Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Johann Rosenmüller was a German composer who fled to Venice after escaping arrest. He ended up at the Ospedale della Pietà, which later employed Vivaldi, and his later music is an attractive mixture of German fugues and shorter Italianate sonata movements. Even as progressive a composer as Telemann cited him as an influence, and these string sonatas, published in 1682, lie right at the point where the multi-sectional mid-Baroque sonata coalesced into the High Baroque sonata with three or four movements. His music would seem to merit more attention than it has gotten, and this recording from the Montreal group Ensemble Masques, with harpsichord and chamber organ accompaniment from their leader Olivier Fortin, is welcome. The sonatas are for groups of two to five stringed instruments with a harpsichord or organ continuo, in anywhere from three to seven movements. Even at the larger end of that range the music is compact and focused on a single affect, with dissonant homophonic passages making a nice strong contrast with the fugal or otherwise polyphonic fast passages. Ensemble Masques, despite the syrupy sound generated by the suburban Montreal church favored by ATMA's engineers, has the right dimensions and feel for the music. The textures created by the different-sized forces are nicely brought out by the players; with assistance from Fortin's switches between harpsichord and organ, the result is that the set of 12 sonatas turns out quite variegated and lively. The risk of tedium with complete sets that were never meant to be performed together is avoided, and the result is worth having for fans of the Baroque instrumental sonata.
© TiVo
Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen
Downloaden Sie die Qobuz App
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Olivier Fortin, Musical Director, MainArtist - Carlos Prieto, Recording Engineer, StudioPersonnel - Johann Rosenmüller, Composer - Ensemble Masques, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer
℗ 2013 ATMA Classique
Olivier Fortin, Musical Director, MainArtist - Carlos Prieto, Recording Engineer, StudioPersonnel - Johann Rosenmüller, Composer - Ensemble Masques, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer
℗ 2013 ATMA Classique
Olivier Fortin, Musical Director, MainArtist - Carlos Prieto, Recording Engineer, StudioPersonnel - Johann Rosenmüller, Composer - Ensemble Masques, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer
℗ 2013 ATMA Classique
Olivier Fortin, Musical Director, MainArtist - Carlos Prieto, Recording Engineer, StudioPersonnel - Johann Rosenmüller, Composer - Ensemble Masques, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer
℗ 2013 ATMA Classique
Olivier Fortin, Musical Director, MainArtist - Carlos Prieto, Recording Engineer, StudioPersonnel - Johann Rosenmüller, Composer - Ensemble Masques, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer
℗ 2013 ATMA Classique
Olivier Fortin, Musical Director, MainArtist - Carlos Prieto, Recording Engineer, StudioPersonnel - Johann Rosenmüller, Composer - Ensemble Masques, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer
℗ 2013 ATMA Classique
Olivier Fortin, Musical Director, MainArtist - Carlos Prieto, Recording Engineer, StudioPersonnel - Johann Rosenmüller, Composer - Ensemble Masques, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer
℗ 2013 ATMA Classique
Olivier Fortin, Musical Director, MainArtist - Carlos Prieto, Recording Engineer, StudioPersonnel - Johann Rosenmüller, Composer - Ensemble Masques, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer
℗ 2013 ATMA Classique
Olivier Fortin, Musical Director, MainArtist - Carlos Prieto, Recording Engineer, StudioPersonnel - Johann Rosenmüller, Composer - Ensemble Masques, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer
℗ 2013 ATMA Classique
Olivier Fortin, Musical Director, MainArtist - Carlos Prieto, Recording Engineer, StudioPersonnel - Johann Rosenmüller, Composer - Ensemble Masques, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer
℗ 2013 ATMA Classique
Olivier Fortin, Musical Director, MainArtist - Carlos Prieto, Recording Engineer, StudioPersonnel - Johann Rosenmüller, Composer - Ensemble Masques, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer
℗ 2013 ATMA Classique
Olivier Fortin, Musical Director, MainArtist - Carlos Prieto, Recording Engineer, StudioPersonnel - Johann Rosenmüller, Composer - Ensemble Masques, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer
℗ 2013 ATMA Classique
Albumbeschreibung
Johann Rosenmüller was a German composer who fled to Venice after escaping arrest. He ended up at the Ospedale della Pietà, which later employed Vivaldi, and his later music is an attractive mixture of German fugues and shorter Italianate sonata movements. Even as progressive a composer as Telemann cited him as an influence, and these string sonatas, published in 1682, lie right at the point where the multi-sectional mid-Baroque sonata coalesced into the High Baroque sonata with three or four movements. His music would seem to merit more attention than it has gotten, and this recording from the Montreal group Ensemble Masques, with harpsichord and chamber organ accompaniment from their leader Olivier Fortin, is welcome. The sonatas are for groups of two to five stringed instruments with a harpsichord or organ continuo, in anywhere from three to seven movements. Even at the larger end of that range the music is compact and focused on a single affect, with dissonant homophonic passages making a nice strong contrast with the fugal or otherwise polyphonic fast passages. Ensemble Masques, despite the syrupy sound generated by the suburban Montreal church favored by ATMA's engineers, has the right dimensions and feel for the music. The textures created by the different-sized forces are nicely brought out by the players; with assistance from Fortin's switches between harpsichord and organ, the result is that the set of 12 sonatas turns out quite variegated and lively. The risk of tedium with complete sets that were never meant to be performed together is avoided, and the result is worth having for fans of the Baroque instrumental sonata.
© TiVo
Informationen zu dem Album
- 1 Disc(s) - 12 Track(s)
- Gesamte Laufzeit: 01:12:03
- Künstler: Ensemble Masques Olivier Fortin
- Komponist: Johann Rosenmüller
- Label: ATMA Classique
- Genre: Klassik
© 2013 ATMA Classique ℗ 2013 ATMA Classique
Verbesserung der Albuminformationen
Warum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.