Maria Cebotari
A singer of enormous native talent and imperishable will, Maria Cebotari applied her silvery soprano to roles that seemed far beyond her means. Yet through astute musicianship and a driving need to master the dramatic repertory, she succeeded far beyond expectations, essaying such daunting, vocally destructive roles as Turandot and Salome. Recording producer Walter Legge, who acquired her services after WWII, recalled her readiness to perform at a moment's notice and her fortitude in the face of the cancer that led to her premature death. When still a child, Cebotari became a member of the Moscow Art Theatre Company. One of the company's actors (whom she subsequently married) introduced her to conductor Issay Dobroven, who arranged for a scholarship to study voice and interpretation in Berlin. After only a half-year's training, Cebotari was prepared to assume a position with the Dresden Opera, where she quickly rose to stardom. Although slight of voice, she was convincing in roles such as Butterfly, where her trim figure afforded her uncommon credibility. By the outbreak of WWII, she had sung in nearly every major European venue, taking time along the way to create the role of Aminta in Strauss' Die schweigsame Frau (Dresden, 1935). From 1936 to 1944, she was a member of the Berliner Staatsoper. By the war's end, Strauss asserted that she was Europe's most complete artist. The roles within her active repertory were an astonishing lot: both Susanna and the Countess in Le nozze di Figaro, all three female roles in Don Giovanni, both Micaëla and Carmen, Mimi and Turandot, and large doses of leading roles in operetta. She frequently sang nearly every day of the week, often taking over performances from less-hearty colleagues. Singing seven months into pregnancy, she was back on-stage within days of delivery. Although her voice gained more body in the lower register, Cebotari remained the same artist with much the same crystalline, incisive instrument until the end. Her grasp of notes and meaning made her the delight of each conductor with which she collaborated. Her attractive appearance led to leading roles in six motion pictures.
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Diskografie
20 Album, -en • Geordnet nach Bestseller
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Maria Cebotari
Klassik - Erschienen bei Preiser Records am 09.10.2006
16-Bit CD Quality 44.1 kHz - Stereo -
Bruno Walter conducts Mahler & Bloch
Maria Cebotari, Rosette Anday, Bruno Walter, Vienna Philharmonic Orchestras
Klassik - Erschienen bei OperaPrima-Carillon am 23.04.2021
16-Bit CD Quality 44.1 kHz - Stereo -
The Very Best Operatic Arias
Maria Cebotari, Jussi Björling, Richard Tauber
Klassik - Erschienen bei Past Classics am 02.05.2012
16-Bit CD Quality 44.1 kHz - Stereo -
Maria Cebotari singt Richard Strauss
Klassik - Erschienen bei Preiser Records am 19.09.2006
16-Bit CD Quality 44.1 kHz - Stereo -
The Art of Maria Cebotari
Klassik - Erschienen bei Preiser Records am 24.12.2002
16-Bit CD Quality 44.1 kHz - Stereo -
The HMV Recordings (Album of 1933)
Klassik - Erschienen bei Casta Diva am 24.06.2023
16-Bit CD Quality 44.1 kHz - Stereo -
The Grammophon Recordings (Berlin Recordings 1941)
Maria Cebotari, Orchester des Deutschen Opernhauses Berlin, Gerhard Steeger
Klassik - Erschienen bei Casta Diva am 31.01.2022
16-Bit CD Quality 44.1 kHz - Stereo -
In memoriam (Mono Version)
Verschiedenes - Erschienen bei BNF Collection am 01.01.1953
24-Bit 96.0 kHz - Stereo -
Maria Cebotari singt
Klassik - Erschienen bei Preiser Records am 19.09.2006
16-Bit CD Quality 44.1 kHz - Stereo -
Maria Cebotari singt Verdi
Oper - Erschienen bei Preiser Records am 01.01.1993
16-Bit CD Quality 44.1 kHz - Stereo -
Maria Cebotari sings Richard Strauss (Recordings of 1943)
Maria Cebotari, Berliner Rundfunk-Sinfonie-Orchester, Artur Rother
Klassik - Erschienen bei Casta Diva am 24.06.2023
16-Bit CD Quality 44.1 kHz - Stereo -
Opera Arias (Soprano): Cebotari, Maria - MOZART, W.A. / PUCCINI, G. / STRAUSS, R. (1942) (Wolfgang Amadeus Mozart - Lorenzo da Ponte - Giuseppe Giacosa)
Oper - Erschienen bei Berlin Classics am 01.01.1970
16-Bit CD Quality 44.1 kHz - Stereo -
Four Famous Sopranos of the Past
Klassik - Erschienen bei Preiser Records am 12.09.2006
16-Bit CD Quality 44.1 kHz - Stereo -
Lebendige Vergangenheit - Maria Cebotari
Klassik - Erschienen bei Preiser Records am 04.07.1998
16-Bit CD Quality 44.1 kHz - Stereo -
Giacomo Puccini Szenen (Recordings of 1938 - 1944)
Klassik - Erschienen bei Casta Diva am 31.01.2022
16-Bit CD Quality 44.1 kHz - Stereo -
Bizet: Carmen, WD 31: Ich sprach, dass ich furchtlos mich fühle (Sung in German)
Maria Cebotari, Orchestra of the Deutsche Oper Berlin, Gerhard Steeger
Klassik - Erschienen bei Deutsche Grammophon (DG) am 01.01.1941
16-Bit CD Quality 44.1 kHz - Stereo -
The Odeon Recordings (Berlin Recordings 1935 - 1937)
Klassik - Erschienen bei Casta Diva am 31.01.2022
16-Bit CD Quality 44.1 kHz - Stereo -
Mozart: Don Giovanni, K. 527: Ich weiß ein Mittel (Sung in German)
Maria Cebotari, Orchestra of the Deutsche Oper Berlin, Gerhard Steeger
Klassik - Erschienen bei Deutsche Grammophon (DG) am 01.01.1941
16-Bit CD Quality 44.1 kHz - Stereo -
Legende und Wirklichkeit
Klassik - Erschienen bei Sinetone PCA am 29.01.2016
16-Bit CD Quality 44.1 kHz - Stereo -
Legend And Reality
Vokalmusik (weltlich und geistlich) - Erschienen bei PnR am 01.01.2000
16-Bit CD Quality 44.1 kHz - Stereo