Qobuz Store wallpaper
Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

John Eliot Gardiner - Schumann : Symphonies 2 & 4 - Genoveva (Overture)

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Schumann : Symphonies 2 & 4 - Genoveva (Overture)

London Symphony Orchestra - Sir John Eliot Gardiner

Digitales Booklet

Verfügbar in
logo Hi-Res
24-Bit 96.0 kHz - Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Wählen Sie die Audio-Qualität

Um das Album zu diesem Preis zu kaufen, Studio Sublime abonnieren

Text in englischer Sprache verfügbar

On its face, this 2019 release by John Eliot Gardiner and the London Symphony Orchestra seems fairly straightforward and standard, with an overture at the opening and two symphonies by the great Romantic composer Robert Schumann occupying the rest of the program. Yet listeners may consider that it is far from routine on further investigation. The overture to Genoveva is the only part of Schumann's 1850 opera that is regularly performed nowadays, though it remains relatively obscure when compared to other overtures that serve to open concerts. Heard more frequently, the Symphony No. 2 in C major has had a fairly stable performance history, though like Schumann's other symphonies, it hasn't achieved the status of greatness accorded to the symphonies of Beethoven or Brahms, and remains in the second tier of 19th century symphonies. The Symphony No. 4 in D minor, however, may startle listeners who were expecting the long-established version of 1851. Instead, Gardiner has chosen the original 1841 version, which Clara Schumann described as unfinished sketches, but which Brahms favored over the revised version and revealed it to be complete when he published it in 1891. Chronologically, this was actually Schumann's second symphony, though it was first published after the two intervening symphonies and became the Fourth by default. Schumann's leaner orchestration has not been smoothed over or thickened with the later excessive doublings of woodwinds and strings, and while the form is almost identical to the later version, experienced listeners should note the many differences which are evident in this reading. The live recording by LSO Live captures the orchestra's sound with great clarity and fine details, which certainly makes Schumann's richly scored music easier to follow with pleasure.
© TiVo

Weitere Informationen

Schumann : Symphonies 2 & 4 - Genoveva (Overture)

John Eliot Gardiner

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Kopieren Sie den folgenden Link, um das Album zu teilen

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 60 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie dieses Album und mehr als 60 Millionen weitere Titel im Rahmen Ihres Streaming-Abonnements mit unseren Apps.

Genoveva, Op. 81 (Robert Schumann)

1
Overture
London Symphony Orchestra
00:08:16

London Symphony Orchestra - Sir John Eliot Gardiner, Conductor - Robert Schumann, Composer

2019 London Symphony Orchestra Ltd 2019 London Symphony Orchestra Ltd

Symphony No. 4 in D Minor, Op. 120 (Robert Schumann)

2
I. Andante con moto - Allegro di molto (1841 Version)
London Symphony Orchestra
00:08:15

London Symphony Orchestra - Sir John Eliot Gardiner, Conductor - Robert Schumann, Composer

2019 London Symphony Orchestra Ltd 2019 London Symphony Orchestra Ltd

3
II. Romanza. Andante (1841 Version)
London Symphony Orchestra
00:03:52

London Symphony Orchestra - Sir John Eliot Gardiner, Conductor - Robert Schumann, Composer

2019 London Symphony Orchestra Ltd 2019 London Symphony Orchestra Ltd

4
III. Scherzo. Presto (1841 Version)
London Symphony Orchestra
00:05:30

London Symphony Orchestra - Sir John Eliot Gardiner, Conductor - Robert Schumann, Composer

2019 London Symphony Orchestra Ltd 2019 London Symphony Orchestra Ltd

5
IV. Largo - Finale. Allegro vivace (1841 Version)
London Symphony Orchestra
00:06:25

London Symphony Orchestra - Sir John Eliot Gardiner, Conductor - Robert Schumann, Composer

2019 London Symphony Orchestra Ltd 2019 London Symphony Orchestra Ltd

Symphony No. 2 in C Major, Op. 61 (Robert Schumann)

6
I. Sostenuto assai - Allegro, ma non troppo
London Symphony Orchestra
00:12:11

London Symphony Orchestra - Sir John Eliot Gardiner, Conductor - Robert Schumann, Composer

2019 London Symphony Orchestra Ltd 2019 London Symphony Orchestra Ltd

7
II. Scherzo. Allegro vivace
London Symphony Orchestra
00:07:05

London Symphony Orchestra - Sir John Eliot Gardiner, Conductor - Robert Schumann, Composer

2019 London Symphony Orchestra Ltd 2019 London Symphony Orchestra Ltd

8
III. Adagio espressivo
London Symphony Orchestra
00:09:14

London Symphony Orchestra - Sir John Eliot Gardiner, Conductor - Robert Schumann, Composer

2019 London Symphony Orchestra Ltd 2019 London Symphony Orchestra Ltd

9
IV. Allegro molto vivace
London Symphony Orchestra
00:08:13

London Symphony Orchestra - Sir John Eliot Gardiner, Conductor - Robert Schumann, Composer

2019 London Symphony Orchestra Ltd 2019 London Symphony Orchestra Ltd

Albumbeschreibung

On its face, this 2019 release by John Eliot Gardiner and the London Symphony Orchestra seems fairly straightforward and standard, with an overture at the opening and two symphonies by the great Romantic composer Robert Schumann occupying the rest of the program. Yet listeners may consider that it is far from routine on further investigation. The overture to Genoveva is the only part of Schumann's 1850 opera that is regularly performed nowadays, though it remains relatively obscure when compared to other overtures that serve to open concerts. Heard more frequently, the Symphony No. 2 in C major has had a fairly stable performance history, though like Schumann's other symphonies, it hasn't achieved the status of greatness accorded to the symphonies of Beethoven or Brahms, and remains in the second tier of 19th century symphonies. The Symphony No. 4 in D minor, however, may startle listeners who were expecting the long-established version of 1851. Instead, Gardiner has chosen the original 1841 version, which Clara Schumann described as unfinished sketches, but which Brahms favored over the revised version and revealed it to be complete when he published it in 1891. Chronologically, this was actually Schumann's second symphony, though it was first published after the two intervening symphonies and became the Fourth by default. Schumann's leaner orchestration has not been smoothed over or thickened with the later excessive doublings of woodwinds and strings, and while the form is almost identical to the later version, experienced listeners should note the many differences which are evident in this reading. The live recording by LSO Live captures the orchestra's sound with great clarity and fine details, which certainly makes Schumann's richly scored music easier to follow with pleasure.
© TiVo

Informationen zu dem Album

Auszeichnungen:

Verbessern Sie diese Seite

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...
Mehr auf Qobuz
Von John Eliot Gardiner

Playlists

Das könnte Ihnen auch gefallen...
Panorama-Artikel...
Gardiners Pilgerreise auf dem Pfad der Bach-Kantaten

John Eliot Gardiner wuchs in einem Elternhaus auf, in dem eines von zwei authentischen Porträts von Johann Sebastian Bach vorhanden war, welches seine Eltern eifersüchtig bewacht hatten, und während des Zweiten Weltkriegs auf ihrer Farm in Dorset versteckten. Gardiners absolute Hingabe für Bach machte ihn zu einem der "Päpste" der Barockmusik und brachte ein aufregendes Werk hervor, das in französischer Sprache veröffentlicht wurde: Musique au château du ciel (beim Verlag Flammarion). "Wie konnte solch eine erhabene Arbeit aus einem so gewöhnlichen und undurchsichtigen Mann hervorgehen?", fragt Gardiner in einem Buch voller Zärtlichkeit und seltener Gelehrsamkeit, das keine neue Biographie des deutschen Komponisten sein soll, sondern die Summe seiner eigenen Erfahrungen als Interpret, der ästhetische Überlegungen und eine einfühlsame Analyse der harmonischen, kontrapunktischen und polyphonen Grundlagen seiner Werke liefern soll. Ein erfolgreicher Versuch, diesen Mann durch seine Musik zu entdecken.

Regula Mühlemann,"Ach, ich fühl´s"

Auch das zweite Mozart-Album von Regula Mühlemann ist eine Offenbarung. Ein Versuch herauszufinden, warum das so ist.

Abbey Lincoln - „Keine Kunst im luftleeren Raum“

Sie war eine der großen Sängerinnen des Jazz und lieh der Bürgerrechtsbewegung ihre Stimme: Abbey Lincoln, vor 90 Jahren geboren, vor zehn Jahren verstorben. Doppelter Anlass für eine Würdigung der Künstlerin, die ein Stück Jazzgeschichte schrieb.

Aktuelles...