021
16-Bit CD Quality 44.1 kHz - Stereo -
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Johnny Otis Rythm & Blus Caravan Vol. 1
Blues - Editado por Black Sheep Music el 6 sept. 2013
16-Bit CD Quality 44.1 kHz - Stereo -
History of Rock'n'Roll: Rib Joint (Recordings of 1950 - 1956)
Johnny Otis, Big Maybelle, Huey 'Piano' Smith
Blues - Editado por Rhythm & Blues Classics el 25 feb. 2023
16-Bit CD Quality 44.1 kHz - Stereo -
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Classics: 1950
Blues - Editado por Classics Blues & Rhythm Series el 10 jun. 2008
16-Bit CD Quality 44.1 kHz - Stereo