Johannes Brahms
The stature of Johannes Brahms among classical composers is best illustrated by his inclusion among the "Three Bs" triumvirate of Bach, Beethoven, and Brahms. Of all the major composers of the late Romantic era, Brahms was the one most attached to the Classical ideal as manifested in the music of Haydn, Mozart, and especially Beethoven; indeed, Hans von Bülow once characterized Brahms' Symphony No. 1 (1855-1876) as "Beethoven's Tenth." As a youth, Brahms was championed by Robert Schumann as music's greatest hope for the future; as a mature composer, Brahms became the most potent symbol of musical tradition for conservative musical journalists, a stalwart against the "degeneration" represented by the music of Wagner and his school. Brahms' symphonies, choral and vocal works, chamber music, and piano pieces are imbued with strong emotional feeling, yet take shape according to a thoroughly considered structural plan.
The son of a double bassist in the Hamburg Philharmonic Society, Brahms demonstrated great promise at a young age. He began his musical career as a pianist, contributing to the family coffers as a teenager by playing in restaurants, taverns, and even brothels. By his early twenties he enjoyed associations with luminaries like violinists Eduard Reményi and Joseph Joachim, but the friend and mentor who was most instrumental in advancing his career was Schumann, who all but adopted him and became his most ardent admirer -- their esteem was mutual. Following Schumann's death in 1856, Brahms became the closest confidant and lifelong friend of the composer's widow, pianist and composer Clara Wieck Schumann. After a lifetime of spectacular musical triumphs and failed loves (the composer was involved in several romantic entanglements but never wed), Brahms died of liver cancer on April 3, 1897.
In every genre in which he composed, Brahms produced works that have become staples of the repertory. His most ambitious work, the German Requiem (1863-1867), is the composer's singular reinterpretation of an age-old form. The four symphonies -- lushly scored, grand in scope, and deeply expressive -- are cornerstones of the symphonic literature. Brahms' concertos are in a similarly monumental, quasi-symphonic vein: the two piano concertos (1856-1859 and 1881), and the Violin Concerto (1878) call for soloists with both considerable technical skill and stamina. His chamber music is among the most sophisticated and exquisitely crafted of the Romantic era; his works that incorporate clarinet (e.g., the Trio in A minor, Op. 114 and the two Sonatas, Op. 120), the latter an instrument largely overlooked by his contemporaries -- remain unsurpassed. Though the piano sonata never held the same appeal for Brahms as it did for Beethoven (Brahms wrote three to Beethoven's 32), he produced a voluminous body of music for the piano. He showed a particular affinity for variations -- notably, on themes of Schumann (1854), Handel (1861), and Paganini (1862-1863) -- and likewise produced a passel of national dances and character pieces such as ballades, intermezzi, and rhapsodies. Collectively, these constitute one of the essential bodies of work in the realm of 19th century keyboard music.
© Rovi Staff /TiVo
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Brahms: Lieder
Clásica - Editado por Challenge Classics el 1 ene. 1998
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Brahms - Great Recordings
Clásica - Editado por UME - Global Clearing House el 10 oct. 2020
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Johannes Brahms: Symphony No. 1 In C-Minor, Op. 68
Pittsburgh Symphony Orchestra, Johannes Brahms, William Steinburg
Clásica - Editado por Music Manager el 1 may. 2020
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Johannes Brahms: Double Concerto for Violin and Cello in A minor, Op.102 - Antonín Dvořák: Piano Trio in F Minor, Op. 65
Jascha Heifetz, Gregor Piatigorsky, Leonard Pennario
Música de cámara - Editado por RHI el 10 sept. 2015
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Brahms: Cello Sonata No 2 In F Major, Op. 99 - Prokofiev: Sonata For Cello And Piano In C Major, Op. 119
Mstislav Rostropovich, Sviatoslav Richter
Música de cámara - Editado por RHI el 26 may. 2015
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Peaceful Classical
Johannes Brahms, Georg Friedrich Händel, Claude Debussy
Clásica - Editado por UME - Global Clearing House el 11 mar. 2024
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Violin Sonata No. 1 in G Major, Op. 78
Clásica - Editado por Pipeline Music el 8 jun. 2006
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Johannes Brahms: Complete Music for Two Pianos
Leonora Armellini, Mattia Ometto, Johannes Brahms
Música de cámara - Editado por Da Vinci Classics el 19 oct. 2018
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Mischief with Mozart - Humorous take-offs of well-known classical themes
Buenos Aires Classical Ensemble
Música concertante - Editado por Stradivari Classics el 23 may. 2012
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Russian Piano School: Heinrich Neuhaus, Vol. 3
Clásica - Editado por Russian Compact Disc el 22 jul. 1996
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The Three Violin Sonatas
Patrice Fontanarosa, Emile Naoumoff
Clásica - Editado por Saphir Productions el 1 feb. 2009
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Brahms: Classical Moments
Clásica - Editado por UME - Global Clearing House el 29 oct. 2022
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Brahms: Waltz No. 15 in A-Flat Major, Op. 39 (Digitally Remastered)
Clásica - Editado por EMG Classical el 7 may. 2012
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La musique classique dans la pub
Clásica - Editado por Music Ware el 8 jul. 2016
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Brahms: Ein Deutsches Requiem
Sofia Philharmonic Orchestra, Sonia Marinova, Jivko Trenchev
Clásica - Editado por Int - Bertus el 30 sept. 2016
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Brahms: Violin Sonata No. 3 in D Minor, Op. 108 - Bartók: Violin Rhapsody No. 1, Sz. 86 - Hindemith: Violin Sonata, Op. 31, No. 1
Daniel Spiegelberg, Andrée Stakian
Clásica - Editado por VDE-GALLO el 25 may. 1982
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Brahms: Piano Trio No. 1 in B Major - Ravel: Piano Trio in A Minor
Música de cámara - Editado por MSR Classics el 25 abr. 2021
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Brahms: The Complete Piano Trios
Clásica - Editado por Challenge Classics el 1 ene. 2001
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Johannes Brahms: Die Cellosonaten
Clásica - Editado por Ton 4 Records el 21 dic. 2007
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Johannes Brahms: Piano Quartet in A Major, Op. 26 / Robert Schumann: Fantasy in C Major, Op. 17
Música de cámara - Editado por RHI el 1 abr. 2016
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Masters - Brahms
Clásica - Editado por UME - Global Clearing House el 27 jun. 2020
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