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The year 1989 was awesome for Kathy Mattea. Her brand of country-pop music began to evolve toward folk and Celtic-oriented influences, which were actually encouraged by her label -- changes like this in Nash Vegas are few and far between -- and what's more, it all translated in terms of chart success and record sales. A strong and indeed the first completely realized project of her career, Willow in the Wind boasted three hits, "Burnin' Old Memories," "Where've You Been," and "Come from the Heart." The hard honky tonk/West Texas swing of "Burnin' Old Memories," with its slightly rocked-up tempo, is more than just catchy; it's infectious. "Hills of Alabam'" is one of those gorgeous songs where the weary traveler -- with a lonesome harmonica in the background -- romanticizes home as contrasted with the harsh questions of the present and the uncertain future. Mattea's phrasing is impeccable in that she becomes an itinerant musician riding endless hours on some forsaken urban freeway in the predawn light.
But the true stunner on Willow in the Wind is, of course, a love song. Written by Zen bluegrass queen Laurie Lewis, it's the most springlike testament to new love and is free of sentimentality or emotional manipulation, and Mattea's voice is perfect for its utterance. Slippery acoustic guitars, a piano, and a strolling bass anchored by a small drum kit are what frame the verses, with a shimmering pedal steel on the refrains. It's simply orchestrated, with an old-timey feel, and when Mattea takes the last verse she lays all cheesy, false, and clichéd love songs to waste: "Love cuts like a torch to a heart behind steel/And though you may hide it, love knows how you feel/And though you may trespass on the laws of the land/Your heart has to follow when love takes your hand/And it seems we're two people/Within the same circle/It's drawn tighter and tighter/'Till you're all I can see/I'm full and I'm empty and you're pouring through me/Like the warm rain fallin' through the leaves on a tree/Tell me now if I'm wrong are you feeling the same/Are your feet on the ground/Are you callin' my name/Do you lie awake nights/Please say you do/You can't choose who you love/Love chooses you." The record closes two tracks later, but it hardly matters -- the case has been made.
© Thom Jurek /TiVo
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Craig Bickhardt, Voice, AssociatedPerformer - Wayland Patton, Voice, AssociatedPerformer - Richard Leigh, ComposerLyricist - Kathy Mattea, Voice, MainArtist, AssociatedPerformer - Bobby Wood, Percussion, AssociatedPerformer - Pete Wasner, Piano, AssociatedPerformer - Mark O'Connor, Mandolin, AssociatedPerformer - Mark Miller, Mixer, Recording Engineer, StudioPersonnel - Allen Reynolds, Producer, Voice, AssociatedPerformer - Kenny Malone, Percussion, AssociatedPerformer - Bob Wray, Bass Guitar, AssociatedPerformer - Pat Flynn, Acoustic Guitar, AssociatedPerformer - Milton Sledge, Drums, AssociatedPerformer - Donna McElroy, Voice, AssociatedPerformer - Susanna Wallis Clark, ComposerLyricist - Duke Duczer, Asst. Recording Engineer, StudioPersonnel
℗ 1989 Mercury Records, a Division of UMG Recordings, Inc.
Stuart Duncan, Fiddle, AssociatedPerformer - Mark D. Sanders, ComposerLyricist - Kathy Mattea, MainArtist - B. Regan, ComposerLyricist - Ray Flacke, Electric Guitar, AssociatedPerformer - Riders In The Sky, Voice, AssociatedPerformer - Mark Miller, Mixer, Recording Engineer, StudioPersonnel - Allen Reynolds, Producer - Kenny Malone, Percussion, AssociatedPerformer - Bob Wray, Bass Guitar, AssociatedPerformer - Chris Leuzinger, Acoustic Guitar, Electric Guitar, AssociatedPerformer - Milton Sledge, Drums, AssociatedPerformer - Charlie McCoy, Harmonica, AssociatedPerformer - Duke Duczer, Asst. Recording Engineer, StudioPersonnel
℗ 1989 Mercury Records, a Division of UMG Recordings, Inc.
Paul Nelson, ComposerLyricist - Larry Boone, ComposerLyricist - Kathy Mattea, MainArtist - Bruce Bouton, Steel Guitar, AssociatedPerformer - Mike Chapman, Bass Guitar, AssociatedPerformer - Ray Flacke, Electric Guitar, AssociatedPerformer - Mark Miller, Mixer, Recording Engineer, StudioPersonnel - Allen Reynolds, Producer - Chris Leuzinger, Acoustic Guitar, AssociatedPerformer - Milton Sledge, Drums, AssociatedPerformer - GENE NELSON, ComposerLyricist - Duke Duczer, Asst. Recording Engineer, StudioPersonnel
℗ 1989 Mercury Records, a Division of UMG Recordings, Inc.
Wayland Patton, Voice, AssociatedPerformer - Kathy Mattea, MainArtist - Bobby Wood, Keyboards, AssociatedPerformer - Fred Koller, ComposerLyricist - Pete Wasner, Piano, AssociatedPerformer - Patrick Alger, ComposerLyricist - Mark Miller, Mixer, Recording Engineer, StudioPersonnel - Allen Reynolds, Producer - Bob Wray, Bass Guitar, AssociatedPerformer - Pat Flynn, Acoustic Guitar, AssociatedPerformer - Chris Leuzinger, Electric Guitar, AssociatedPerformer - Milton Sledge, Drums, AssociatedPerformer - Kathy Chiavola, Voice, AssociatedPerformer - Duke Duczer, Asst. Recording Engineer, StudioPersonnel
℗ 1989 Mercury Records, a Division of UMG Recordings, Inc.
Kathy Mattea, MainArtist - Jim Photoglo, Voice, AssociatedPerformer - Phil Galdston, ComposerLyricist - MATT ROLLINGS, Keyboards, AssociatedPerformer - Mark Miller, Mixer, Recording Engineer, StudioPersonnel - Allen Reynolds, Producer - Bob Wray, Bass Guitar, AssociatedPerformer - Pat Flynn, Acoustic Guitar, AssociatedPerformer - Chris Leuzinger, Electric Guitar, AssociatedPerformer - Milton Sledge, Drums, AssociatedPerformer - Wendy Waldman, Voice, AssociatedPerformer, ComposerLyricist - Charlie McCoy, Harmonica, AssociatedPerformer - Duke Duczer, Asst. Recording Engineer, StudioPersonnel
℗ 1989 Mercury Records, a Division of UMG Recordings, Inc.
Kathy Mattea, MainArtist - Bruce Bouton, Steel Guitar, AssociatedPerformer - Bobby Wood, Organ, Piano, AssociatedPerformer - Jim Photoglo, Voice, AssociatedPerformer - Mark Miller, Mixer, Recording Engineer, StudioPersonnel - Allen Reynolds, Producer - Bob Wray, Bass Guitar, AssociatedPerformer - Pat Flynn, Acoustic Guitar, AssociatedPerformer - Chris Leuzinger, Acoustic Guitar, AssociatedPerformer - Milton Sledge, Drums, AssociatedPerformer - Claire Lynch, Voice, AssociatedPerformer - Charlie McCoy, Harmonica, AssociatedPerformer - M. Fair, ComposerLyricist - Claire Elise Lynch, ComposerLyricist - Duke Duczer, Asst. Recording Engineer, StudioPersonnel
℗ 1989 Mercury Records, a Division of UMG Recordings, Inc.
Wayland Patton, Voice, AssociatedPerformer - Stuart Duncan, Mandolin, AssociatedPerformer - Mark D. Sanders, ComposerLyricist - Kathy Mattea, MainArtist - Lisa Silver, ComposerLyricist - Ray Flacke, Electric Guitar, AssociatedPerformer - Mark Miller, Mixer, Recording Engineer, StudioPersonnel - Jerry Douglas, Dobro, AssociatedPerformer - Allen Reynolds, Producer - Bob Wray, Bass Guitar, AssociatedPerformer - Chris Leuzinger, Acoustic Guitar, AssociatedPerformer - Milton Sledge, Drums, AssociatedPerformer - Kathy Chiavola, Voice, AssociatedPerformer - Randy Stephen Albright, ComposerLyricist - Duke Duczer, Asst. Recording Engineer, StudioPersonnel
℗ 1989 Mercury Records, a Division of UMG Recordings, Inc.
Wayland Patton, Voice, AssociatedPerformer - Kathy Mattea, MainArtist - Bruce Bouton, Steel Guitar, AssociatedPerformer - Bobby Wood, Keyboards, Piano, AssociatedPerformer - Laurie Lewis, ComposerLyricist - MATT ROLLINGS, Piano, AssociatedPerformer - Mark Miller, Mixer, Recording Engineer, StudioPersonnel - Allen Reynolds, Producer - Bob Wray, Bass Guitar, AssociatedPerformer - Pat Flynn, Acoustic Guitar, AssociatedPerformer - Milton Sledge, Drums, AssociatedPerformer - Kathy Chiavola, Voice, AssociatedPerformer - Duke Duczer, Asst. Recording Engineer, StudioPersonnel - Robert Bowlin, Acoustic Guitar, AssociatedPerformer
℗ 1989 Mercury Records, a Division of UMG Recordings, Inc.
Karen Staley, ComposerLyricist - Stuart Duncan, Fiddle, AssociatedPerformer - Mark D. Sanders, ComposerLyricist - Kathy Mattea, Voice, MainArtist, AssociatedPerformer - Bruce Bouton, Steel Guitar, AssociatedPerformer - Tim O'Brien, Voice, AssociatedPerformer - Bobby Wood, Keyboards, AssociatedPerformer - Ray Flacke, Electric Guitar, AssociatedPerformer - Mark Miller, Mixer, Recording Engineer, StudioPersonnel - Allen Reynolds, Producer - Chris Leuzinger, Acoustic Guitar, AssociatedPerformer - Milton Sledge, Drums, AssociatedPerformer - Mike Leech, Bass Guitar, AssociatedPerformer - Duke Duczer, Asst. Recording Engineer, StudioPersonnel
℗ 1989 Mercury Records, a Division of UMG Recordings, Inc.
Kathy Mattea, MainArtist - Dave Pomeroy, Electric Bass, AssociatedPerformer - Jon Vezner, ComposerLyricist - MATT ROLLINGS, Piano, AssociatedPerformer - Edgar Meyer, Bass Guitar, AssociatedPerformer - Mark Miller, Mixer, Recording Engineer, StudioPersonnel - Don Henry, ComposerLyricist - Allen Reynolds, Producer - JOHN MOCK, Acoustic Guitar, AssociatedPerformer - Duke Duczer, Asst. Recording Engineer, StudioPersonnel
℗ 1989 Mercury Records, a Division of UMG Recordings, Inc.
Presentación del Álbum
The year 1989 was awesome for Kathy Mattea. Her brand of country-pop music began to evolve toward folk and Celtic-oriented influences, which were actually encouraged by her label -- changes like this in Nash Vegas are few and far between -- and what's more, it all translated in terms of chart success and record sales. A strong and indeed the first completely realized project of her career, Willow in the Wind boasted three hits, "Burnin' Old Memories," "Where've You Been," and "Come from the Heart." The hard honky tonk/West Texas swing of "Burnin' Old Memories," with its slightly rocked-up tempo, is more than just catchy; it's infectious. "Hills of Alabam'" is one of those gorgeous songs where the weary traveler -- with a lonesome harmonica in the background -- romanticizes home as contrasted with the harsh questions of the present and the uncertain future. Mattea's phrasing is impeccable in that she becomes an itinerant musician riding endless hours on some forsaken urban freeway in the predawn light.
But the true stunner on Willow in the Wind is, of course, a love song. Written by Zen bluegrass queen Laurie Lewis, it's the most springlike testament to new love and is free of sentimentality or emotional manipulation, and Mattea's voice is perfect for its utterance. Slippery acoustic guitars, a piano, and a strolling bass anchored by a small drum kit are what frame the verses, with a shimmering pedal steel on the refrains. It's simply orchestrated, with an old-timey feel, and when Mattea takes the last verse she lays all cheesy, false, and clichéd love songs to waste: "Love cuts like a torch to a heart behind steel/And though you may hide it, love knows how you feel/And though you may trespass on the laws of the land/Your heart has to follow when love takes your hand/And it seems we're two people/Within the same circle/It's drawn tighter and tighter/'Till you're all I can see/I'm full and I'm empty and you're pouring through me/Like the warm rain fallin' through the leaves on a tree/Tell me now if I'm wrong are you feeling the same/Are your feet on the ground/Are you callin' my name/Do you lie awake nights/Please say you do/You can't choose who you love/Love chooses you." The record closes two tracks later, but it hardly matters -- the case has been made.
© Thom Jurek /TiVo
Acerca del álbum
- 1 disco(s) - 10 pista(s)
- Duración total: 00:34:15
- Artistas principales: Kathy Mattea
- Compositor: Various Composers
- Sello: Island Mercury
- Género Blues/Country/Folk Country
© 1989 Mercury Records, a Division of UMG Recordings, Inc. ℗ 1989 Mercury Records, a Division of UMG Recordings, Inc.
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