Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Descarga digital
Compre y descargue este álbum en múltiples formatos, según sus necesidades.
Treasure Island, released in early 1974, was the second of two albums pianist and composer Keith Jarrett recorded for Impulse Records -- the first was Fort Yawuh, issued a year earlier. Cut at Generation Sound Studios in New York City, the band consisted of Jarrett on piano and soprano saxophone, Dewey Redman on tenor, bassist Charlie Haden, and drummer Paul Motian. And though he would more than likely disagree, this was the best band he ever led. In addition to the quartet, guitarist Sam Brown contributes to a pair of cuts here as Guilherme Franco and Danny Johnson add percussion to the mix. The set kicks off with the beautiful "The Rich (And the Poor)," a folkish melody of the type Jarrett was exploring on ECM at the time, with some stellar African undertones -- it's easy to hear the majesty of Abdullah Ibrahim's South African musical sphere in this mix, and earthy deep, sparer work by Redman and Haden. The brief "Blue Streak," by contrast, is full-on and busy with melody and interplay between Redman and Motian. More speculative group improvisation occurs on "Fullsuvollivus," which travels decidedly outside, and the title cut with Sam Jones on electric guitar in place of Redman is a lithe, elegant, midtempo ballad that showcases Jarrett's truly magnificent melodic work in front of this enlarged rhythm section. The hardest groover on this set is their killer "Le Mistral," with some gorgeous interplay between Haden and Motian, and some extended solo work by Redman. "Angles (Without Edges)" is a dense construction that involves some taut counterpoint between Redman and Jarrett, even as the rhythm section tries to push them both inside toward one another -- Redman slips out of the frame a few times to excellent effect. Haden's solo is also particularly noteworthy. Brown returns on the closer "Sister Fortune," a track with almost rockist overtones. Jarrett had perhaps heard some records in his day, particularly from the Atlantic catalog, and he put that spin on this melody, which incorporates groove, repetitive and circular rhythm, and a songlike melodic structure with minimal improvisation -- though his own fills are quite stunning and deep in the pulse pocket. This is a terrific sendoff to a very fertile, creative period and begs the question as to what else may have happened had this band been able to explore their unique, fully communal sound together for more than a pair of albums.
© Thom Jurek /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde 12,49€/mes
Charlie Haden, Upright Bass, AssociatedPerformer - Keith Jarrett, Composer, Drum, MainArtist, AssociatedPerformer - PAUL MOTIAN, Drums, AssociatedPerformer - Danny Johnson, Percussion, AssociatedPerformer - Dewey Redman, Tenor Saxophone, Tambourine, AssociatedPerformer - ED MICHEL, Producer - Guilherme Franco, Percussion, AssociatedPerformer
℗ 1974 UMG Recordings, Inc.
Charlie Haden, Upright Bass, AssociatedPerformer - Keith Jarrett, Composer, Tambourine, MainArtist, AssociatedPerformer - PAUL MOTIAN, Drums, AssociatedPerformer - Danny Johnson, Percussion, AssociatedPerformer - Dewey Redman, Tenor Saxophone, Maracas, AssociatedPerformer - ED MICHEL, Producer - Guilherme Franco, Percussion, AssociatedPerformer
℗ 1974 UMG Recordings, Inc.
Keith Jarrett, Composer, MainArtist - ED MICHEL, Producer
℗ 1974 UMG Recordings, Inc.
Sam Brown, Guitar, AssociatedPerformer - Charlie Haden, Upright Bass, AssociatedPerformer - Keith Jarrett, Composer, Tambourine, MainArtist, AssociatedPerformer - PAUL MOTIAN, Drums, AssociatedPerformer - Danny Johnson, Percussion, AssociatedPerformer - Dewey Redman, Tenor Saxophone, Maracas, AssociatedPerformer - ED MICHEL, Producer - Guilherme Franco, Percussion, AssociatedPerformer
℗ 1974 UMG Recordings, Inc.
Traditional, ComposerLyricist - Charlie Haden, Upright Bass, AssociatedPerformer - Keith Jarrett, Piano, MainArtist, AssociatedPerformer - PAUL MOTIAN, Drums, AssociatedPerformer - Danny Johnson, Percussion, AssociatedPerformer - Dewey Redman, Tenor Saxophone, AssociatedPerformer - ED MICHEL, Producer - Guilherme Franco, Percussion, AssociatedPerformer
℗ 1974 UMG Recordings, Inc.
Keith Jarrett, Composer, MainArtist - ED MICHEL, Producer
℗ 1974 UMG Recordings, Inc.
Keith Jarrett, Composer, MainArtist - ED MICHEL, Producer
℗ 1974 UMG Recordings, Inc.
Keith Jarrett, Composer, MainArtist - ED MICHEL, Producer
℗ 1974 UMG Recordings, Inc.
Presentación del Álbum
Treasure Island, released in early 1974, was the second of two albums pianist and composer Keith Jarrett recorded for Impulse Records -- the first was Fort Yawuh, issued a year earlier. Cut at Generation Sound Studios in New York City, the band consisted of Jarrett on piano and soprano saxophone, Dewey Redman on tenor, bassist Charlie Haden, and drummer Paul Motian. And though he would more than likely disagree, this was the best band he ever led. In addition to the quartet, guitarist Sam Brown contributes to a pair of cuts here as Guilherme Franco and Danny Johnson add percussion to the mix. The set kicks off with the beautiful "The Rich (And the Poor)," a folkish melody of the type Jarrett was exploring on ECM at the time, with some stellar African undertones -- it's easy to hear the majesty of Abdullah Ibrahim's South African musical sphere in this mix, and earthy deep, sparer work by Redman and Haden. The brief "Blue Streak," by contrast, is full-on and busy with melody and interplay between Redman and Motian. More speculative group improvisation occurs on "Fullsuvollivus," which travels decidedly outside, and the title cut with Sam Jones on electric guitar in place of Redman is a lithe, elegant, midtempo ballad that showcases Jarrett's truly magnificent melodic work in front of this enlarged rhythm section. The hardest groover on this set is their killer "Le Mistral," with some gorgeous interplay between Haden and Motian, and some extended solo work by Redman. "Angles (Without Edges)" is a dense construction that involves some taut counterpoint between Redman and Jarrett, even as the rhythm section tries to push them both inside toward one another -- Redman slips out of the frame a few times to excellent effect. Haden's solo is also particularly noteworthy. Brown returns on the closer "Sister Fortune," a track with almost rockist overtones. Jarrett had perhaps heard some records in his day, particularly from the Atlantic catalog, and he put that spin on this melody, which incorporates groove, repetitive and circular rhythm, and a songlike melodic structure with minimal improvisation -- though his own fills are quite stunning and deep in the pulse pocket. This is a terrific sendoff to a very fertile, creative period and begs the question as to what else may have happened had this band been able to explore their unique, fully communal sound together for more than a pair of albums.
© Thom Jurek /TiVo
Acerca del álbum
- 1 disco(s) - 8 pista(s)
- Duración total: 00:44:18
- Artistas principales: Keith Jarrett
- Compositor: Various Composers
- Sello: Impulse!
- Género Jazz
© 2009 The Verve Music Group, a Division of UMG Recordings, Inc. ℗ 1974 The Verve Music Group, a Division of UMG Recordings, Inc.
Mejorar la información del álbumPor qué comprar en Qobuz...
-
Escuche su música en streaming o descárguela
Compre un álbum o una pista individual. O escuche nuestro catálogo completo con nuestras suscripciones ilimitadas de streaming en alta calidad.
-
Sin DRM
Las pistas descargadas le pertenecen, sin límite de utilización. Y además las puede descargar todas las veces que lo necesite.
-
Elija el formato que más le convenga
Descargue sus compras en una amplia variedad de formatos (FLAC, ALAC, WAV, AIFF...) dependiendo de sus necesidades.
-
Escuche sus compras en nuestras apps
Descargue las aplicaciones Qobuz para smartphones, tabletas u ordenadores, y escuche sus compras en cualquier lugar.