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Rhiannon Giddens|Tomorrow Is My Turn

Tomorrow Is My Turn

Rhiannon Giddens

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Stepping away from the Carolina Chocolate Drops, Rhiannon Giddens teams up with producer T-Bone Burnett for her 2015 solo debut, Tomorrow Is My Turn. Giddens previously worked with Burnett on Lost on the River, an album where musicians added new music to lyrics Bob Dylan left behind during The Basement Tapes, and she also appeared in a concert he shepherded for the Coen brothers' folk revival opus Inside Llewyn Davis -- two projects steeped in history, as is Tomorrow Is My Turn. Here, Giddens expands upon the neo-string band of the Carolina Chocolate Drops by crafting an abbreviated and fluid history of 20th century roots music -- along with the older forms that informed it -- concentrating on songs either written or popularized by female musicians. As a torchbearer, not a revivalist, Giddins isn't concerned with replicating either the sound or feel of the past, so she comfortably slips a subdued hip-hop drum loop into "Black Is the Color," a standard here credited to Nina Simone, and blurs country and soul boundaries on Patsy Cline's "She's Got You." These two are the most overt tamperings with tradition but Giddens is sly throughout Tomorrow Is My Turn, giving Elizabeth Cotten's "Shake Sugaree" a deceptively lively little lilt and casting Dolly Parton's "Don't Let It Trouble Your Mind" as a rolling progressive folk tune that creates an invisible bridge between past and present. Much of Giddens' work on Tomorrow Is My Turn demonstrates the benefits of such careful, deliberate sculpting, making it a nice fit for Burnett's handsome acoustica. Thankfully, the austereness that sometimes creeps into T-Bone's new millennial work is nowhere to be found; there's a warmth that radiates from Giddens, which is crucial to the success of the record. Her easy, welcoming touch is a balm every time Tomorrow Is My Turn is played, but it's upon successive spins that the intricacies of Giddens' construction -- not to mention her subtle political messages -- begin to take hold.
© Stephen Thomas Erlewine /TiVo

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Tomorrow Is My Turn

Rhiannon Giddens

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1
Last Kind Words
00:04:13

Colin Linden, Electric Guitar - Dennis Crouch, Bass - Rhiannon Giddens, Lead Vocals, MainArtist - Mike Compton, Mandolin - Geeshie Wiley, Composer, Writer

© 2014 Nonesuch Records Inc. ℗ 2015 Nonesuch Records Inc.

2
Don't Let It Trouble Your Mind
00:03:39

T Bone Burnett, Acoustic Guitar - Keefus Ciancia, Keyboards - Colin Linden, Guitar - Jack Ashford, Tambourine - Dennis Crouch, Acoustic Bass - Jay Bellerose, Drums - Gabe Witcher, Fiddle - Dolly Parton, Composer, Writer - Rhiannon Giddens, Lead Vocals, MainArtist - Hubby Jenkins, Trombone

© 2014 Nonesuch Records Inc. ℗ 2015 Nonesuch Records Inc.

3
Waterboy
00:03:45

Colin Linden, Guitar - Jack Ashford, Tambourine - Dennis Crouch, Acoustic Bass - Jay Bellerose, Drums - Gabe Witcher, Fiddle - Rhiannon Giddens, Lead Vocals, MainArtist - Jacques Wolfe, Composer, Writer - Hubby Jenkins, Acoustic Guitar - Paul Kowert, Acoustic Bass

© 2014 Nonesuch Records Inc. ℗ 2015 Nonesuch Records Inc.

4
She's Got You
00:04:17

T Bone Burnett, Guitar - Keefus Ciancia, Keyboards - Colin Linden, Guitar - Jack Ashford, Tambourine - Darrell Leonard, Trumpet - Dennis Crouch, Acoustic Bass - Jay Bellerose, Drums - Hank Cochran, Composer, Writer - Gabe Witcher, Arrangement Horn, Fiddle - Lester Lovitt, Trumpet - Jim Thompson, Tenor Saxophone - Tata Vega, Background Vocals - Tom Peterson, Baritone Saxophone - Rhiannon Giddens, Lead Vocals, MainArtist - Joe Sublet, Tenor Saxophone - Jean Witherspoon, Background Vocals

© 2014 Nonesuch Records Inc. ℗ 2015 Nonesuch Records Inc.

5
Up Above My Head
00:03:09

Colin Linden, Guitar - Jack Ashford, Tambourine - Dennis Crouch, Acoustic Bass - Jay Bellerose, Drums - Gabe Witcher, Fiddle - Sister Rosetta Tharpe, Composer, Writer - Tata Vega, Background Vocals - Rhiannon Giddens, Lead Vocals, MainArtist - Jean Witherspoon, Background Vocals

© 2014 Nonesuch Records Inc. ℗ 2015 Nonesuch Records Inc.

6
Tomorrow Is My Turn
00:04:37

Keefus Ciancia, Keyboards - Colin Linden, Guitar - Dennis Crouch, Acoustic Bass - Jay Bellerose, Drums - Charles Aznavour, Composer, Writer - Gabe Witcher, Viola, Violin, Strings - Richard Dodd, Cello - Marcel Stellman, Composer, Writer - Rhiannon Giddens, Lead Vocals, MainArtist - Paul Kowert, Acoustic Bass - Stéphane Yves, Composer, Writer

© 2014 Nonesuch Records Inc. ℗ 2015 Nonesuch Records Inc.

7
Black Is the Color
00:03:45

Keefus Ciancia, Keyboards - Colin Linden, Guitar - Jack Ashford, Tambourine - Dennis Crouch, Acoustic Bass - Traditional, Writer - Jay Bellerose, Drums - Gabe Witcher, Fiddle - Jonathan Batiste, Melodica - Rhiannon Giddens, Arranger, Lead Vocals, MainArtist - Adam Matta, Vocals - Paul Kowert, Acoustic Bass

© 2014 Nonesuch Records Inc. ℗ 2015 Nonesuch Records Inc.

8
Round About the Mountain
00:03:30

Keefus Ciancia, Keyboards - Roland Hayes, Composer, Arranger, Writer - Colin Linden, Guitar - Jack Ashford, Tambourine - Dennis Crouch, Acoustic Bass - Jay Bellerose, Drums - Gabe Witcher, Acoustic Guitar - Noam Pikelny, Banjo - Rhiannon Giddens, Lead Vocals, MainArtist - Paul Kowert, Acoustic Bass

© 2014 Nonesuch Records Inc. ℗ 2015 Nonesuch Records Inc.

9
Shake Sugaree
00:04:24

Colin Linden, Guitar - Jack Ashford, Tambourine - Dennis Crouch, Acoustic Bass - Jay Bellerose, Drums - Gabe Witcher, Fiddle - Rhiannon Giddens, Lead Vocals, MainArtist - Elizabeth Cotten, Composer, Writer - Hubby Jenkins, Acoustic Guitar

© 2014 Nonesuch Records Inc. ℗ 2015 Nonesuch Records Inc.

10
O Love Is Teasin'
00:04:32

Keefus Ciancia, Keyboards - Colin Linden, Guitar - Jack Ashford, Tambourine - Dennis Crouch, Acoustic Bass - Jay Bellerose, Drums - Gabe Witcher, Fiddle - Rhiannon Giddens, Arranger, Lead Vocals, Writer, MainArtist - Hubby Jenkins, Banjo - Paul Kowert, Acoustic Bass

© 2014 Nonesuch Records Inc. ℗ 2015 Nonesuch Records Inc.

11
Angel City
00:03:52

Colin Linden, Guitar - Jay Bellerose, Percussion - Gabe Witcher, Fiddle - Rhiannon Giddens, Composer, Lead Vocals, Writer, MainArtist - Mike Bub, Acoustic Bass

© 2014 Nonesuch Records Inc. ℗ 2015 Nonesuch Records Inc.

Descripción del álbum

Stepping away from the Carolina Chocolate Drops, Rhiannon Giddens teams up with producer T-Bone Burnett for her 2015 solo debut, Tomorrow Is My Turn. Giddens previously worked with Burnett on Lost on the River, an album where musicians added new music to lyrics Bob Dylan left behind during The Basement Tapes, and she also appeared in a concert he shepherded for the Coen brothers' folk revival opus Inside Llewyn Davis -- two projects steeped in history, as is Tomorrow Is My Turn. Here, Giddens expands upon the neo-string band of the Carolina Chocolate Drops by crafting an abbreviated and fluid history of 20th century roots music -- along with the older forms that informed it -- concentrating on songs either written or popularized by female musicians. As a torchbearer, not a revivalist, Giddins isn't concerned with replicating either the sound or feel of the past, so she comfortably slips a subdued hip-hop drum loop into "Black Is the Color," a standard here credited to Nina Simone, and blurs country and soul boundaries on Patsy Cline's "She's Got You." These two are the most overt tamperings with tradition but Giddens is sly throughout Tomorrow Is My Turn, giving Elizabeth Cotten's "Shake Sugaree" a deceptively lively little lilt and casting Dolly Parton's "Don't Let It Trouble Your Mind" as a rolling progressive folk tune that creates an invisible bridge between past and present. Much of Giddens' work on Tomorrow Is My Turn demonstrates the benefits of such careful, deliberate sculpting, making it a nice fit for Burnett's handsome acoustica. Thankfully, the austereness that sometimes creeps into T-Bone's new millennial work is nowhere to be found; there's a warmth that radiates from Giddens, which is crucial to the success of the record. Her easy, welcoming touch is a balm every time Tomorrow Is My Turn is played, but it's upon successive spins that the intricacies of Giddens' construction -- not to mention her subtle political messages -- begin to take hold.
© Stephen Thomas Erlewine /TiVo

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