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Royal Stockholm Philharmonic Orchestra|Nielsen: Symphonies Nos. 4 & 5

Nielsen: Symphonies Nos. 4 & 5

Royal Stockholm Philharmonic Orchestra and Sakari Oramo

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Sakari Oramo's hybrid SACD of Carl Nielsen's most popular symphonies, the Symphony No. 4, "The Inextinguishable," and the Symphony No. 5, is a sonic showcase of works that ordinarily aren't treated as display pieces. Nielsen's scoring is clean and precise, and his handling of the orchestra is distinctive and often brilliant, so it's only natural that Oramo would take full advantage of the resources of the superb Royal Stockholm Philharmonic Orchestra and BIS' state-of-the-art technology to present these symphonies with optimal sound quality. However, while listeners will be amazed by the incredible tone colors and the fantastic separation of parts in these recordings, they should still appreciate the symphonies for the strength of their ideas and the rigor of their development: these are serious essays that must be regarded among the greatest of symphonies. Nielsen's organic structures are strikingly clear in Oramo's interpretations, and there isn't any of the murkiness that attends other performances that strive for atmospheric effects. Oramo instead understands that the counterpoint reveals all, and as long as all the lines are heard clearly, as they are here, the symphonies unfold their themes logically and inevitably, revealing themselves as cogent essays in the tradition of Beethoven and Brahms, albeit with a Nordic flavor.

© TiVo

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Nielsen: Symphonies Nos. 4 & 5

Royal Stockholm Philharmonic Orchestra

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Symphony No. 4, Op. 29, FS 76, "The Inextinguishable" (Carl Nielsen)

1
I. Allegro -
00:11:37

Royal Stockholm Philharmonic Orchestra, Orchestra, MainArtist - Carl Nielsen, Composer - Sakari Oramo, Conductor, MainArtist

2014 BIS 2014 (P) BIS

2
II. Poco allegretto -
00:05:22

Royal Stockholm Philharmonic Orchestra, Orchestra, MainArtist - Carl Nielsen, Composer - Sakari Oramo, Conductor, MainArtist

2014 BIS 2014 (P) BIS

Symphony No. 4, Op. 29, FS 76, The Inextinguishable" (Carl Nielsen)

3
III. Poco adagio quasi andante -
00:09:39

Royal Stockholm Philharmonic Orchestra, Orchestra, MainArtist - Carl Nielsen, Composer - Sakari Oramo, Conductor, MainArtist

2014 BIS 2014 (P) BIS

Symphony No. 4, Op. 29, FS 76, "The Inextinguishable" (Carl Nielsen)

4
IV. Allegro
00:08:47

Royal Stockholm Philharmonic Orchestra, Orchestra, MainArtist - Carl Nielsen, Composer - Sakari Oramo, Conductor, MainArtist

2014 BIS 2014 (P) BIS

Symphony No. 5, Op. 50, FS 97 (Carl Nielsen)

5
I. Tempo giusto - Adagio
00:18:00

Royal Stockholm Philharmonic Orchestra, Orchestra, MainArtist - Carl Nielsen, Composer - Sakari Oramo, Conductor, MainArtist

2014 BIS 2014 (P) BIS

6
II. Allegro - Presto - Andante un poco tranquillo - Allegro
00:16:18

Royal Stockholm Philharmonic Orchestra, Orchestra, MainArtist - Carl Nielsen, Composer - Sakari Oramo, Conductor, MainArtist

2014 BIS 2014 (P) BIS

Albumbeschreibung

Sakari Oramo's hybrid SACD of Carl Nielsen's most popular symphonies, the Symphony No. 4, "The Inextinguishable," and the Symphony No. 5, is a sonic showcase of works that ordinarily aren't treated as display pieces. Nielsen's scoring is clean and precise, and his handling of the orchestra is distinctive and often brilliant, so it's only natural that Oramo would take full advantage of the resources of the superb Royal Stockholm Philharmonic Orchestra and BIS' state-of-the-art technology to present these symphonies with optimal sound quality. However, while listeners will be amazed by the incredible tone colors and the fantastic separation of parts in these recordings, they should still appreciate the symphonies for the strength of their ideas and the rigor of their development: these are serious essays that must be regarded among the greatest of symphonies. Nielsen's organic structures are strikingly clear in Oramo's interpretations, and there isn't any of the murkiness that attends other performances that strive for atmospheric effects. Oramo instead understands that the counterpoint reveals all, and as long as all the lines are heard clearly, as they are here, the symphonies unfold their themes logically and inevitably, revealing themselves as cogent essays in the tradition of Beethoven and Brahms, albeit with a Nordic flavor.

© TiVo

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