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The central work on this disc of sacred vocal music by Heinrich Schütz is the Historia der Auferstehung Jesu Christi (History of the Resurrection of Jesus Christ); several small vocal concertos from various phases of Schütz's career are also included. The musical "history" in Lutheran Germany was a soloistic but nondramatic rendering of a Bible story, often an episode from the life of Jesus. It was a key predecessor of the oratorio, and in Schütz's hands here it was a chance to experiment with adapting new Italian operatic styles to the requirements of German sacred music. The Historia is an early work of Schütz and something of a mixed bag. Some of the parts are sung by soloists, others by pairs or groups of singers, and the orchestra is varied, like that of an Italian intermedio -- it includes violins, gambas, chitarrone, harp, and an organ continuo. The work has neither the grandeur of Schütz's big motets nor the intimacy of his sacred concertos or the radically concise Passion settings of his old age. Yet it is recognizably a product of its composer and his Dürer-like merging of German monumentality and Italian color. This isn't a first Schütz disc for anybody, but for those interested in the era, it's a worthwhile choice: recordings of the Historia are rare, and the fine north German group Weser-Renaissance is well-versed in music of this period.
© TiVo
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Surrexit pastor bonus, SWV 469 (Heinrich Schütz)
Heinrich Schütz, Composer - Manfred Cordes, Conductor - Weser-Renaissance Bremen, Ensemble, MainArtist
(C) 2005 CPO (P) 2005 CPO
Historia der Auferstehung Jesu Christi, Op. 3, SWV 50 (Heinrich Schütz)
Heinrich Schütz, Composer - Unknown Artist, Artist - Manfred Cordes, Conductor - Weser-Renaissance Bremen, Ensemble, MainArtist
(C) 2005 CPO (P) 2005 CPO
Heinrich Schütz, Composer - Unknown Artist, Artist - Manfred Cordes, Conductor - Weser-Renaissance Bremen, Ensemble, MainArtist
(C) 2005 CPO (P) 2005 CPO
Heinrich Schütz, Composer - Unknown Artist, Artist - Manfred Cordes, Conductor - Weser-Renaissance Bremen, Ensemble, MainArtist
(C) 2005 CPO (P) 2005 CPO
Heinrich Schütz, Composer - Unknown Artist, Artist - Manfred Cordes, Conductor - Weser-Renaissance Bremen, Ensemble, MainArtist
(C) 2005 CPO (P) 2005 CPO
Heinrich Schütz, Composer - Unknown Artist, Artist - Manfred Cordes, Conductor - Weser-Renaissance Bremen, Ensemble, MainArtist
(C) 2005 CPO (P) 2005 CPO
Heinrich Schütz, Composer - Unknown Artist, Artist - Manfred Cordes, Conductor - Weser-Renaissance Bremen, Ensemble, MainArtist
(C) 2005 CPO (P) 2005 CPO
Heinrich Schütz, Composer - Unknown Artist, Artist - Manfred Cordes, Conductor - Weser-Renaissance Bremen, Ensemble, MainArtist
(C) 2005 CPO (P) 2005 CPO
Heinrich Schütz, Composer - Unknown Artist, Artist - Manfred Cordes, Conductor - Weser-Renaissance Bremen, Ensemble, MainArtist
(C) 2005 CPO (P) 2005 CPO
Heinrich Schütz, Composer - Unknown Artist, Artist - Manfred Cordes, Conductor - Weser-Renaissance Bremen, Ensemble, MainArtist
(C) 2005 CPO (P) 2005 CPO
Heinrich Schütz, Composer - Unknown Artist, Artist - Manfred Cordes, Conductor - Weser-Renaissance Bremen, Ensemble, MainArtist
(C) 2005 CPO (P) 2005 CPO
Kleine geistliche Konzerte II, Op. 9 (Heinrich Schütz)
Heinrich Schütz, Composer - Hans Jörg Mammel, Artist, MainArtist - Wolf Matthias Friedrich, Ensemble - Manfred Cordes, Conductor - Andreas Hirtreiter, Artist - Weser-Renaissance Bremen, Ensemble
(C) 2005 CPO (P) 2005 CPO
Weib, was weinest du, SWV 443 (Heinrich Schütz)
Heinrich Schütz, Composer - Manfred Cordes, Conductor - Ulrike Hofbauer, Ensemble - Andreas Hirtreiter, Artist, MainArtist - Michael Schaffrath, Ensemble - Weser-Renaissance Bremen, Ensemble - Almut Teichert-Hailperin, Ensemble
(C) 2005 CPO (P) 2005 CPO
Symphoniae sacrae III, Op. 12, RISM S2295 (Heinrich Schütz)
Heinrich Schütz, Composer - Hans Jörg Mammel, Artist, MainArtist - Knut Schoch, Artist - Wolf Matthias Friedrich, Ensemble - Manfred Cordes, Conductor - Ulrike Hofbauer, Artist - Weser-Renaissance Bremen, Ensemble
(C) 2005 CPO (P) 2005 CPO
Albumbeschreibung
The central work on this disc of sacred vocal music by Heinrich Schütz is the Historia der Auferstehung Jesu Christi (History of the Resurrection of Jesus Christ); several small vocal concertos from various phases of Schütz's career are also included. The musical "history" in Lutheran Germany was a soloistic but nondramatic rendering of a Bible story, often an episode from the life of Jesus. It was a key predecessor of the oratorio, and in Schütz's hands here it was a chance to experiment with adapting new Italian operatic styles to the requirements of German sacred music. The Historia is an early work of Schütz and something of a mixed bag. Some of the parts are sung by soloists, others by pairs or groups of singers, and the orchestra is varied, like that of an Italian intermedio -- it includes violins, gambas, chitarrone, harp, and an organ continuo. The work has neither the grandeur of Schütz's big motets nor the intimacy of his sacred concertos or the radically concise Passion settings of his old age. Yet it is recognizably a product of its composer and his Dürer-like merging of German monumentality and Italian color. This isn't a first Schütz disc for anybody, but for those interested in the era, it's a worthwhile choice: recordings of the Historia are rare, and the fine north German group Weser-Renaissance is well-versed in music of this period.
© TiVo
Informationen zu dem Album
- 1 Disc(s) - 14 Track(s)
- Gesamte Laufzeit: 01:00:10
- Künstler: Bremen Weser-Renaissance
- Komponist: Heinrich Schütz
- Label: CPO
- Genre: Klassik
(C) 2005 CPO (P) 2005 CPO
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