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Joseph Arthur|Redemption's Son

Redemption's Son

Joseph Arthur

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Though time had passed since his Real World apprenticeship, the Peter Gabriel influence looms larger than ever on Joseph Arthur's third release. In particular, Redemption's Son achieves a sophisticated marriage of traditional songwriting craft and avant-garde production, a combination that guides Gabriel's best work as well. The singer/songwriter foundation is clearer with Arthur, however; many of these tracks grow from a bedrock of acoustic guitar and vocals, with gauzy electronics shimmering across the surface rather than glistening within the fabric of the tune. Aside from a few inspired images, such as his admission that "I've been so happy being unhappy with you" in "Favorite Girl," Arthur's writing is steady and workmanlike; by giving prominent position to lines like "I wish I could follow you to the shore of freedom," from "Honey and the Moon," he tends to build in the verses toward slightly disappointing resolutions in the choruses. Even so, the sonic range achieved on these tracks, ranging from a filmy folk-rock evocation on "Dear Lord" to the collision of "Strawberry Fields" Mellotron and Duane Eddy twang on "I Would Rather Hide," suggests that Arthur may have even more promise as a producer than as an artist in years to come.
© Robert L. Doerschuk /TiVo

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Redemption's Son

Joseph Arthur

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1
Redemption's Son
00:04:34

Joseph Arthur, MainArtist

2002 Real World Records Ltd 2002 Real World Records Ltd

2
Honey and the Moon
00:04:44

Joseph Arthur, MainArtist

2002 Real World Records Ltd 2002 Real World Records Ltd

3
You Could Be in Jail
00:03:10

Joseph Arthur, MainArtist

2002 Real World Records Ltd 2002 Real World Records Ltd

4
I Would Rather Hide
00:04:03

Joseph Arthur, MainArtist

2002 Real World Records Ltd 2002 Real World Records Ltd

5
Innocent World
00:03:53

Joseph Arthur, MainArtist

2002 Real World Records Ltd 2002 Real World Records Ltd

6
September Baby
00:04:52

Joseph Arthur, MainArtist

2002 Real World Records Ltd 2002 Real World Records Ltd

7
Nation of Slaves
00:05:54

Joseph Arthur, MainArtist

2002 Real World Records Ltd 2002 Real World Records Ltd

8
Evidence
00:04:13

Joseph Arthur, MainArtist

2002 Real World Records Ltd 2002 Real World Records Ltd

9
Buy a Bag
00:02:34

Joseph Arthur, MainArtist

2002 Real World Records Ltd 2002 Real World Records Ltd

10
The Termite Song
00:09:23

Joseph Arthur, MainArtist

2002 Real World Records Ltd 2002 Real World Records Ltd

11
Permission
00:05:18

Joseph Arthur, MainArtist

2002 Real World Records Ltd 2002 Real World Records Ltd

12
Favorite Girl
00:06:09

Joseph Arthur, MainArtist

2002 Real World Records Ltd 2002 Real World Records Ltd

13
You Are the Dark
00:03:36

Joseph Arthur, MainArtist

2002 Real World Records Ltd 2002 Real World Records Ltd

14
Voices Will Fight
00:02:20

Joseph Arthur, MainArtist

2002 Real World Records Ltd 2002 Real World Records Ltd

15
Blue Lips
00:04:19

Joseph Arthur, MainArtist

2002 Real World Records Ltd 2002 Real World Records Ltd

16
You've Been Loved
00:04:11

Joseph Arthur, MainArtist

2002 Real World Records Ltd 2002 Real World Records Ltd

Presentación del Álbum

Though time had passed since his Real World apprenticeship, the Peter Gabriel influence looms larger than ever on Joseph Arthur's third release. In particular, Redemption's Son achieves a sophisticated marriage of traditional songwriting craft and avant-garde production, a combination that guides Gabriel's best work as well. The singer/songwriter foundation is clearer with Arthur, however; many of these tracks grow from a bedrock of acoustic guitar and vocals, with gauzy electronics shimmering across the surface rather than glistening within the fabric of the tune. Aside from a few inspired images, such as his admission that "I've been so happy being unhappy with you" in "Favorite Girl," Arthur's writing is steady and workmanlike; by giving prominent position to lines like "I wish I could follow you to the shore of freedom," from "Honey and the Moon," he tends to build in the verses toward slightly disappointing resolutions in the choruses. Even so, the sonic range achieved on these tracks, ranging from a filmy folk-rock evocation on "Dear Lord" to the collision of "Strawberry Fields" Mellotron and Duane Eddy twang on "I Would Rather Hide," suggests that Arthur may have even more promise as a producer than as an artist in years to come.
© Robert L. Doerschuk /TiVo

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