Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
Fresh off the heels of her 1998 release Mediamente Isterica, Carmen Consoli was back in the studio to record her fourth album, Stato di Necessità, eager to continue the blend of irony, sentimentalism, subtle perceptiveness, poetic lyrics, and '60s-Europop-meets-late-'90s-American-rock guitars she had begun to develop on her third record. Lyrically Stato di Necessità speaks mainly in the first person, but the approach changes from intimate introspection ("Novembre '99 [L'Isola del Tesoro]"), to detached observance ("Equilibrio Precario"), to freely expressed desire ("Bambina Impertinente"), giving listeners a well-rounded, or least multifaceted, perspective of the singer. The same kind of diversity is found in Consoli's music, which can be sensual, edgy, melancholic, hopeful, or a combination of everything, depending on the emotions she wishes to convey. But nothing is overdone: Consoli is a master of descriptive minimalism, using just a few lines and well-placed guitar riffs (either from herself or from longtime bandmember Massimo Roccaforte) to describe an entire situation. "L'Ultimo Bacio," which was also used in the 2001 film of the same name, is one of the most popular songs in Consoli's repertoire, and rightfully so. It's a gorgeous piece, with a bittersweet guitar line, aching strings, and subtle, plaintive lyrics about acknowledging the departure of youth. Equally good is "Orfeo" (an acoustic version of which is hidden 20 minutes into the final track), whose simple opening guitar riff is one of those that just begs to be listened to again and again. There are a few pieces that don't deserve such praise, "Il Sultano (Della Kianca)" for example, with clichéd effects and lyrics bordering on superficial, but overall Stato di Necessità is the work of a mature musician who is confident about her sound and her artistic vision and able to convey it to the world.
© Marisa Brown /TiVo
Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen
Downloaden Sie die Qobuz App
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Maurizio Nicotra, Recording Arranger, AssociatedPerformer - Fabrizio Simoncioni, Mixer, StudioPersonnel - Carmen Consoli, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Massimo Roccaforte, Recording Arranger, AssociatedPerformer, ComposerLyricist - Francesco Villinzi, Producer, Recording Arranger, AssociatedPerformer
℗ 2000 Cyclope Records
Maurizio Nicotra, Recording Arranger, AssociatedPerformer - Fabrizio Simoncioni, Mixer, StudioPersonnel - Carmen Consoli, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Massimo Roccaforte, Recording Arranger, AssociatedPerformer - Francesco Villinzi, Producer, Recording Arranger, AssociatedPerformer
℗ 2000 Cyclope Records
Maurizio Nicotra, Recording Arranger, AssociatedPerformer - Fabrizio Simoncioni, Mixer, StudioPersonnel - Carmen Consoli, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Massimo Roccaforte, Recording Arranger, AssociatedPerformer - Francesco Villinzi, Producer, Recording Arranger, AssociatedPerformer
℗ 2000 Universal Music Italia Srl
Maurizio Nicotra, Recording Arranger, AssociatedPerformer - Fabrizio Simoncioni, Mixer, StudioPersonnel - Carmen Consoli, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Massimo Roccaforte, Recording Arranger, AssociatedPerformer - Francesco Villinzi, Producer, Recording Arranger, AssociatedPerformer
℗ 2000 Cyclope Records
Maurizio Nicotra, Recording Arranger, AssociatedPerformer - Fabrizio Simoncioni, Mixer, StudioPersonnel - Carmen Consoli, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Massimo Roccaforte, Recording Arranger, AssociatedPerformer - Francesco Villinzi, Producer, Recording Arranger, AssociatedPerformer
℗ 2000 Cyclope Records
Maurizio Nicotra, Recording Arranger, AssociatedPerformer - Fabrizio Simoncioni, Mixer, StudioPersonnel - Carmen Consoli, Vocals, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Massimo Roccaforte, Recording Arranger, AssociatedPerformer - Francesco Villinzi, Producer, Recording Arranger, AssociatedPerformer
℗ 2000 Universal Music Italia Srl
Maurizio Nicotra, Recording Arranger, AssociatedPerformer - Fabrizio Simoncioni, Mixer, StudioPersonnel - Carmen Consoli, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Massimo Roccaforte, Recording Arranger, AssociatedPerformer, ComposerLyricist - Francesco Villinzi, Producer, Recording Arranger, AssociatedPerformer
℗ 2000 Cyclope Records
Maurizio Nicotra, Recording Arranger, AssociatedPerformer - Fabrizio Simoncioni, Mixer, StudioPersonnel - Carmen Consoli, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Massimo Roccaforte, Recording Arranger, AssociatedPerformer - Francesco Villinzi, Producer, Recording Arranger, AssociatedPerformer
℗ 2000 Cyclope Records
Maurizio Nicotra, Recording Arranger, AssociatedPerformer - Fabrizio Simoncioni, Mixer, StudioPersonnel - Carmen Consoli, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Massimo Roccaforte, Recording Arranger, AssociatedPerformer - Francesco Villinzi, Producer, Recording Arranger, AssociatedPerformer
℗ 2000 Cyclope Records
Maurizio Nicotra, Recording Arranger, AssociatedPerformer - Fabrizio Simoncioni, Mixer, StudioPersonnel - Carmen Consoli, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Massimo Roccaforte, Recording Arranger, AssociatedPerformer - Francesco Villinzi, Producer, Recording Arranger, AssociatedPerformer
℗ 2003 Universal Music Italia Srl
Maurizio Nicotra, Recording Arranger, AssociatedPerformer - Fabrizio Simoncioni, Mixer, StudioPersonnel - Carmen Consoli, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Massimo Roccaforte, Recording Arranger, AssociatedPerformer, ComposerLyricist - Francesco Villinzi, Producer, Recording Arranger, AssociatedPerformer
℗ 2000 Cyclope Records
Maurizio Nicotra, Recording Arranger, AssociatedPerformer - Fabrizio Simoncioni, Mixer, StudioPersonnel - Carmen Consoli, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Massimo Roccaforte, Recording Arranger, AssociatedPerformer - Francesco Villinzi, Producer, Recording Arranger, AssociatedPerformer
℗ 2000 Cyclope Records
Albumbeschreibung
Fresh off the heels of her 1998 release Mediamente Isterica, Carmen Consoli was back in the studio to record her fourth album, Stato di Necessità, eager to continue the blend of irony, sentimentalism, subtle perceptiveness, poetic lyrics, and '60s-Europop-meets-late-'90s-American-rock guitars she had begun to develop on her third record. Lyrically Stato di Necessità speaks mainly in the first person, but the approach changes from intimate introspection ("Novembre '99 [L'Isola del Tesoro]"), to detached observance ("Equilibrio Precario"), to freely expressed desire ("Bambina Impertinente"), giving listeners a well-rounded, or least multifaceted, perspective of the singer. The same kind of diversity is found in Consoli's music, which can be sensual, edgy, melancholic, hopeful, or a combination of everything, depending on the emotions she wishes to convey. But nothing is overdone: Consoli is a master of descriptive minimalism, using just a few lines and well-placed guitar riffs (either from herself or from longtime bandmember Massimo Roccaforte) to describe an entire situation. "L'Ultimo Bacio," which was also used in the 2001 film of the same name, is one of the most popular songs in Consoli's repertoire, and rightfully so. It's a gorgeous piece, with a bittersweet guitar line, aching strings, and subtle, plaintive lyrics about acknowledging the departure of youth. Equally good is "Orfeo" (an acoustic version of which is hidden 20 minutes into the final track), whose simple opening guitar riff is one of those that just begs to be listened to again and again. There are a few pieces that don't deserve such praise, "Il Sultano (Della Kianca)" for example, with clichéd effects and lyrics bordering on superficial, but overall Stato di Necessità is the work of a mature musician who is confident about her sound and her artistic vision and able to convey it to the world.
© Marisa Brown /TiVo
Informationen zu dem Album
- 1 Disc(s) - 12 Track(s)
- Gesamte Laufzeit: 01:08:42
- Künstler: Carmen Consoli
- Komponist: Various Composers
- Label: Universal Music Italia srL.
- Genre: Pop/Rock Pop
© 2000 Universal Music Italia Srl ℗ 2000 Universal Music Italia Srl
Verbesserung der Albuminformationen
Warum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.