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Sunny Sweeney|Concrete

Concrete

Sunny Sweeney

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After 2007's Heartbreaker's Hall of Fame, Sunny Sweeney's debut album for Big Machine Records, she worked hard on the road and in the media to promote a record that in many ways set itself apart from its peers. That said, despite favorable press and some radio play, that album was overshadowed by Miranda Lambert's Crazy Ex-Girlfriend (another artist from her native East Texas). Nashville is weird like that: rather than embrace a burgeoning music scene from a particular region, it only accepts into its heart-of-hype one artist at a time from a particular place. Sweeney's debut deserved way more attention than it got. For Concrete, she moved over to one of Big Machine's sister labels, Republic Nashville, and issued the pre-release single, "From a Table Away," in March of 2011. By May, it had become the highest-charting Billboard debut single from a female country artist in four years. The hippest thing? She co-wrote it. It seems Sweeney spent a lot of the time in between albums learning the craft of songwriting. She had three co-writes on her debut, but she has seven here; all of them winners. Sweeney's sound is slick enough for Nash Vegas to embrace with just enough rock & roll in its mix, but it's deeply rooted in the fertile country music tradition of East Texas. Pedal steel guitars whine and whinny all over these songs beautifully produced by Brett Beavers. The best of them are the aforementioned single, the torn up ballad "Staying's Worse Than Leaving," the stripped-down "Amy," the swaggering "Worn Out Heart," the hooky "It Wrecks Me," and the sassy "Helluva Heart," with its dobro and meld of electric and acoustic guitars with an anthemic refrain. Put together in the album's context, they showcase Sweeney as a good lyricist and a top flight vocalist. Despite her youth and relative inexperience, Sweeney is the kind of singer-songwriter that Nashville needs in order to break out of its self-created ghetto of cookie-cutter soundalikes--with few exceptions--that it promotes ad nauseam like an orobouros. Concrete is modern and polished, yet makes no attempt to disguise the Texas country tradition that continues to influence and inspire the artist..

© Thom Jurek /TiVo

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Concrete

Sunny Sweeney

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1
Drink Myself Single
00:02:59

Brett Beavers, Producer - Larry Franklin, Fiddle, AssociatedPerformer - Hank Williams, Mastering Engineer, StudioPersonnel - Mike Brignardello, AssociatedPerformer, Bass (Vocal) - Bryan Sutton, Banjo, Acoustic Guitar, AssociatedPerformer - Scott Johnson, Producer, Assistant Producer - LUKE WOOTEN, Producer, Mixer, Associate Producer, Recording Engineer, StudioPersonnel - Steve Brewster, Drums, Percussion, AssociatedPerformer - Greg Morrow, Drums, Percussion, AssociatedPerformer - Russell Terrell, Background Vocalist, AssociatedPerformer - Scotty Sanders, Dobro, Pedal Steel, AssociatedPerformer - J.T. Corenflos, Electric Guitar, AssociatedPerformer - Mike Rojas, Accordion, Piano, AssociatedPerformer - Monty Holmes, ComposerLyricist - Sunny Sweeney, MainArtist, ComposerLyricist - Bob Britt, Electric Guitar, AssociatedPerformer - John Caldwell, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel - Greg Mangum, Producer, Assistant Producer - Nicole Broussard, Background Vocalist, AssociatedPerformer

℗ 2010 Big Machine Label Group, LLC

2
From A Table Away
00:03:34

Brett Beavers, Producer - Karyn Rochelle, ComposerLyricist - Hank Williams, Mastering Engineer, StudioPersonnel - LUKE WOOTEN, Mixer, Recording Engineer, StudioPersonnel - Bob DePiero, ComposerLyricist - Sunny Sweeney, MainArtist, ComposerLyricist - John Caldwell, Recording Engineer, StudioPersonnel

℗ 2010 Big Machine Label Group, LLC

3
Staying’s Worse Than Leaving
00:03:24

Brett Beavers, Producer - Radney Foster, ComposerLyricist - LUKE WOOTEN, Recording Engineer, StudioPersonnel - Jay Clementi, ComposerLyricist - Sunny Sweeney, MainArtist, ComposerLyricist - John Caldwell, Recording Engineer, StudioPersonnel

℗ 2010 Big Machine Label Group, LLC

4
The Old Me
00:04:02

Brett Beavers, Producer - Mark D. Sanders, ComposerLyricist - Larry Franklin, Fiddle, AssociatedPerformer - Lori McKenna, ComposerLyricist - Hank Williams, Mastering Engineer, StudioPersonnel - Mike Brignardello, Bass Guitar, AssociatedPerformer - Bryan Sutton, Acoustic Guitar, AssociatedPerformer - LUKE WOOTEN, Producer, Mixer, Associate Producer, Recording Engineer, StudioPersonnel - Steve Brewster, Drums, Percussion, AssociatedPerformer - Greg Morrow, Drums, Percussion, AssociatedPerformer - Russell Terrell, Background Vocalist, AssociatedPerformer - Scotty Sanders, Pedal Steel, AssociatedPerformer - J.T. Corenflos, Electric Guitar, AssociatedPerformer - Mike Rojas, Piano, AssociatedPerformer - Sunny Sweeney, MainArtist - Bob Britt, Electric Guitar, AssociatedPerformer - John Caldwell, Asst. Recording Engineer, StudioPersonnel - Nicole Broussard, Background Vocalist, AssociatedPerformer

℗ 2011 Big Machine Label Group, LLC

5
Amy
00:02:41

Brett Beavers, Producer - Larry Franklin, Fiddle, AssociatedPerformer - Hank Williams, Mastering Engineer, StudioPersonnel - Mike Brignardello, AssociatedPerformer, Bass (Vocal) - Bryan Sutton, Banjo, Acoustic Guitar, AssociatedPerformer - Scott Johnson, Producer, Assistant Producer - LUKE WOOTEN, Producer, Mixer, Associate Producer, Recording Engineer, StudioPersonnel - Steve Brewster, Drums, Percussion, AssociatedPerformer - Greg Morrow, Drums, Percussion, AssociatedPerformer - Russell Terrell, Background Vocalist, AssociatedPerformer - Scotty Sanders, Dobro, Pedal Steel, AssociatedPerformer - J.T. Corenflos, Electric Guitar, AssociatedPerformer - Mike Rojas, Accordion, Piano, AssociatedPerformer - Brennen Leigh, ComposerLyricist - Sunny Sweeney, MainArtist, ComposerLyricist - Bob Britt, Electric Guitar, AssociatedPerformer - John Caldwell, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel - Greg Mangum, Producer, Assistant Producer - Nicole Broussard, Background Vocalist, AssociatedPerformer

℗ 2010 Big Machine Label Group, LLC

6
Worn Out Heart
00:02:58

Brett Beavers, Producer, ComposerLyricist - Larry Franklin, Fiddle, AssociatedPerformer - Hank Williams, Mastering Engineer, StudioPersonnel - Mike Brignardello, Bass Guitar, AssociatedPerformer - Bryan Sutton, Acoustic Guitar, AssociatedPerformer - LUKE WOOTEN, Producer, Mixer, Associate Producer, Recording Engineer, StudioPersonnel - Steve Brewster, Drums, Percussion, AssociatedPerformer - Greg Morrow, Drums, Percussion, AssociatedPerformer - Russell Terrell, Background Vocalist, AssociatedPerformer - Scotty Sanders, Pedal Steel, AssociatedPerformer - J.T. Corenflos, Electric Guitar, AssociatedPerformer - Mike Rojas, Piano, AssociatedPerformer - Sunny Sweeney, MainArtist, ComposerLyricist - Bob Britt, Electric Guitar, AssociatedPerformer - John Caldwell, Asst. Recording Engineer, StudioPersonnel - Nicole Broussard, Background Vocalist, AssociatedPerformer

℗ 2011 Big Machine Label Group, LLC

7
Mean As You
00:02:58

Tim Nichols, ComposerLyricist - Brett Beavers, Producer - Brett James, ComposerLyricist - Larry Franklin, Fiddle, AssociatedPerformer - Kelly Lovelace, ComposerLyricist - Hank Williams, Mastering Engineer, StudioPersonnel - Mike Brignardello, Bass Guitar, AssociatedPerformer - Bryan Sutton, Acoustic Guitar, AssociatedPerformer - LUKE WOOTEN, Producer, Mixer, Associate Producer, Recording Engineer, StudioPersonnel - Steve Brewster, Drums, Percussion, AssociatedPerformer - Greg Morrow, Drums, Percussion, AssociatedPerformer - Russell Terrell, Background Vocalist, AssociatedPerformer - Scotty Sanders, Pedal Steel, AssociatedPerformer - J.T. Corenflos, Electric Guitar, AssociatedPerformer - Mike Rojas, Piano, AssociatedPerformer - Sunny Sweeney, MainArtist - Bob Britt, Electric Guitar, AssociatedPerformer - John Caldwell, Asst. Recording Engineer, StudioPersonnel - Nicole Broussard, Background Vocalist, AssociatedPerformer

℗ 2011 Big Machine Label Group, LLC

8
It Wrecks Me
00:04:06

Brett Beavers, Producer - Larry Franklin, Fiddle, AssociatedPerformer - Hank Williams, Mastering Engineer, StudioPersonnel - Mike Brignardello, Bass Guitar, AssociatedPerformer - Bryan Sutton, Acoustic Guitar, AssociatedPerformer - LUKE WOOTEN, Producer, Mixer, Associate Producer, Recording Engineer, StudioPersonnel - Steve Brewster, Drums, Percussion, AssociatedPerformer - Greg Morrow, Drums, Percussion, AssociatedPerformer - Russell Terrell, Background Vocalist, AssociatedPerformer - Scotty Sanders, Pedal Steel, AssociatedPerformer - Jay Clementi, ComposerLyricist - J.T. Corenflos, Electric Guitar, AssociatedPerformer - Mike Rojas, Piano, AssociatedPerformer - Sunny Sweeney, MainArtist, ComposerLyricist - Bob Britt, Electric Guitar, AssociatedPerformer - John Caldwell, Asst. Recording Engineer, StudioPersonnel - Nicole Broussard, Background Vocalist, AssociatedPerformer

℗ 2011 Big Machine Label Group, LLC

9
Helluva Heart
00:03:09

Brett Beavers, Producer - Heather Little, ComposerLyricist - LUKE WOOTEN, Recording Engineer, StudioPersonnel - Deanna Bryant, ComposerLyricist - Sunny Sweeney, MainArtist, ComposerLyricist - John Caldwell, Recording Engineer, StudioPersonnel

℗ 2010 Big Machine Label Group, LLC

10
Fall For Me
00:04:07

Carolyn Dawn Johnson, ComposerLyricist - Brett Beavers, Producer - Larry Franklin, Fiddle, AssociatedPerformer - Lisa Carver, ComposerLyricist - Hank Williams, Mastering Engineer, StudioPersonnel - Mike Brignardello, Bass Guitar, AssociatedPerformer - Bryan Sutton, Acoustic Guitar, AssociatedPerformer - LUKE WOOTEN, Producer, Mixer, Associate Producer, Recording Engineer, StudioPersonnel - Steve Brewster, Drums, Percussion, AssociatedPerformer - Greg Morrow, Drums, Percussion, AssociatedPerformer - Russell Terrell, Background Vocalist, AssociatedPerformer - Scotty Sanders, Pedal Steel, AssociatedPerformer - J.T. Corenflos, Electric Guitar, AssociatedPerformer - Mike Rojas, Piano, AssociatedPerformer - Jaida Dreyer, ComposerLyricist - Sunny Sweeney, MainArtist - Bob Britt, Electric Guitar, AssociatedPerformer - John Caldwell, Asst. Recording Engineer, StudioPersonnel - Nicole Broussard, Background Vocalist, AssociatedPerformer

℗ 2011 Big Machine Label Group, LLC

Presentación del Álbum

After 2007's Heartbreaker's Hall of Fame, Sunny Sweeney's debut album for Big Machine Records, she worked hard on the road and in the media to promote a record that in many ways set itself apart from its peers. That said, despite favorable press and some radio play, that album was overshadowed by Miranda Lambert's Crazy Ex-Girlfriend (another artist from her native East Texas). Nashville is weird like that: rather than embrace a burgeoning music scene from a particular region, it only accepts into its heart-of-hype one artist at a time from a particular place. Sweeney's debut deserved way more attention than it got. For Concrete, she moved over to one of Big Machine's sister labels, Republic Nashville, and issued the pre-release single, "From a Table Away," in March of 2011. By May, it had become the highest-charting Billboard debut single from a female country artist in four years. The hippest thing? She co-wrote it. It seems Sweeney spent a lot of the time in between albums learning the craft of songwriting. She had three co-writes on her debut, but she has seven here; all of them winners. Sweeney's sound is slick enough for Nash Vegas to embrace with just enough rock & roll in its mix, but it's deeply rooted in the fertile country music tradition of East Texas. Pedal steel guitars whine and whinny all over these songs beautifully produced by Brett Beavers. The best of them are the aforementioned single, the torn up ballad "Staying's Worse Than Leaving," the stripped-down "Amy," the swaggering "Worn Out Heart," the hooky "It Wrecks Me," and the sassy "Helluva Heart," with its dobro and meld of electric and acoustic guitars with an anthemic refrain. Put together in the album's context, they showcase Sweeney as a good lyricist and a top flight vocalist. Despite her youth and relative inexperience, Sweeney is the kind of singer-songwriter that Nashville needs in order to break out of its self-created ghetto of cookie-cutter soundalikes--with few exceptions--that it promotes ad nauseam like an orobouros. Concrete is modern and polished, yet makes no attempt to disguise the Texas country tradition that continues to influence and inspire the artist..

© Thom Jurek /TiVo

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