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Jonathan Wilson|Eat the Worm

Eat the Worm

Jonathan Wilson

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The highly sought after singer from Laurel Canyon, currently based near Topanga, returns with the delicate Eat the Worm. Lots of piano, brass, and strings, sparse drums, a keyboard, and even an organ and a vibraphone, but, as it turns out, very few guitars, besides “Charlie Parker,” “Hey Love,” “B.F.F.”, and more…Jonathan Wilson trades in his Southern crooner hat, deeply connected to the bluegrass/country crossover Dixie Blur (2020), recorded in Nashville, for more timeless attire, which seems to be largely influenced by the work he did in his own studios for his protégé Father John Misty’s Chloé and the Next 20th Century (2022).  


The songwriter never stays in one place for too long, and instead constantly seeks uncharted territories to conquer, without caring which direction it takes him in. This is how this eighth album nonchalantly goes from the bizarro and experimental “Bonamossa” to the slow bossa undertow of “Wim Hof,” or to the laid-back psych-folk of “Ol’ Father Time” passing through the almost punk-like kinetic accelerations of the exalted “The Village is Dead.” Everything seems possible yet unexpected. Every track is a labyrinth, a trippy kaleidoscope to get lost in. One might ask how the Californian still manages to find time in his packed schedule, between his collaborations and a tour with Roger Waters. A masterclass in letting go. © Charlotte Saintoin/Qobuz

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Eat the Worm

Jonathan Wilson

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1
Marzipan Explicit
00:05:15

Adam Ayan, Engineer - Christine Kim, Strings - Steve Holtman, Horn - Jonathan Wilson, Composer, Producer, Drums, Engineer, Piano, MainArtist - Jake Blanton, Bass - Paul Cartwright, Strings - Andrew Bulbrook, Strings - Rita Andrade, Strings - C.J. Camerieri, Horn - Wynton Grant, Strings - Drew Erickson, Keyboards - Grant Milliken, Engineer

© 2023 Jonathan Wilson, Inc. under exclusive license to BMG Rights Management (US) LLC ℗ 2023 Jonathan Wilson, Inc. under exclusive license to BMG Rights Management (US) LLC

2
Bonamossa
00:04:27

Adam Ayan, Engineer - Christine Kim, Strings - Jonathan Wilson, Composer, Producer, Drums, Engineer, Guitar, Keyboards, Percussion, MainArtist - Jake Blanton, Bass - Paul Cartwright, Strings - Andrew Bulbrook, Strings - Rita Andrade, Strings - Wynton Grant, Strings - Drew Erickson, Keyboards - Grant Milliken, Engineer

© 2023 Jonathan Wilson, Inc. under exclusive license to BMG Rights Management (US) LLC ℗ 2023 Jonathan Wilson, Inc. under exclusive license to BMG Rights Management (US) LLC

3
Ol' Father Time Explicit
00:03:36

Adam Ayan, Engineer - Christine Kim, Strings - Steve Holtman, Horn - Jonathan Wilson, Composer, Producer, Drums, Engineer, Guitar, Keyboards, MainArtist - Jake Blanton, Bass - Paul Cartwright, Strings - Andrew Bulbrook, Strings - Rita Andrade, Strings - C.J. Camerieri, Horn - Wynton Grant, Strings - Drew Erickson, Keyboards - Grant Milliken, Engineer

© 2023 Jonathan Wilson, Inc. under exclusive license to BMG Rights Management (US) LLC ℗ 2023 Jonathan Wilson, Inc. under exclusive license to BMG Rights Management (US) LLC

4
Hollywood Vape Explicit
00:02:46

Adam Ayan, Engineer - Jonathan Wilson, Composer, Producer, Drums, Engineer, Keyboards, MainArtist - Jake Blanton, Bass - Drew Erickson, Keyboards - Grant Milliken, Engineer

© 2023 Jonathan Wilson, Inc. under exclusive license to BMG Rights Management (US) LLC ℗ 2023 Jonathan Wilson, Inc. under exclusive license to BMG Rights Management (US) LLC

5
The Village is Dead
00:02:52

Adam Ayan, Engineer - Christine Kim, Strings - Jonathan Wilson, Composer, Producer, Drums, Engineer, Guitar, Percussion, MainArtist - Jake Blanton, Bass - Paul Cartwright, Strings - Andrew Bulbrook, Strings - Rita Andrade, Strings - C.J. Camerieri, Horn - Wynton Grant, Strings - Drew Erickson, Piano - Grant Milliken, Engineer

© 2023 Jonathan Wilson, Inc. under exclusive license to BMG Rights Management (US) LLC ℗ 2023 Jonathan Wilson, Inc. under exclusive license to BMG Rights Management (US) LLC

6
Wim Hof Explicit
00:03:23

Adam Ayan, Engineer - Jonathan Wilson, Composer, Producer, Drums, Engineer, Guitar, Keyboards, MainArtist - Jake Blanton, Bass - Grant Milliken, Engineer

© 2023 Jonathan Wilson, Inc. under exclusive license to BMG Rights Management (US) LLC ℗ 2023 Jonathan Wilson, Inc. under exclusive license to BMG Rights Management (US) LLC

7
Lo and Behold Explicit
00:03:11

Adam Ayan, Engineer - Christine Kim, Strings - Steve Holtman, Horn - Jonathan Wilson, Composer, Producer, Drums, Engineer, Guitar, MainArtist - Paul Cartwright, Strings - Andrew Bulbrook, Strings - Rita Andrade, Strings - C.J. Camerieri, Horn - Wynton Grant, Strings - Grant Milliken, Engineer

© 2023 Jonathan Wilson, Inc. under exclusive license to BMG Rights Management (US) LLC ℗ 2023 Jonathan Wilson, Inc. under exclusive license to BMG Rights Management (US) LLC

8
Charlie Parker Explicit
00:06:13

Adam Ayan, Engineer - Christine Kim, Strings - Steve Holtman, Horn - Jonathan Wilson, Composer, Producer, Drums, Engineer, Guitar, Piano, MainArtist - Jake Blanton, Bass - Paul Cartwright, Strings - Andrew Bulbrook, Strings - Rita Andrade, Strings - C.J. Camerieri, Horn - Wynton Grant, Strings - Drew Erickson, Keyboards, Piano - Grant Milliken, Engineer - Andrea Nakhla, Organ

© 2023 Jonathan Wilson, Inc. under exclusive license to BMG Rights Management (US) LLC ℗ 2023 Jonathan Wilson, Inc. under exclusive license to BMG Rights Management (US) LLC

9
Hey Love
00:02:53

Adam Ayan, Engineer - Christine Kim, Strings - Jonathan Wilson, Composer, Producer, Drums, Engineer, Guitar, Keyboards, MainArtist - Jake Blanton, Bass - Paul Cartwright, Strings - Andrew Bulbrook, Strings - Rita Andrade, Strings - Wynton Grant, Strings - Drew Erickson, Piano - Grant Milliken, Engineer

© 2023 Jonathan Wilson, Inc. under exclusive license to BMG Rights Management (US) LLC ℗ 2023 Jonathan Wilson, Inc. under exclusive license to BMG Rights Management (US) LLC

10
B.F.F. Explicit
00:05:19

Adam Ayan, Engineer - Christine Kim, Strings - Jonathan Wilson, Composer, Producer, Drums, Engineer, Guitar, Harpsichord, Percussion, Piano, MainArtist - Jake Blanton, Bass - Paul Cartwright, Strings - MiWi La Lupa, Trumpet - Andrew Bulbrook, Strings - Rita Andrade, Strings - Wynton Grant, Strings - Drew Erickson, Keyboards - Grant Milliken, Engineer, Vibraphone

© 2023 Jonathan Wilson, Inc. under exclusive license to BMG Rights Management (US) LLC ℗ 2023 Jonathan Wilson, Inc. under exclusive license to BMG Rights Management (US) LLC

11
East LA
00:05:05

Adam Ayan, Engineer - Christine Kim, Strings - Steve Holtman, Horn - Jonathan Wilson, Composer, Producer, Drums, Engineer, Piano, MainArtist - Jake Blanton, Bass - Paul Cartwright, Strings - Andrew Bulbrook, Strings - Rita Andrade, Strings - C.J. Camerieri, Strings - Wynton Grant, Strings - Drew Erickson, Keyboards - Grant Milliken, Engineer

© 2023 Jonathan Wilson, Inc. under exclusive license to BMG Rights Management (US) LLC ℗ 2023 Jonathan Wilson, Inc. under exclusive license to BMG Rights Management (US) LLC

12
Ridin' in a Jag Explicit
00:05:08

Adam Ayan, Engineer - Christine Kim, Strings - Jonathan Wilson, Composer, Producer, Drums, Engineer, Guitar, MainArtist - Jake Blanton, Bass - Paul Cartwright, Strings - Andrew Bulbrook, Strings - Rita Andrade, Strings - Wynton Grant, Strings - Drew Erickson, Keyboards - Grant Milliken, Engineer

© 2023 Jonathan Wilson, Inc. under exclusive license to BMG Rights Management (US) LLC ℗ 2023 Jonathan Wilson, Inc. under exclusive license to BMG Rights Management (US) LLC

Presentación del Álbum

The highly sought after singer from Laurel Canyon, currently based near Topanga, returns with the delicate Eat the Worm. Lots of piano, brass, and strings, sparse drums, a keyboard, and even an organ and a vibraphone, but, as it turns out, very few guitars, besides “Charlie Parker,” “Hey Love,” “B.F.F.”, and more…Jonathan Wilson trades in his Southern crooner hat, deeply connected to the bluegrass/country crossover Dixie Blur (2020), recorded in Nashville, for more timeless attire, which seems to be largely influenced by the work he did in his own studios for his protégé Father John Misty’s Chloé and the Next 20th Century (2022).  


The songwriter never stays in one place for too long, and instead constantly seeks uncharted territories to conquer, without caring which direction it takes him in. This is how this eighth album nonchalantly goes from the bizarro and experimental “Bonamossa” to the slow bossa undertow of “Wim Hof,” or to the laid-back psych-folk of “Ol’ Father Time” passing through the almost punk-like kinetic accelerations of the exalted “The Village is Dead.” Everything seems possible yet unexpected. Every track is a labyrinth, a trippy kaleidoscope to get lost in. One might ask how the Californian still manages to find time in his packed schedule, between his collaborations and a tour with Roger Waters. A masterclass in letting go. © Charlotte Saintoin/Qobuz

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