Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Descarga no disponible
Jimmy the Kid stands out in Jimbo Mathus' catalog as his first foray into country and country-rock. Recorded in Como, Mississippi during 2006 and 2007, it features members of the Knockdown Society -- who recorded the excellent Knockdown South and Old Scool Hot Wings -- as well as Luther Dickinson and Olga Wilhelmine Munding, among others. Given those two recordings, this is not only a stylistic departure for Mathus (who spent the previous four years with Buddy Guy), but a sonic one, too. The artist co-produced this with Winn McElroy and Justin Showah; the sound is crisp, warm, and clear. Opener "Good Old Time" walks a line between the Rolling Stones' original version of "Dead Flowers" and the hit single by New Riders of the Purple Sage. "Fallen Angel" is a straight-up honky tonk shuffle with a prominent whining pedal steel. Its barroom companion, "Whispering in the Wings," is fueled by a slightly out of tune upright piano, snare drums, and a walking bassline. The title track is an acoustic-electric stroll between folk-blues and country-rock. "Tell It to the Judge," with its twinned slide guitars, has a distinct Southern boogie flair, while "Little Hand, Big Gun" crisscrosses rockabilly with the Memphis garage R&B of Delaney & Bonnie. "I'm Done" is informed equally by the production styles of Dickey Betts' Highway Call and the Grateful Dead's American Beauty. Mathus has an enviable way with a country ballad; the three included here are arguably the best songs in this lot. "Tenn. Walker Mare" may clock in at just over six minutes, but the manner in which he weds pastoral Southern poetry to mountain folk and the Memphis country tradition (as opposed to Nashville's) is breathtaking. "Check Out Time"'s raw fiddle and ringing upright piano finds the lyric framed between them and a lean funky Telecaster and bell-like pedal steel. Set closer "Hiway at Night" echoes early Ray Price, Carl Smith, and Leon Payne in its words, music, and utterance. Jimmy the Kid is not only an excellent first foray into country for Mathus, but one of his finest records, period.
© Thom Jurek /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde 12,49€/mes
Jimbo Mathus, MainArtist
(C) 2014 Big Legal Mess Records (P) 2014 Big Legal Mess Records
Jimbo Mathus, MainArtist
(C) 2014 Big Legal Mess Records (P) 2014 Big Legal Mess Records
Jimbo Mathus, MainArtist
(C) 2014 Big Legal Mess Records (P) 2014 Big Legal Mess Records
Jimbo Mathus, MainArtist
(C) 2014 Big Legal Mess Records (P) 2014 Big Legal Mess Records
Jimbo Mathus, MainArtist
(C) 2014 Big Legal Mess Records (P) 2014 Big Legal Mess Records
Jimbo Mathus, MainArtist
(C) 2014 Big Legal Mess Records (P) 2014 Big Legal Mess Records
Jimbo Mathus, MainArtist
(C) 2014 Big Legal Mess Records (P) 2014 Big Legal Mess Records
Jimbo Mathus, MainArtist
(C) 2014 Big Legal Mess Records (P) 2014 Big Legal Mess Records
Jimbo Mathus, MainArtist
(C) 2014 Big Legal Mess Records (P) 2014 Big Legal Mess Records
Jimbo Mathus, MainArtist
(C) 2014 Big Legal Mess Records (P) 2014 Big Legal Mess Records
Jimbo Mathus, MainArtist
(C) 2014 Big Legal Mess Records (P) 2014 Big Legal Mess Records
Presentación del Álbum
Jimmy the Kid stands out in Jimbo Mathus' catalog as his first foray into country and country-rock. Recorded in Como, Mississippi during 2006 and 2007, it features members of the Knockdown Society -- who recorded the excellent Knockdown South and Old Scool Hot Wings -- as well as Luther Dickinson and Olga Wilhelmine Munding, among others. Given those two recordings, this is not only a stylistic departure for Mathus (who spent the previous four years with Buddy Guy), but a sonic one, too. The artist co-produced this with Winn McElroy and Justin Showah; the sound is crisp, warm, and clear. Opener "Good Old Time" walks a line between the Rolling Stones' original version of "Dead Flowers" and the hit single by New Riders of the Purple Sage. "Fallen Angel" is a straight-up honky tonk shuffle with a prominent whining pedal steel. Its barroom companion, "Whispering in the Wings," is fueled by a slightly out of tune upright piano, snare drums, and a walking bassline. The title track is an acoustic-electric stroll between folk-blues and country-rock. "Tell It to the Judge," with its twinned slide guitars, has a distinct Southern boogie flair, while "Little Hand, Big Gun" crisscrosses rockabilly with the Memphis garage R&B of Delaney & Bonnie. "I'm Done" is informed equally by the production styles of Dickey Betts' Highway Call and the Grateful Dead's American Beauty. Mathus has an enviable way with a country ballad; the three included here are arguably the best songs in this lot. "Tenn. Walker Mare" may clock in at just over six minutes, but the manner in which he weds pastoral Southern poetry to mountain folk and the Memphis country tradition (as opposed to Nashville's) is breathtaking. "Check Out Time"'s raw fiddle and ringing upright piano finds the lyric framed between them and a lean funky Telecaster and bell-like pedal steel. Set closer "Hiway at Night" echoes early Ray Price, Carl Smith, and Leon Payne in its words, music, and utterance. Jimmy the Kid is not only an excellent first foray into country for Mathus, but one of his finest records, period.
© Thom Jurek /TiVo
Acerca del álbum
- 1 disco(s) - 11 pista(s)
- Duración total: 00:45:09
- Artistas principales: Jimbo Mathus
- Sello: Big Legal Mess Records
- Género Pop/Rock Rock Alternativa & Indie
(C) 2014 Big Legal Mess Records (P) 2014 Big Legal Mess Records
Mejorar la información del álbumPor qué comprar en Qobuz...
-
Escuche su música en streaming o descárguela
Compre un álbum o una pista individual. O escuche nuestro catálogo completo con nuestras suscripciones ilimitadas de streaming en alta calidad.
-
Sin DRM
Las pistas descargadas le pertenecen, sin límite de utilización. Y además las puede descargar todas las veces que lo necesite.
-
Elija el formato que más le convenga
Descargue sus compras en una amplia variedad de formatos (FLAC, ALAC, WAV, AIFF...) dependiendo de sus necesidades.
-
Escuche sus compras en nuestras apps
Descargue las aplicaciones Qobuz para smartphones, tabletas u ordenadores, y escuche sus compras en cualquier lugar.