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The Bears|Rise and Shine

Rise and Shine

The Bears

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The guitar experimentation of Adrian Belew and Rob Fetters is top-notch on this record, but the material itself is not. Belew and his backing group of Cincinnati, Ohio-based musicians tend to sound like many other bands. On the first track, "Aches and Pains," the Bears literally break out all the bells and whistles, as those items are incorporated into what seems to be a second-rate Squeeze song. Belew and Fetters do manage to polish up some of the rough spots, however, on songs like "Robobo's Beef," which transforms a distorted electric guitar into what sounds like an electric violin helmed by Jean-Luc Ponty's evil twin brother. The album doesn't lack diversity, as heard on tracks ranging from lullabyes ("Little Blue River") to fusion worldbeat ("Rabbit Manor"), but it does lack fully developed writing. The record is a mixed palette with bits of music that could have made up a beautiful canvas if they were carefully thought out.

© Stephen Howell /TiVo

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Rise and Shine

The Bears

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1
Aches and Pains
00:03:18

The Bears, MainArtist - Rob Fetters, Composer

(C) 1988 Capitol Records, LLC ℗ 1988 Capitol Records, LLC

2
Save Me
00:03:41

Adrian Belew, Composer - The Bears, MainArtist - Rob Fetters, Composer

(C) 1988 Capitol Records, LLC ℗ 1988 Capitol Records, LLC

3
Robobo's Beef
00:03:40

The Bears, MainArtist - Bob Nyswonger, Composer

(C) 1988 Capitol Records, LLC ℗ 1988 Capitol Records, LLC

4
Not Worlds Apart
00:03:33

The Bears, MainArtist - Bob Nyswonger, Composer

(C) 1988 Capitol Records, LLC ℗ 1988 Capitol Records, LLC

5
Nobody's Fool
00:02:55

Adrian Belew, Composer - The Bears, MainArtist - Rob Fetters, Composer - Bob Nyswonger, Composer

(C) 1988 Capitol Records, LLC ℗ 1988 Capitol Records, LLC

6
Highway 2
00:00:52

Adrian Belew, Composer - The Bears, MainArtist - Rob Fetters, Composer - Bob Nyswonger, Composer - Chris Arduser, Composer

(C) 1988 Capitol Records, LLC ℗ 1988 Capitol Records, LLC

7
Little Blue River
00:03:05

The Bears, MainArtist - Chris Arduser, Composer

(C) 1988 Capitol Records, LLC ℗ 1988 Capitol Records, LLC

8
Rabbit Manor
00:02:47

The Bears, MainArtist - Bob Nyswonger, Composer

(C) 1988 Capitol Records, LLC ℗ 1988 Capitol Records, LLC

9
Holy Mack
00:03:18

Adrian Belew, Composer - The Bears, MainArtist - Rob Fetters, Composer

(C) 1988 Capitol Records, LLC ℗ 1988 Capitol Records, LLC

10
Complicated Potatoes
00:02:34

Adrian Belew, Composer - The Bears, MainArtist

(C) 1988 Capitol Records, LLC ℗ 1988 Capitol Records, LLC

11
You Can Buy Friends
00:02:40

The Bears, MainArtist - Rob Fetters, Composer

(C) 1988 Capitol Records, LLC ℗ 1988 Capitol Records, LLC

12
The Best Laid Plans
00:02:58

Adrian Belew, Composer - The Bears, MainArtist

(C) 1988 Capitol Records, LLC ℗ 1988 Capitol Records, LLC

13
Old Fat Cadillac
00:03:05

Adrian Belew, Composer - The Bears, MainArtist

(C) 1988 Capitol Records, LLC ℗ 1988 Capitol Records, LLC

14
Girls With Clouds
00:03:17

Adrian Belew, Composer - The Bears, MainArtist - Rob Fetters, Composer - Bob Nyswonger, Composer - Chris Arduser, Composer

(C) 1988 Capitol Records, LLC ℗ 1988 Capitol Records, LLC

15
Man Behind The Curtain
00:04:12

Adrian Belew, Composer - The Bears, MainArtist - Rob Fetters, Composer - Bob Nyswonger, Composer

(C) 1988 Capitol Records, LLC ℗ 1987 Capitol Records, LLC

16
Figure It Out
00:03:31

Adrian Belew, Composer - The Bears, MainArtist - Rob Fetters, Composer - Bob Nyswonger, Composer - Chris Arduser, Composer

(C) 1988 Capitol Records, LLC ℗ 1987 Capitol Records, LLC

Presentación del Álbum

The guitar experimentation of Adrian Belew and Rob Fetters is top-notch on this record, but the material itself is not. Belew and his backing group of Cincinnati, Ohio-based musicians tend to sound like many other bands. On the first track, "Aches and Pains," the Bears literally break out all the bells and whistles, as those items are incorporated into what seems to be a second-rate Squeeze song. Belew and Fetters do manage to polish up some of the rough spots, however, on songs like "Robobo's Beef," which transforms a distorted electric guitar into what sounds like an electric violin helmed by Jean-Luc Ponty's evil twin brother. The album doesn't lack diversity, as heard on tracks ranging from lullabyes ("Little Blue River") to fusion worldbeat ("Rabbit Manor"), but it does lack fully developed writing. The record is a mixed palette with bits of music that could have made up a beautiful canvas if they were carefully thought out.

© Stephen Howell /TiVo

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