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The Monkees|More of The Monkees

More of The Monkees

The Monkees

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The Monkees second album More of the Monkees lived up to its title. It was more successful commercially, spending an amazing 70 weeks on the Billboard charts and ultimately becoming the 12th biggest selling album of all time. It had more producers and writers involved since big-shots like Carole King and Gerry Goffin, Jeff Barry and Neil Sedaka, as well as up-and-comers like Neil Diamond all grabbed for a piece of the pie after Tommy Boyce and Bobby Hart, the men who made the debut album such a smash, were elbowed out by music supervisor Don Kirshner. The album also has more fantastic songs than the debut. Tracks like "I'm a Believer," "She," "Mary, Mary," " (I'm Not Your) Stepping Stone," "Look Out (Here Comes Tomorrow)," "Your Auntie Grizelda," and "Sometime in the Morning" are on just about every Monkees hits collection and, apart from the novelty "Grizelda," they are among the best pop/rock heard in the '60s or any decade since. The band themselves still had relatively little involvement in the recording process, apart from providing the vocals along with Mike Nesmith's writing and producing of two tracks (the hair-raising rocker "Mary, Mary" and the folk-rock gem "The Kind of Girl I Could Love"). In fact, they were on tour when the album was released and had to go to the record shop and buy copies for themselves. As with the first album though, it really doesn't matter who was involved when the finished product is this great. Listen to Micky Dolenz and the studio musicians rip through "Stepping Stone" or smolder through "She," listen to the powerful grooves of "Mary, Mary" or the heartfelt playing and singing on "Sometime in the Morning" and dare to say the Monkees weren't a real band. They were! The tracks on More of the Monkees (with the exception of the aforementioned "Your Auntie Grizelda " and the sickly sweet "The Day We Fell in Love," which regrettably introduces the smarmy side of Davy Jones) stand up to the work of any other pop band operating in 1967. Real or fabricated, the Monkees rate with any pop band of their era and More of the Monkees solidifies that position.

© Tim Sendra /TiVo

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More of The Monkees

The Monkees

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1
She
00:02:37

Bobby Hart, Producer, Organ, Backing Vocals, Writer - Tommy Boyce, Producer, Backing Vocals, Writer - Louie Shelton, Guitar - Michael Nesmith, Vocals - The Monkees, MainArtist - Davy Jones, Backing Vocals - Micky Dolenz, Backing Vocals, Lead Vocals - Peter Tork, Backing Vocals - Billy Lewis, Drums - Larry Taylor, Bass Guitar - Ron Hicklin, Backing Vocals - Wayne Erwin, Guitar, Backing Vocals - Gerry McGee, Guitar - Norm Jeffries, Tambourine

© 1994 Rhino Entertainment Company ℗ 1967 Colgems Records

2
When Love Comes Knockin' (At Your Door)
00:01:48

Michael Nesmith, Vocals - The Monkees, MainArtist - Bill Suyker, Guitar - Davy Jones, Lead Vocals - Micky Dolenz, Vocals - Peter Tork, Vocals - Carole Bayer Sager, Writer - Herb Lovelle, Drums - Neil Sedaka, Producer, Keyboards, Writer - Carole Bayer, Producer - Don Thomas, Guitar - Alexander Gafa, Guitar - Ernie Oelrich, Engineer - Russ Savakus, Bass Guitar - Willard Suyker, Guitar

© 1994 Rhino Entertainment Company ℗ 1967 Colgems Records

3
Mary, Mary
00:02:15

Gary Coleman, Percussion - Bob West, Bass Guitar - Michael Nesmith, Producer, Writer - The Monkees, MainArtist - JIM GORDON, Percussion - Larry Knechtel, Keyboards - Al Casey, Guitar - Hal Blaine, Drums - Davy Jones, Vocals - Glen Campbell, Guitar - James Burton, Guitar - Micky Dolenz, Backing Vocals, Lead Vocals - Peter Tork, Guitar - HANK CICALO, Engineer - Henry Lewy, Engineer - Andy R, Engineer - Michael Cohen, Keyboards - Richie Schmitt, Engineer - Michael Deasy, Guitar - Don Peake, Conductor, Guitar

© 1994 Rhino Entertainment Company ℗ 1967 Rhino Entertainment for the U.S and WEA International for the world outside.

4
Hold on Girl
00:02:29

Michael Nesmith, Guitar, Vocals - The Monkees, MainArtist - Ben Raleigh, Writer - Jeff Barry, Producer - Davy Jones, Backing Vocals, Lead Vocals - Micky Dolenz, Drums, Vocals - Peter Tork, Bass Guitar, Vocals - Jack Keller, Producer, Writer - Jamie Carr, Writer

© 1994 Rhino Entertainment Company ℗ 1986 Rhino Records Inc.

5
Your Auntie Grizelda
00:02:28

Michael Nesmith, Vocals - The Monkees, MainArtist - Richard Podolor, Engineer - Jeff Barry, Producer - Davy Jones, Vocals - Peter Tork, Backing Vocals, Lead Vocals - Mickey Dolenz, Vocals - Jack Keller, Producer, Writer - Diane Hilderbrand, Writer

© 1994 Rhino Entertainment Company ℗ 1967 Colgems Records

6
(I'm Not Your) Steppin' Stone
00:02:24

Bobby Hart, Producer, Organ, Backing Vocals, Writer - Tommy Boyce, Producer, Backing Vocals, Writer - Louie Shelton, Guitar - The Monkees, MainArtist - Micky Dolenz, Backing Vocals, Lead Vocals - Billy Lewis, Drums - Larry Taylor, Bass Guitar - Wayne Erwin, Guitar, Backing Vocals - Gerry McGee, Guitar

© 1994 Rhino Entertainment Company ℗ 1966 Rhino Entertainment for the U.S and WEA International for the world outside.

7
Look Out (Here Comes Tomorrow)
00:02:13

The Monkees, MainArtist - Neil Diamond, Acoustic Guitar, Writer - Jeff Barry, Producer - Davy Jones, Backing Vocals, Lead Vocals - Micky Dolenz, Backing Vocals - Peter Tork, Backing Vocals - Buddy Salzman, Drums

© 1994 Rhino Entertainment Company ℗ 1966 Colgems Records

8
The Kind of Girl I Could Love
00:01:52

Gary Coleman, Percussion - Bob West, Bass Guitar - Michael Nesmith, Producer, Lead Vocals, Writer, Steel Guitar - The Monkees, MainArtist - JIM GORDON, Drums - Larry Knechtel, Bass - Al Casey, Guitar - Hal Blaine, Drums - David Hassinger, Engineer - Davy Jones, Background Vocals - Glen Campbell, Guitar - James Burton, Guitar - Micky Dolenz, Background Vocals - Peter Tork, Background Vocals - Roger Atkins, Writer

© 1994 Rhino Entertainment Company ℗ 1967 Rhino Entertainment for the U.S and WEA International for the world outside.

9
The Day We Fall in Love
00:02:26

Sandy Linzer, Writer - Denny Randell, Writer - Artie Butler, String Arranger - The Monkees, MainArtist - Al Casey, Guitar - Don Randi, Harpsichord, Organ - Frank Capp, Percussion - Jeff Barry, Producer - MICHEL RUBINI, Harpsichord, Organ - Davy Jones, Lead Vocals - Carol Kaye, Guitar - Julius Wechter, Percussion - Seymour Barab, Cello - Irving Spice, Violin - Louis Stone, Violin - David Sackson, Viola - Louis Haber, Violin - Murray Sandry, Viola - Bay Pohlman, Bass Guitar - Hal Baine, Drums

© 1994 Rhino Entertainment Company ℗ 1976, 1982, 1985, 1986, 1987, 1990, 1991, 1994, 1995, 1996 & 2001 Rhino Entertainment Company.

10
Sometime in the Morning
00:02:28

Michael Nesmith, Vocals - The Monkees, MainArtist - Carole King, Producer, Writer - Gerry Goffin, Producer, Writer - Jeff Barry, Producer - Davy Jones, Backing Vocals - Peter Tork, Backing Vocals - HANK CICALO, Engineer - Mickey Dolenz, Lead Vocals

© 1994 Rhino Entertainment Company ℗ 1967 Colgems Records

11
Laugh
00:02:30

Hank Medress, Writer - Phil Margo, Writer - Mitch Margo, Writer - The Monkees, MainArtist - Carole King, Producer - Gerry Goffin, Producer - Al Casey, Guitar - Don Randi, Harpsichord, Organ - Frank Capp, Percussion - Jeff Barry, Producer, Backing Vocals - MICHEL RUBINI, Harpsichord, Organ - Davy Jones, Backing Vocals, Lead Vocals - Julius Wechter, Percussion - Jay Siegal, Writer - Hal Baine, Drums

© 1994 Rhino Entertainment Company ℗ 1976 Rhino Entertainment Company.

12
I'm a Believer
00:02:45

The Monkees, Vocals, MainArtist - Neil Diamond, Acoustic Guitar, Writer - Jeff Barry, Producer - Davy Jones, Lead Vocals - Micky Dolenz, Backing Vocals, Lead Vocals - Peter Tork, Backing Vocals - Buddy Salzman, Drums

© 1994 Rhino Entertainment Company ℗ 1966 Rhino Entertainment

13
Don't Listen to Linda (First Recorded Version)
00:02:27

Bobby Hart, Producer - Tommy Boyce, Producer, Guitar - Louie Shelton, Guitar - The Monkees, MainArtist - Carole King, Producer, Writer - Gerry Goffin, Producer, Writer - Dave Hassinger, Audio Recording Engineer - Joe Osborn, Bass Guitar - Jeff Barry, Producer - Davy Jones, Lead Vocals - Billy Lewis, Drums - Don McGinnis, Arranger - Gerry McGee, Guitar - Ernie Oelrich, Audio Recording Engineer

© 1994 Rhino Entertainment Company ℗ 1994 Rhino Entertainment Company

14
I'll Spend My Life With You (Alternate Version)
00:02:30

Bobby Hart, Writer - Tommy Boyce, Writer - The Monkees, MainArtist - Douglas Farthing Hatlelid, Producer

© 1994 Rhino Entertainment Company ℗ 1976, 1982, 1985, 1986, 1987, 1990, 1991, 1994, 1995, 1996 & 2001 Rhino Entertainment Company.

15
I Don't Think You Know Me (Second Rercorded Version)
00:02:19

Bobby Hart, Producer, Glockenspiel - Tommy Boyce, Producer - Gary Coleman, Percussion - Michael Nesmith, Vocals - Michael Rubin, Harpsichord - The Monkees, MainArtist - JIM GORDON, Drums - Carole King, Writer - Gerry Goffin, Writer - Larry Knechtel, Organ - Al Casey, Guitar - Hal Blaine, Drums - David Hassinger, Engineer - Davy Jones, Vocals - Glen Campbell, Guitar - James Burton, Guitar - Micky Dolenz, Vocals - Peter Tork, Vocals - HANK CICALO, Engineer - Jack Keller, Producer, Piano - Don Kirshner, Music - BOB Cooper, Oboe

© 1994 Rhino Entertainment Company ℗ 1994 Rhino Entertainment Company

16
Look Out (Here Comes Tomorrow) (with Peter's Narration)
00:02:48

Michael Nesmith, Vocals - The Monkees, MainArtist - Neil Diamond, Acoustic Guitar, Writer - Jeff Barry, Producer - Davy Jones, Backing Vocals - Micky Dolenz, Vocals - Peter Tork, Vocals - HANK CICALO, Engineer - Buddy Salzman, Drums

© 1994 Rhino Entertainment Company ℗ 1994 Rhino Entertainment Company

17
I'm a Believer (Alternate Mix)
00:02:52

The Monkees, MainArtist - Neil Diamond, Acoustic Guitar, Writer - Jeff Barry, Producer - Davy Jones, Lead Vocals - Micky Dolenz, Backing Vocals, Lead Vocals - Peter Tork, Backing Vocals - Buddy Salzman, Drums

© 1994 Rhino Entertainment Company ℗ 1994 Rhino Entertainment Company

Albumbeschreibung

The Monkees second album More of the Monkees lived up to its title. It was more successful commercially, spending an amazing 70 weeks on the Billboard charts and ultimately becoming the 12th biggest selling album of all time. It had more producers and writers involved since big-shots like Carole King and Gerry Goffin, Jeff Barry and Neil Sedaka, as well as up-and-comers like Neil Diamond all grabbed for a piece of the pie after Tommy Boyce and Bobby Hart, the men who made the debut album such a smash, were elbowed out by music supervisor Don Kirshner. The album also has more fantastic songs than the debut. Tracks like "I'm a Believer," "She," "Mary, Mary," " (I'm Not Your) Stepping Stone," "Look Out (Here Comes Tomorrow)," "Your Auntie Grizelda," and "Sometime in the Morning" are on just about every Monkees hits collection and, apart from the novelty "Grizelda," they are among the best pop/rock heard in the '60s or any decade since. The band themselves still had relatively little involvement in the recording process, apart from providing the vocals along with Mike Nesmith's writing and producing of two tracks (the hair-raising rocker "Mary, Mary" and the folk-rock gem "The Kind of Girl I Could Love"). In fact, they were on tour when the album was released and had to go to the record shop and buy copies for themselves. As with the first album though, it really doesn't matter who was involved when the finished product is this great. Listen to Micky Dolenz and the studio musicians rip through "Stepping Stone" or smolder through "She," listen to the powerful grooves of "Mary, Mary" or the heartfelt playing and singing on "Sometime in the Morning" and dare to say the Monkees weren't a real band. They were! The tracks on More of the Monkees (with the exception of the aforementioned "Your Auntie Grizelda " and the sickly sweet "The Day We Fell in Love," which regrettably introduces the smarmy side of Davy Jones) stand up to the work of any other pop band operating in 1967. Real or fabricated, the Monkees rate with any pop band of their era and More of the Monkees solidifies that position.

© Tim Sendra /TiVo

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