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Yard Act|The Overload

The Overload

Yard Act

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El cielo es bastante gris, casi antracita. Es el abono ideal para hacer crecer un poco más esta rebosante escena del revival post-punk que agita el planeta indie desde principios de la década de 2010. Pero, ¿cómo sacar la cabeza de una melé ya muy densa en la que se empujan entre ellas las bandas Girl Band, Fontaines DC, Shame, Dry Cleaning y otros mil grupos armados con guitarras cuadradas y vocalistas más cercanos a la escansión que a la canción? Para conseguirlo, Yard Act lleva los marcadores del género y las influencias predecibles (The Fall, Gang of Four, Wire, los primeros Talking Heads) por caminos a menudo inesperados. Mejor aún, no se limitan a ser una bola eléctrica de nervios o un viejo escupitajo en la cara de una sociedad (post-Brexit) que va mal. No, no, Yard Act utiliza su rabia para encontrar diferentes formas de expresión. The Overload, el brillante primer álbum de este cuarteto de Leeds, se cierra con el tempo casi apacible de 100% Endurance. Al micrófono, James Smith es un digno heredero del dalai lama del post-punk, el difunto Mark E. Smith de The Fall, con una pizca de groove. Junto con el guitarrista Sam Shipstone, el bajista Ryan Needham y el baterista Jay Russell, Smith envuelve su cinismo y su bilis con ropas brillantes: una forma de dandismo proletario con anfetaminas que a veces se parece a los Sleaford Mods, a Ian Durry y sus Blockheads o incluso a Pulp... Nunca caricaturescas, sino con un oscuro realismo, las viñetas de James Smith son divertidas y musicalmente eclécticas. Suficientes ingredientes para dejar huella y hacer de The Overload un álbum contundente para iniciar el 2022. © Marc Zisman/Qobuz

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The Overload

Yard Act

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1
The Overload
00:03:17

James Smith, Drums, Tambourine, Vocals, Synthesizer, Drum Programming, Conga, Background Vocalist, AssociatedPerformer, ComposerLyricist - Geoff Pesche, Mastering Engineer, StudioPersonnel - Ali Chant, Producer, Mixer, Shaker, AssociatedPerformer, StudioPersonnel - Ryan Needham, Bass Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist - Samuel Shipstone, Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist - Yard Act, MainArtist

℗ 2021 Universal Music Operations Limited

2
Dead Horse
00:03:38

James Smith, Drums, Tambourine, Vocals, Background Vocalist, AssociatedPerformer, ComposerLyricist - Geoff Pesche, Mastering Engineer, StudioPersonnel - Ali Chant, Producer, Mixer, StudioPersonnel - Ryan Needham, Bass Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist - Samuel Shipstone, Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist - Yard Act, MainArtist

℗ 2021 Universal Music Operations Limited

3
Payday
00:02:54

James Smith, Vocals, Synth Bass, Synthesizer, Shaker, Conga, Background Vocalist, AssociatedPerformer, Electronic Percussion, ComposerLyricist - Geoff Pesche, Mastering Engineer, StudioPersonnel - Ali Chant, Producer, Mixer, StudioPersonnel - Ryan Needham, Bass Guitar, AssociatedPerformer, ComposerLyricist - Samuel Shipstone, Guitar, AssociatedPerformer - Yard Act, MainArtist - Sam Shjipstone, ComposerLyricist

℗ 2021 Universal Music Operations Limited

4
Rich
00:03:43

James Smith, Bells, Drums, Piano, Tambourine, Vocals, Background Vocalist, AssociatedPerformer, ComposerLyricist - Geoff Pesche, Mastering Engineer, StudioPersonnel - Ali Chant, Producer, Mixer, Synthesizer, AssociatedPerformer, StudioPersonnel - Ryan Needham, Bass Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist - Samuel Shipstone, Guitar, AssociatedPerformer, ComposerLyricist - Yard Act, MainArtist - Chris Duffin, Saxophone, AssociatedPerformer

℗ 2021 Universal Music Operations Limited

5
The Incident
00:03:10

James Smith, Drums, Horn, Tambourine, Vocals, Shaker, Background Vocalist, AssociatedPerformer, ComposerLyricist - Geoff Pesche, Mastering Engineer, StudioPersonnel - Rob Slater, Background Vocalist, AssociatedPerformer - Ali Chant, Producer, Mixer, Background Vocalist, AssociatedPerformer, StudioPersonnel - Ryan Needham, Bass Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist - Samuel Shipstone, Guitar, Piano, Background Vocalist, AssociatedPerformer, ComposerLyricist - Yard Act, MainArtist

℗ 2021 Universal Music Operations Limited

6
Witness (Can I Get A?)
00:01:20

James Smith, Drums, Vocals, AssociatedPerformer, ComposerLyricist - Geoff Pesche, Mastering Engineer, StudioPersonnel - Rob Slater, Background Vocalist, AssociatedPerformer - Ali Chant, Producer, Mixer, Drum Programming, Background Vocalist, AssociatedPerformer, StudioPersonnel - Ryan Needham, Bass Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist - Samuel Shipstone, Guitar, Background Vocalist, AssociatedPerformer - Yard Act, MainArtist - Sam Shjipstone, ComposerLyricist

℗ 2021 Universal Music Operations Limited

7
Land Of The Blind
00:03:00

James Smith, Bells, Vocals, Drum Programming, Shaker, Wine Glasses, Background Vocalist, AssociatedPerformer, ComposerLyricist - Geoff Pesche, Mastering Engineer, StudioPersonnel - Ali Chant, Producer, Mixer, StudioPersonnel - Ryan Needham, Bass Guitar, Piano, AssociatedPerformer, ComposerLyricist - Samuel Shipstone, Guitar, AssociatedPerformer, ComposerLyricist - Yard Act, MainArtist - Alice Hyam, Background Vocalist, AssociatedPerformer

℗ 2021 Universal Music Operations Limited

8
Quarantine The Sticks
00:02:40

James Smith, Drums, Tambourine, Vocals, Background Vocalist, AssociatedPerformer, ComposerLyricist - Geoff Pesche, Mastering Engineer, StudioPersonnel - Ali Chant, Producer, Mixer, Guitar, Synthesizer, Wurlitzer Electric Piano, AssociatedPerformer, StudioPersonnel - Ryan Needham, Bass Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist - Samuel Shipstone, Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist - Yard Act, MainArtist - Tor Maries, Background Vocalist, AssociatedPerformer

℗ 2021 Universal Music Operations Limited

9
Tall Poppies
00:06:21

James Smith, Drums, Piano, Tambourine, Vocals, Drum Programming, Conga, AssociatedPerformer, ComposerLyricist - Geoff Pesche, Mastering Engineer, StudioPersonnel - Ali Chant, Producer, Mixer, Vibraphone, AssociatedPerformer, StudioPersonnel - Ryan Needham, Bass Guitar, AssociatedPerformer, ComposerLyricist - Samuel Shipstone, Guitar, AssociatedPerformer - Yard Act, MainArtist - Chris Duffin, Saxophone, AssociatedPerformer - Sam Shjipstone, ComposerLyricist

℗ 2021 Universal Music Operations Limited

10
Pour Another
00:03:20

James Smith, Tambourine, Vocals, Synth Bass, Synthesizer, Drum, Shaker, Background Vocalist, AssociatedPerformer, ComposerLyricist - Geoff Pesche, Mastering Engineer, StudioPersonnel - Rob Slater, Background Vocalist, AssociatedPerformer - Ali Chant, Producer, Mixer, Background Vocalist, AssociatedPerformer, StudioPersonnel - Ryan Needham, Bass Guitar, Synthesizer, Drum Programming, Background Vocalist, AssociatedPerformer, ComposerLyricist - Samuel Shipstone, Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist - Yard Act, MainArtist

℗ 2021 Universal Music Operations Limited

11
100% Endurance
00:03:43

James Smith, Drums, Tambourine, Vocals, Background Vocalist, AssociatedPerformer, ComposerLyricist - Geoff Pesche, Mastering Engineer, StudioPersonnel - Ali Chant, Producer, Mixer, StudioPersonnel - Ryan Needham, Bass Guitar, Organ, Drum Programming, AssociatedPerformer, ComposerLyricist - Samuel Shipstone, Guitar, AssociatedPerformer, ComposerLyricist - Yard Act, MainArtist

℗ 2021 Universal Music Operations Limited

Presentación del Álbum

El cielo es bastante gris, casi antracita. Es el abono ideal para hacer crecer un poco más esta rebosante escena del revival post-punk que agita el planeta indie desde principios de la década de 2010. Pero, ¿cómo sacar la cabeza de una melé ya muy densa en la que se empujan entre ellas las bandas Girl Band, Fontaines DC, Shame, Dry Cleaning y otros mil grupos armados con guitarras cuadradas y vocalistas más cercanos a la escansión que a la canción? Para conseguirlo, Yard Act lleva los marcadores del género y las influencias predecibles (The Fall, Gang of Four, Wire, los primeros Talking Heads) por caminos a menudo inesperados. Mejor aún, no se limitan a ser una bola eléctrica de nervios o un viejo escupitajo en la cara de una sociedad (post-Brexit) que va mal. No, no, Yard Act utiliza su rabia para encontrar diferentes formas de expresión. The Overload, el brillante primer álbum de este cuarteto de Leeds, se cierra con el tempo casi apacible de 100% Endurance. Al micrófono, James Smith es un digno heredero del dalai lama del post-punk, el difunto Mark E. Smith de The Fall, con una pizca de groove. Junto con el guitarrista Sam Shipstone, el bajista Ryan Needham y el baterista Jay Russell, Smith envuelve su cinismo y su bilis con ropas brillantes: una forma de dandismo proletario con anfetaminas que a veces se parece a los Sleaford Mods, a Ian Durry y sus Blockheads o incluso a Pulp... Nunca caricaturescas, sino con un oscuro realismo, las viñetas de James Smith son divertidas y musicalmente eclécticas. Suficientes ingredientes para dejar huella y hacer de The Overload un álbum contundente para iniciar el 2022. © Marc Zisman/Qobuz

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