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Valravn|Koder på snor

Koder på snor

Valravn

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There's a bit of a change for Valravn's second outing on Koder På Snor. On their debut, they'd mixed traditional and original compositions, with an emphasis on dark ballads from singer Anna Katrin Egilstrød's Faroe Isles. This time around, the songs are all their own work, but still heavily influenced by the tradition, at least lyrically. When they released their first disc, Valravn were already a fully developed unit, having taken time to develop their sound. Now, after extensive touring, they've refined it all. The darkness is still very evident (they could be reasonably called the first goth-folktronica band), but they've also expanded the acoustic instruments to include things like hammered dulcimer and lyre. It's all done subtly, not for effect, but to enhance the songs. That's true even with the gigantic sweep of the choir on the closing cut, "Farin Ut Tan At Verda Vekk," which ends the album on a large note. It's a complex album, moods shifting like the sea, moving away from folk music to something different. But regardless of genre (or lack of it), it's a record for the senses, and often a trip into the dark corridors of the mind.
© Chris Nickson /TiVo

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1
Koder på snor
00:07:13

Valravn, Performer - Anna Katrin Egilstrøð, Composer - Martin Seeberg, Composer - Søren Hammerlund, Composer - Juan Pino, Composer - Christopher Juul, Composer

2009 Tutl 2009 Tutl

2
Kelling
00:04:48

Valravn, Performer - Anna Katrin Egilstrøð, Composer - Martin Seeberg, Composer - Søren Hammerlund, Composer - Juan Pino, Composer - Christopher Juul, Composer - Maria Franz, Performer

2009 Tutl 2009 Tutl

3
Sjón
00:04:33

Valravn, Performer - Anna Katrin Egilstrøð, Composer - Martin Seeberg, Composer - Søren Hammerlund, Composer - Juan Pino, Composer - Christopher Juul, Composer

2009 Tutl 2009 Tutl

4
Kraka
00:03:49

Valravn, Performer - Anna Katrin Egilstrøð, Composer - Martin Seeberg, Composer - Søren Hammerlund, Composer - Juan Pino, Composer - Christopher Juul, Composer

2009 Tutl 2009 Tutl

5
Seersken
00:03:35

Valravn, Performer - Anna Katrin Egilstrøð, Composer - Martin Seeberg, Composer - Søren Hammerlund, Composer - Juan Pino, Composer - Christopher Juul, Composer - Maria Franz, Performer

2009 Tutl 2009 Tutl

6
Fuglar
00:04:40

Valravn, Performer - Anna Katrin Egilstrøð, Composer - Martin Seeberg, Composer - Søren Hammerlund, Composer - Juan Pino, Composer - Christopher Juul, Composer

2009 Tutl 2009 Tutl

7
Kroppar
00:05:37

Valravn, Performer - Anna Katrin Egilstrøð, Composer - Martin Seeberg, Composer - Søren Hammerlund, Composer - Juan Pino, Composer - Christopher Juul, Composer

2009 Tutl 2009 Tutl

8
Lysabild
00:05:35

Valravn, Performer - Anna Katrin Egilstrøð, Composer - Martin Seeberg, Composer - Søren Hammerlund, Composer - Juan Pino, Composer - Christopher Juul, Composer

2009 Tutl 2009 Tutl

9
Farin uttan at verða vekk
00:07:28

Valravn, Performer - Anna Katrin Egilstrøð, Composer - Martin Seeberg, Composer - Søren Hammerlund, Composer - Juan Pino, Composer - Christopher Juul, Composer

2009 Tutl 2009 Tutl

Presentación del Álbum

There's a bit of a change for Valravn's second outing on Koder På Snor. On their debut, they'd mixed traditional and original compositions, with an emphasis on dark ballads from singer Anna Katrin Egilstrød's Faroe Isles. This time around, the songs are all their own work, but still heavily influenced by the tradition, at least lyrically. When they released their first disc, Valravn were already a fully developed unit, having taken time to develop their sound. Now, after extensive touring, they've refined it all. The darkness is still very evident (they could be reasonably called the first goth-folktronica band), but they've also expanded the acoustic instruments to include things like hammered dulcimer and lyre. It's all done subtly, not for effect, but to enhance the songs. That's true even with the gigantic sweep of the choir on the closing cut, "Farin Ut Tan At Verda Vekk," which ends the album on a large note. It's a complex album, moods shifting like the sea, moving away from folk music to something different. But regardless of genre (or lack of it), it's a record for the senses, and often a trip into the dark corridors of the mind.
© Chris Nickson /TiVo

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