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San Francisco Symphony|Mahler: Symphony No. 2, "Resurrection"

Mahler: Symphony No. 2, "Resurrection"

San Francisco Symphony

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As a Mahler conductor, Michael Tilson Thomas is a better Leonard Bernstein. The same sense of inchoate excitement and impending ecstasy that permeated Bernstein's performances permeate Tilson Thomas'. But Tilson Thomas' performances are also thoroughly planned and flawlessly executed. In this June 2004 recording of Mahler's Resurrection Symphony, when Tilson Thomas precipitously increases the tempo at the dramatic start of the recapitulation in the opening Allegro maestoso, he still keeps tight control of the orchestra. When the strings slip through subtle glissandos in the following Andante moderato, every slide is together. When the winds relax into the Trio of the following Scherzo, every tempo rubato is cohesive. When the time signatures change in the following Urlicht, every shift is coordinated. And when the apocalypse breaks loose in the Finale, every entrance is just so. What Bernstein did with the Resurrection, he did through accident and inspiration. Tilson Thomas did it through forethought and revelation. The result is a stupendous Resurrection recorded in superlative sound.

© TiVo

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Mahler: Symphony No. 2, "Resurrection"

San Francisco Symphony

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1
Symphony No. 2 in C Minor, "Resurrection": I. Allegro maestoso
00:23:28

San Francisco Symphony, Orchestra, MainArtist - Michael Tilson Thomas, Conductor - Gustav Mahler, Composer

© 2004 San Francisco Symphony ℗ 2004 San Francisco Symphony

2
Symphony No. 2 in C Minor, "Resurrection": II. Andante moderato
00:11:47

San Francisco Symphony, Orchestra, MainArtist - Michael Tilson Thomas, Conductor - Gustav Mahler, Composer

© 2004 San Francisco Symphony ℗ 2004 San Francisco Symphony

3
Symphony No. 2 in C Minor, "Resurrection": III. In ruhig fliessender Bewegung
00:10:45

San Francisco Symphony, Orchestra, MainArtist - Michael Tilson Thomas, Conductor - Gustav Mahler, Composer

© 2004 San Francisco Symphony ℗ 2004 San Francisco Symphony

4
Symphony No. 2 in C Minor, "Resurrection": IV. "Urlicht" (Sehr feierlich, aber schlicht)
00:05:44

San Francisco Symphony, Orchestra, MainArtist - Michael Tilson Thomas, Conductor - Gustav Mahler, Composer - Lorraine Hunt Lieberson, Mezzo-soprano Vocals - Isabel Bayrakdarian, Soprano Vocals

© 2004 San Francisco Symphony ℗ 2004 San Francisco Symphony

5
Symphony No. 2 in C Minor, "Resurrection": Va. Finale (Im Tempo des Scherzos)
00:21:30

San Francisco Symphony, Orchestra, MainArtist - Michael Tilson Thomas, Conductor - Gustav Mahler, Composer

© 2004 San Francisco Symphony ℗ 2004 San Francisco Symphony

6
Symphony No. 2 in C Minor, "Resurrection": Vb. "Aufersteh'n"
00:15:25

San Francisco Symphony, Orchestra, MainArtist - Michael Tilson Thomas, Conductor - Gustav Mahler, Composer - Lorraine Hunt Lieberson, Mezzo-soprano Vocals - Isabel Bayrakdarian, Soprano Vocals - San Francisco Symphony Chorus, Chorus

© 2004 San Francisco Symphony ℗ 2004 San Francisco Symphony

Albumbeschreibung

As a Mahler conductor, Michael Tilson Thomas is a better Leonard Bernstein. The same sense of inchoate excitement and impending ecstasy that permeated Bernstein's performances permeate Tilson Thomas'. But Tilson Thomas' performances are also thoroughly planned and flawlessly executed. In this June 2004 recording of Mahler's Resurrection Symphony, when Tilson Thomas precipitously increases the tempo at the dramatic start of the recapitulation in the opening Allegro maestoso, he still keeps tight control of the orchestra. When the strings slip through subtle glissandos in the following Andante moderato, every slide is together. When the winds relax into the Trio of the following Scherzo, every tempo rubato is cohesive. When the time signatures change in the following Urlicht, every shift is coordinated. And when the apocalypse breaks loose in the Finale, every entrance is just so. What Bernstein did with the Resurrection, he did through accident and inspiration. Tilson Thomas did it through forethought and revelation. The result is a stupendous Resurrection recorded in superlative sound.

© TiVo

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