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Petra Haden|Petra Goes To The Movies

Petra Goes To The Movies

Petra Haden

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Petra Haden's one-person, all-vocals take on the Who's album The Who Sell Out was a crazy stunt she completed on a dare, but also a stunning artistic statement that showed what determination and crazy vocal skill could do to a classic album. Turn it inside out and make it small enough to fit in your pocket, basically. A decade later, Haden decided to do the same thing to a collection of her favorite themes from the silver screen. She applied her elastic pipes to the likes of "God's Lonely Man" from Taxi Driver, "Superman Theme," and "Pascal's Waltz" from Big Night, singing the lead melodies but also all the backing parts as well. It's another impressive achievement that sounds better than Sell Out from a technical aspect, thanks to the improved recording facilities and the lack of any of the slight wobbles or occasional pitchy moments. The only thing missing is the sense of spontaneity and slightly wacky joy that was transmitted though her vocals on Sell Out. Here, she is all business and very precise, playing everything straight even when the songs are as playful as "Carlotta's Galop" from 8½ or as breezy as "Cool Hand Luke Main Title." It ends up sounding majestic and artistic, where Sell Out sounded giddy and a little silly. The other difference here is that she breaks the all-vocals approach a few times -- singing with backing from pianist Brad Mehldau on a yearning version of "Calling You" from Baghdad Café, with guitarist Bill Frisell on a tender "It Might Be You" from Tootsie, and with Frisell and her father Charlie on "This Is Not America" from The Falcon and the Snowman. While these songs provide a bit of a stylistic break, they sound a little too traditional and somewhat less interesting when compared to the rest of the album. Overall, though, it's another impressive album that shows Haden to be a truly talented singer and vocal arranger, and one that fans of movie music done in a non-traditional fashion should find quite interesting.

© Tim Sendra /TiVo

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Petra Goes To The Movies

Petra Haden

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1
Rebel Without A Cause Main Title (from Rebel Without A Cause)
00:02:48

Petra Haden, MainArtist - Leonard Rosenman, Writer - Warner Olive Music LLC (ASCAP), MusicPublisher

2013 Anti, Inc. 2013 Anti, Inc.

2
God's Lonely Man (from Taxi Driver)
00:01:58

Petra Haden, MainArtist - Bernard Herrmann, Writer - Screen Gems - EMI Music Inc. (BMI), MusicPublisher

2013 Anti, Inc. 2013 Anti, Inc.

3
Cool Hand Luke Main Title (from Cool Hand Luke)
00:02:05

Petra Haden, MainArtist - Lalo Shifrin, Writer - warner-Tamerlane Publishing Corp. (BMI), MusicPublisher

2013 Anti, Inc. 2013 Anti, Inc.

4
Cinema Paradiso (from Cinema Paradiso)
00:03:00

Ennio Morricone, Writer - Petra Haden, MainArtist - SIAE, MusicPublisher - Andrew Morricon, Writer - EMI Songs SRL (ASCAP), MusicPublisher

2013 Anti, Inc. 2013 Anti, Inc.

5
A Fistful Of Dollars Theme (from A Fistful Of Dollars)
00:01:49

Ennio Morricone, Writer - Petra Haden, MainArtist - Robert Mellin, Writer - Universal Music Careers (BMI), MusicPublisher - EMI Songs SRL (ASCAP), MusicPublisher

2013 Anti, Inc. 2013 Anti, Inc.

6
Psycho Main Title (from Psycho)
00:02:00

Petra Haden, MainArtist - Bernard Herrmann, Writer - Sony / ATV Melody (BMI), MusicPublisher

2013 Anti, Inc. 2013 Anti, Inc.

7
Goldfinger Main Title (from Goldfinger)
00:02:09

John Barry, Writer - Petra Haden, MainArtist - Sony / ATV Songs LLC (BMI), MusicPublisher

2013 Anti, Inc. 2013 Anti, Inc.

8
Carlotta's Galop (from 8 1/2)
00:02:58

Nino Rota, Writer - Petra Haden, MainArtist - CAM Creazioni Artistiche MLISRL -Sugar-Melodi Inc. - Spirit Music Group Inc. (ASCAP) / Cam Cine TV Music Inc. (ASCAP), MusicPublisher

2013 Anti, Inc. 2013 Anti, Inc.

9
It Might Be You (from Tootsie)
00:05:13

Petra Haden, MainArtist - Marilyn Bergman, Writer - Alan Bergman, Writer - Dave Grusin, Writer - EMI Gold Horizon Music Corp. (BMI), MusicPublisher

2013 Anti, Inc. 2013 Anti, Inc.

10
The Planet Krypton (from Superman)
00:01:21

Petra Haden, MainArtist - John Williams, Writer - Warner-Barham Music LLC (BMI), MusicPublisher

2013 Anti, Inc. 2013 Anti, Inc.

11
Superman Theme (from Superman)
00:03:53

Petra Haden, MainArtist - John Williams, Writer - Warner-Barham Music LLC (BMI), MusicPublisher

2013 Anti, Inc. 2013 Anti, Inc.

12
My Bodyguard (from My Bodyguard)
00:02:48

Petra Haden, MainArtist - Dave Grusin, Writer - Ditch Road Music Inc. (BMI), MusicPublisher

2013 Anti, Inc. 2013 Anti, Inc.

13
Pascal's Waltz (from Big Night)
00:01:22

Gary DeMichele, Writer - Petra Haden, MainArtist - Rysher Songs Inc. (BMI), MusicPublisher

2013 Anti, Inc. 2013 Anti, Inc.

14
Calling You (from Bagdad Cafe)
00:04:45

ROBERT TELSON, Writer - Petra Haden, MainArtist - Dayspring Music (BMI), MusicPublisher

2013 Anti, Inc. 2013 Anti, Inc.

15
Hand Covers Bruise (from The Social Network)
00:04:18

Trent Reznor, Writer - Petra Haden, MainArtist - Atticus Ross, Writer - Cloudcover Inc. (ASCAP) / New Columbia Pictures Music Inc. (ASCAP), MusicPublisher - Colpix Music Inc. (BMI) / Songs In The Key Of Mink (BMI) / Songs Of Universal Inc. (BMI), MusicPublisher

2013 Anti, Inc. 2013 Anti, Inc.

16
This Is Not America (from The Falcon and the Snowman)
00:04:59

Lyle Mays, Writer - Petra Haden, MainArtist - David Bowie, Writer - Pat Metheny, Writer - OPC Music Publishing Inc., MusicPublisher - DONNA DIJON MUSIC PUBLICATIONS (BMI), MusicPublisher

2013 Anti, Inc. 2013 Anti, Inc.

Presentación del Álbum

Petra Haden's one-person, all-vocals take on the Who's album The Who Sell Out was a crazy stunt she completed on a dare, but also a stunning artistic statement that showed what determination and crazy vocal skill could do to a classic album. Turn it inside out and make it small enough to fit in your pocket, basically. A decade later, Haden decided to do the same thing to a collection of her favorite themes from the silver screen. She applied her elastic pipes to the likes of "God's Lonely Man" from Taxi Driver, "Superman Theme," and "Pascal's Waltz" from Big Night, singing the lead melodies but also all the backing parts as well. It's another impressive achievement that sounds better than Sell Out from a technical aspect, thanks to the improved recording facilities and the lack of any of the slight wobbles or occasional pitchy moments. The only thing missing is the sense of spontaneity and slightly wacky joy that was transmitted though her vocals on Sell Out. Here, she is all business and very precise, playing everything straight even when the songs are as playful as "Carlotta's Galop" from 8½ or as breezy as "Cool Hand Luke Main Title." It ends up sounding majestic and artistic, where Sell Out sounded giddy and a little silly. The other difference here is that she breaks the all-vocals approach a few times -- singing with backing from pianist Brad Mehldau on a yearning version of "Calling You" from Baghdad Café, with guitarist Bill Frisell on a tender "It Might Be You" from Tootsie, and with Frisell and her father Charlie on "This Is Not America" from The Falcon and the Snowman. While these songs provide a bit of a stylistic break, they sound a little too traditional and somewhat less interesting when compared to the rest of the album. Overall, though, it's another impressive album that shows Haden to be a truly talented singer and vocal arranger, and one that fans of movie music done in a non-traditional fashion should find quite interesting.

© Tim Sendra /TiVo

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