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Sandrine Piau|Clair-Obscur

Clair-Obscur

Sandrine Piau, Orchestre Victor Hugo and Jean-François Verdier

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French singers who attempt the lush and overgrown music of late Romantic Vienna are rare, but Sandrine Piau, arguably the greatest of our day, does so here, indicating that she has loved this repertory since her student days. It may also be that she sensed an opening and moved to fill it with the set of orchestral songs. The market is glutted with recordings of Richard Strauss's Four Last Songs, and even the Seven Early Songs of Berg are not uncommon, but to hear these works in the voice of Piau, whose background is in Baroque music, is to hear them anew. Piau's clear lines and restrained use of vibrato stand in sharp contrast to the oversize styles of the German operatic sopranos who usually undertake this repertory, and while hers are neither particularly French nor Baroque readings, they have an attractive soberness and gravity. The Clair-Obscur (light-dark, or chiaroscuro) title is only broadly appropriate; various songs, including two of Berg's, refer more to time of day or time of year. Piau does include one quite unusual item, and it's a gem. The Waldgespräch of Alexander von Zemlinsky is a little operatic Lorelei scene accompanied by just strings, horns, and a harp, and Piau has the force and sensuality to pull off this charged work. The little-known Orchestre Victor Hugo under Jean-François Verdier follows Piau closesly, and Alpha's sound from the Auditorium CRR in Besançon is ideal.

© TiVo

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Clair-Obscur

Sandrine Piau

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Waldgesprach (Alexander von Zemlinsky)

1
Waldgespräch
00:07:03

Sandrine Piau, Soprano - Orchestre Victor Hugo - Jean-François Verdier, Conductor - Alexander von Zemlinsky, Composer

2021 Alpha Classics / Outhere Music France 2021 Alpha Classics / Outhere Music France

Morgen!, Op. 27 No. 4 (Richard Strauss)

2
Morgen!, Op. 27 No. 4
00:03:42

Sandrine Piau, Soprano - Orchestre Victor Hugo - Jean-François Verdier, Conductor - Richard Strauss, Composer

2021 Alpha Classics / Outhere Music France 2021 Alpha Classics / Outhere Music France

Meinem Kinde, Op. 37 No. 3 (Richard Strauss)

3
Meinem Kinde, Op. 37 No. 3
00:02:40

Sandrine Piau, Soprano - Orchestre Victor Hugo - Jean-François Verdier, Conductor - Richard Strauss, Composer

2021 Alpha Classics / Outhere Music France 2021 Alpha Classics / Outhere Music France

Sieben frühe Lieder (Alban Berg)

4
I. Nacht
00:03:45

Sandrine Piau, Soprano - Orchestre Victor Hugo - Jean-François Verdier, Conductor - Alban Berg, Composer

2021 Alpha Classics / Outhere Music France 2021 Alpha Classics / Outhere Music France

5
II. Schilflied
00:02:06

Sandrine Piau, Soprano - Orchestre Victor Hugo - Jean-François Verdier, Conductor - Alban Berg, Composer

2021 Alpha Classics / Outhere Music France 2021 Alpha Classics / Outhere Music France

6
III. Die Nachtigall
00:01:52

Sandrine Piau, Soprano - Orchestre Victor Hugo - Jean-François Verdier, Conductor - Alban Berg, Composer

2021 Alpha Classics / Outhere Music France 2021 Alpha Classics / Outhere Music France

7
IV. Traumgekrönt
00:02:19

Sandrine Piau, Soprano - Orchestre Victor Hugo - Jean-François Verdier, Conductor - Alban Berg, Composer

2021 Alpha Classics / Outhere Music France 2021 Alpha Classics / Outhere Music France

8
V. Im Zimmer
00:01:11

Sandrine Piau, Soprano - Orchestre Victor Hugo - Jean-François Verdier, Conductor - Alban Berg, Composer

2021 Alpha Classics / Outhere Music France 2021 Alpha Classics / Outhere Music France

9
VI. Liebesode
00:01:37

Sandrine Piau, Soprano - Orchestre Victor Hugo - Jean-François Verdier, Conductor - Alban Berg, Composer

2021 Alpha Classics / Outhere Music France 2021 Alpha Classics / Outhere Music France

10
VII. Sommertage
00:01:33

Sandrine Piau, Soprano - Orchestre Victor Hugo - Jean-François Verdier, Conductor - Alban Berg, Composer

2021 Alpha Classics / Outhere Music France 2021 Alpha Classics / Outhere Music France

Vier Letzte Lieder (Richard Strauss)

11
I. Frühling
00:03:07

Sandrine Piau, Soprano - Orchestre Victor Hugo - Jean-François Verdier, Conductor - Richard Strauss, Composer

2021 Alpha Classics / Outhere Music France 2021 Alpha Classics / Outhere Music France

12
II. September
00:04:53

Sandrine Piau, Soprano - Orchestre Victor Hugo - Jean-François Verdier, Conductor - Richard Strauss, Composer

2021 Alpha Classics / Outhere Music France 2021 Alpha Classics / Outhere Music France

13
III. Beim Schlafengehen
00:05:07

Sandrine Piau, Soprano - Orchestre Victor Hugo - Jean-François Verdier, Conductor - Richard Strauss, Composer

2021 Alpha Classics / Outhere Music France 2021 Alpha Classics / Outhere Music France

14
IV. Im Abendrot
00:06:46

Sandrine Piau, Soprano - Orchestre Victor Hugo - Jean-François Verdier, Conductor - Richard Strauss, Composer

2021 Alpha Classics / Outhere Music France 2021 Alpha Classics / Outhere Music France

Malven (Richard Strauss)

15
Malven
00:02:55

Sandrine Piau, Soprano - Orchestre Victor Hugo - Jean-François Verdier, Conductor - Richard Strauss, Composer

2021 Alpha Classics / Outhere Music France 2021 Alpha Classics / Outhere Music France

Presentación del Álbum

French singers who attempt the lush and overgrown music of late Romantic Vienna are rare, but Sandrine Piau, arguably the greatest of our day, does so here, indicating that she has loved this repertory since her student days. It may also be that she sensed an opening and moved to fill it with the set of orchestral songs. The market is glutted with recordings of Richard Strauss's Four Last Songs, and even the Seven Early Songs of Berg are not uncommon, but to hear these works in the voice of Piau, whose background is in Baroque music, is to hear them anew. Piau's clear lines and restrained use of vibrato stand in sharp contrast to the oversize styles of the German operatic sopranos who usually undertake this repertory, and while hers are neither particularly French nor Baroque readings, they have an attractive soberness and gravity. The Clair-Obscur (light-dark, or chiaroscuro) title is only broadly appropriate; various songs, including two of Berg's, refer more to time of day or time of year. Piau does include one quite unusual item, and it's a gem. The Waldgespräch of Alexander von Zemlinsky is a little operatic Lorelei scene accompanied by just strings, horns, and a harp, and Piau has the force and sensuality to pull off this charged work. The little-known Orchestre Victor Hugo under Jean-François Verdier follows Piau closesly, and Alpha's sound from the Auditorium CRR in Besançon is ideal.

© TiVo

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