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Artur Pizarro|RODRIGO: Piano Music, Vol. 1

RODRIGO: Piano Music, Vol. 1

RODRIGO: Piano Music, Vol. 1

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The piano music of Joaquín Rodrigo is rarely heard and practically unknown compared to his guitar works. This disc by Artur Pizarro should help rectify the oversight. None of the works here are as substantial as Rodrigo's concertos, but the colorings and expressions are just as rich as in those larger works. Many of these are indebted in some way to other composers. The first piece is an homage to Isaac Albéniz's Torre Bermeja (Crimson Tower), appropriately entitled In the Shadow for the Crimson Tower. Rodrigo wrote the glowingly resonant Sonada de adiós in memory of Paul Dukas, one of his teachers. The last five pieces on the disc are transcriptions of works by late-Renaissance Spanish composers. These are almost over-Romanticized in shading, but do capture the original spirit, if not quite the sound. The final Fantasia que contrahace la harpa de Ludovico has attention-grabbing, modern-sounding harmonies and rhythms. The rest of the works on the disc are dances, full of Spanish fire and spice, mini tone poems, and character pieces, which also draw on Spanish idioms and post-Romantic harmonies. Pizarro moves easily from the simple, soft lines of a berceuse to the punctuated figures found in the Estampas Andaluzas, changing his articulation as needed to realize fully and marvelously the spirit of the music. What would make this disc even better would be a warmer sound. The recording is a little distant, and it tends to thin out the colors of the music.
© TiVo

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RODRIGO: Piano Music, Vol. 1

Artur Pizarro

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A l'ombre de Torre Bermeja (Joaquín Rodrigo)

1
A l’ombre de Torre Bermeja (In the Shadow of the Crimson Tower)
00:05:08

Joaquin Rodrigo, Composer - Artur Pizarro, Performer

2005 Naxos 2005 Naxos

4 Piezas (Joaquín Rodrigo)

2
Caleseras (Homenaje a Chueca)
00:01:51

Joaquin Rodrigo, Composer - Artur Pizarro, Performer

2005 Naxos 2005 Naxos

3
Fandango del ventorrillo (Fandango of the Inn)
00:01:38

Joaquin Rodrigo, Composer - Artur Pizarro, Performer

2005 Naxos 2005 Naxos

4
Plegaria de la Infanta de Castilla (Prayer of the Princess of Castile)
00:05:51

Joaquin Rodrigo, Composer - Artur Pizarro, Performer

2005 Naxos 2005 Naxos

5
Danza valenciana (Valencian Dance)
00:02:55

Joaquin Rodrigo, Composer - Artur Pizarro, Performer

2005 Naxos 2005 Naxos

Pastoral (Joaquín Rodrigo)

6
Pastoral
00:02:05

Joaquin Rodrigo, Composer - Artur Pizarro, Performer

2005 Naxos 2005 Naxos

Preludio de anoranza (Joaquín Rodrigo)

7
(Nostalgic Prelude)
00:03:30

Joaquin Rodrigo, Composer - Artur Pizarro, Performer

2005 Naxos 2005 Naxos

2 Berceuses (Joaquín Rodrigo)

8
Berceuse de Printemps (Spring Lullaby)
00:01:57

Joaquin Rodrigo, Composer - Artur Pizarro, Performer

2005 Naxos 2005 Naxos

9
Berceuses d'Automne (Autumn Lullaby)
00:02:50

Joaquin Rodrigo, Composer - Artur Pizarro, Performer

2005 Naxos 2005 Naxos

Bagatela (Joaquín Rodrigo)

10
Bagatela (Bagatelle)
00:01:50

Joaquin Rodrigo, Composer - Artur Pizarro, Performer

2005 Naxos 2005 Naxos

4 Estampas andaluzas (Joaquín Rodrigo)

11
El vendedor de chanquetes (The Whitebait Seller)
00:01:46

Joaquin Rodrigo, Composer - Artur Pizarro, Performer

2005 Naxos 2005 Naxos

12
Crepusculo sobre el Guadalquivir (Twilight Over the Guadalquivir River)
00:03:34

Joaquin Rodrigo, Composer - Artur Pizarro, Performer

2005 Naxos 2005 Naxos

13
Seguidillas del diablo (The Devil’s Seguidillas)
00:03:55

Joaquin Rodrigo, Composer - Artur Pizarro, Performer

2005 Naxos 2005 Naxos

14
Barquitos de Cadiz (Little Boats of Cadiz)
00:05:05

Joaquin Rodrigo, Composer - Artur Pizarro, Performer

2005 Naxos 2005 Naxos

Sonada de adios (Homenaje a Paul Dukas) (Joaquín Rodrigo)

15
Sonada de adios (Sounding of Farewell)
00:03:59

Joaquin Rodrigo, Composer - Artur Pizarro, Performer

2005 Naxos 2005 Naxos

Serenata española (Joaquín Rodrigo)

16
Serenata española (Spanish Serenade)
00:05:06

Joaquin Rodrigo, Composer - Artur Pizarro, Performer

2005 Naxos 2005 Naxos

Air de ballet sur le nom d'une jeune fille (Joaquín Rodrigo)

17
(Ballet Theme on a Young Girl’s Name)
00:03:08

Joaquin Rodrigo, Composer - Artur Pizarro, Performer

2005 Naxos 2005 Naxos

Zarabanda lejana y villancico (arr. for piano) (Joaquín Rodrigo)

18
Zarabanda lejana (Distant Sarabande)
00:02:55

Joaquin Rodrigo, Composer - Artur Pizarro, Performer

2005 Naxos 2005 Naxos

5 Piezas del siglo XVI (Joaquín Rodrigo)

19
I. Diferencias sobre 'El Canto del Caballero’ (Antonio de Cabezon) (Variations on ‘The Knight’s Song’)
00:03:01

Joaquin Rodrigo, Composer - Artur Pizarro, Performer

2005 Naxos 2005 Naxos

20
II. Pavana (Luis de Milan)
00:01:36

Joaquin Rodrigo, Composer - Artur Pizarro, Performer

2005 Naxos 2005 Naxos

21
III. Pavana (Luis de Milan)
00:01:07

Joaquin Rodrigo, Composer - Artur Pizarro, Performer

2005 Naxos 2005 Naxos

22
IV. Pavana (Enriquez de Valderrabano)
00:03:12

Joaquin Rodrigo, Composer - Artur Pizarro, Performer

2005 Naxos 2005 Naxos

23
V. Fantasia que contrahace la harpa de Ludovico (Alonso Mudarra) (Fantasia in the Style of Ludovico’s Harp)
00:01:27

Joaquin Rodrigo, Composer - Artur Pizarro, Performer

2005 Naxos 2005 Naxos

Albumbeschreibung

The piano music of Joaquín Rodrigo is rarely heard and practically unknown compared to his guitar works. This disc by Artur Pizarro should help rectify the oversight. None of the works here are as substantial as Rodrigo's concertos, but the colorings and expressions are just as rich as in those larger works. Many of these are indebted in some way to other composers. The first piece is an homage to Isaac Albéniz's Torre Bermeja (Crimson Tower), appropriately entitled In the Shadow for the Crimson Tower. Rodrigo wrote the glowingly resonant Sonada de adiós in memory of Paul Dukas, one of his teachers. The last five pieces on the disc are transcriptions of works by late-Renaissance Spanish composers. These are almost over-Romanticized in shading, but do capture the original spirit, if not quite the sound. The final Fantasia que contrahace la harpa de Ludovico has attention-grabbing, modern-sounding harmonies and rhythms. The rest of the works on the disc are dances, full of Spanish fire and spice, mini tone poems, and character pieces, which also draw on Spanish idioms and post-Romantic harmonies. Pizarro moves easily from the simple, soft lines of a berceuse to the punctuated figures found in the Estampas Andaluzas, changing his articulation as needed to realize fully and marvelously the spirit of the music. What would make this disc even better would be a warmer sound. The recording is a little distant, and it tends to thin out the colors of the music.
© TiVo

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