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Kasey Chambers|Little Bird

Little Bird

Kasey Chambers

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Kasey Chambers has a dozen years on Taylor Swift -- hell, she could have been an influence -- but since the Pennsylvania girl took over the world, Chambers landed on the "you may also like" list. Not that that's a bad thing, though, as the ladies share the same brand of streamlined country-pop that sounds universal enough to appeal to romantic music aficionados anywhere in the world, but without losing that American vibe that Chambers creates no less skillfully for being an Australian. Little Bird is more old school, as it peppers the pop hits with honest to God country numbers, complete with banjo and fiddle -- see "Georgia Brown" or the closer. But while those are nice, there's no arguing that the multi-platinum sales Chambers enjoys on her home turf are due to a different facet of her sound -- those simple guitar-driven tunes that owe as much to folk and Bryan Adams as to Dolly Parton and the Man in Black. The melodies are simple and so are the lyrics, but as long as the emotion is genuine, the simplicity is a benefit, and Little Bird has enough of those, be it dynamic rockers backed by electric guitars ("Down Here on Earth") or delicate strummed balladry ("Somewhere"). Now, Swift does it better -- possibly because she is younger and more naive, but actually because she's just more adept at tapping that sappiness vibe that people in love anywhere in the world can relate to. With Chambers, the music and the words sometimes tether on the brink of cliché, not archetype. But for the most part, she is still able to deliver her tunes with honesty that makes you think about feelings she's conveying, not her recording budgets, as is the case with many over-processed country stars out there.

© Alexey Eremenko /TiVo

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Little Bird

Kasey Chambers

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1
Someone Like Me
00:04:09

Kasey Chambers, MainArtist, ComposerLyricist

(C) 2011 Essence Music Australia, distributed by Sugar Hill Records, A Welk Music Group Company ℗ 2010 Essence Music, under exclusive license to Liberation Music for Australia and New Zealand

2
Beautiful Mess
00:03:14

Kasey Chambers, MainArtist, ComposerLyricist

(C) 2011 Essence Music Australia, distributed by Sugar Hill Records, A Welk Music Group Company ℗ 2010 Essence Music, under exclusive license to Liberation Music for Australia and New Zealand

3
Devil On Your Back
00:03:22

Kasey Chambers, MainArtist, ComposerLyricist

(C) 2011 Essence Music Australia, distributed by Sugar Hill Records, A Welk Music Group Company ℗ 2010 Essence Music, under exclusive license to Liberation Music for Australia and New Zealand

4
Little Bird
00:03:30

Kasey Chambers, MainArtist, ComposerLyricist

(C) 2011 Essence Music Australia, distributed by Sugar Hill Records, A Welk Music Group Company ℗ 2010 Essence Music, under exclusive license to Liberation Music for Australia and New Zealand

5
Georgia Brown
00:01:45

Kasey Chambers, MainArtist, ComposerLyricist

(C) 2011 Essence Music Australia, distributed by Sugar Hill Records, A Welk Music Group Company ℗ 2010 Essence Music, under exclusive license to Liberation Music for Australia and New Zealand

6
Somewhere
00:03:47

Kasey Chambers, MainArtist, ComposerLyricist

(C) 2011 Essence Music Australia, distributed by Sugar Hill Records, A Welk Music Group Company ℗ 2010 Essence Music, under exclusive license to Liberation Music for Australia and New Zealand

7
This Story
00:03:42

Kasey Chambers, MainArtist, ComposerLyricist

(C) 2011 Essence Music Australia, distributed by Sugar Hill Records, A Welk Music Group Company ℗ 2010 Essence Music, under exclusive license to Liberation Music for Australia and New Zealand

8
Love Like A Hurricane
00:03:09

Kasey Chambers, MainArtist, ComposerLyricist

(C) 2011 Essence Music Australia, distributed by Sugar Hill Records, A Welk Music Group Company ℗ 2010 Essence Music, under exclusive license to Liberation Music for Australia and New Zealand

9
Down Here On Earth
00:03:15

Kasey Chambers, MainArtist, ComposerLyricist

(C) 2011 Essence Music Australia, distributed by Sugar Hill Records, A Welk Music Group Company ℗ 2010 Essence Music, under exclusive license to Liberation Music for Australia and New Zealand

10
Nullarbor (The Biggest Backyard)
00:02:24

Kasey Chambers, MainArtist, ComposerLyricist

(C) 2011 Essence Music Australia, distributed by Sugar Hill Records, A Welk Music Group Company ℗ 2010 Essence Music, under exclusive license to Liberation Music for Australia and New Zealand

11
Bring Back My Heart
00:02:56

Kasey Chambers, MainArtist, ComposerLyricist

(C) 2011 Essence Music Australia, distributed by Sugar Hill Records, A Welk Music Group Company ℗ 2010 Essence Music, under exclusive license to Liberation Music for Australia and New Zealand

12
Invisible Girl
00:03:18

Kasey Chambers, MainArtist, ComposerLyricist

(C) 2011 Essence Music Australia, distributed by Sugar Hill Records, A Welk Music Group Company ℗ 2010 Essence Music, under exclusive license to Liberation Music for Australia and New Zealand

13
Train Wreck
00:05:55

Kasey Chambers, MainArtist, ComposerLyricist

(C) 2011 Essence Music Australia, distributed by Sugar Hill Records, A Welk Music Group Company ℗ 2010 Essence Music, under exclusive license to Liberation Music for Australia and New Zealand

14
The Stupid Things I Do
00:01:59

Kasey Chambers, MainArtist, ComposerLyricist

(C) 2011 Essence Music Australia, distributed by Sugar Hill Records, A Welk Music Group Company ℗ 2010 Essence Music, under exclusive license to Liberation Music for Australia and New Zealand

Presentación del Álbum

Kasey Chambers has a dozen years on Taylor Swift -- hell, she could have been an influence -- but since the Pennsylvania girl took over the world, Chambers landed on the "you may also like" list. Not that that's a bad thing, though, as the ladies share the same brand of streamlined country-pop that sounds universal enough to appeal to romantic music aficionados anywhere in the world, but without losing that American vibe that Chambers creates no less skillfully for being an Australian. Little Bird is more old school, as it peppers the pop hits with honest to God country numbers, complete with banjo and fiddle -- see "Georgia Brown" or the closer. But while those are nice, there's no arguing that the multi-platinum sales Chambers enjoys on her home turf are due to a different facet of her sound -- those simple guitar-driven tunes that owe as much to folk and Bryan Adams as to Dolly Parton and the Man in Black. The melodies are simple and so are the lyrics, but as long as the emotion is genuine, the simplicity is a benefit, and Little Bird has enough of those, be it dynamic rockers backed by electric guitars ("Down Here on Earth") or delicate strummed balladry ("Somewhere"). Now, Swift does it better -- possibly because she is younger and more naive, but actually because she's just more adept at tapping that sappiness vibe that people in love anywhere in the world can relate to. With Chambers, the music and the words sometimes tether on the brink of cliché, not archetype. But for the most part, she is still able to deliver her tunes with honesty that makes you think about feelings she's conveying, not her recording budgets, as is the case with many over-processed country stars out there.

© Alexey Eremenko /TiVo

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