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Sir Simon Rattle|Debussy: La Mer, etc

Debussy: La Mer, etc

Sir Simon Rattle

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Because Debussy's iridescent orchestral music depends on the finest gradations of timbres, textures, and dynamics for its magical effects and poetic moods, recordings of such aural marvels as Prélude à l'après-midi d'un faune or La Mer often rise or fall on their sound quality. In terms of their playing, Simon Rattle and the Berlin Philharmonic are almost ideal in their nuanced and expressive interpretations and refined execution of Prélude and La Mer, as well as the seldom-heard arrangement of La boîte à joujoux, completed by André Caplet, and the three preludes, freshly orchestrated by Colin Matthews. Yet because EMI's reproduction is a little unfocused and somewhat chilly and distant, the sound is fairly veiled in the softest passages, and often feels less vibrant than it should at climaxes. One may wonder what these performances would sound like if recorded by a different label, or with some of the clarity and depth of DSD or multichannel technology; no doubt, the Berlin Philharmonic would sound deeper and much clearer, and the subtleties Rattle strives for would be more apparent and audible without straining. As it is, though, this recording is less than it should be, and falls short of transcendence only because the overly cautious engineering holds it back.

© TiVo

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Debussy: La Mer, etc

Sir Simon Rattle

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1
Prélude à l'après-midi d'un faune, CD 87, L. 86
00:10:24

Claude Debussy, Composer - Berliner Philharmoniker, Orchestra - Sir Simon Rattle, Conductor, MainArtist - Emmanuel Pahud, Flute, FeaturedArtist

A Warner Classics release, © 2005 Parlophone Records Limited A Warner Classics release, ℗ 2005 Parlophone Records Limited

2
La Mer, CD 111, L. 109: I. De l'aube à midi sur la mer
00:09:19

Claude Debussy, Composer - Berliner Philharmoniker, Orchestra - Sir Simon Rattle, Conductor, MainArtist

A Warner Classics release, © 2005 Parlophone Records Limited A Warner Classics release, ℗ 2005 Parlophone Records Limited

3
La Mer, CD 111, L. 109: II. Jeux de vagues
00:06:46

Claude Debussy, Composer - Berliner Philharmoniker, Orchestra - Sir Simon Rattle, Conductor, MainArtist

A Warner Classics release, © 2005 Parlophone Records Limited A Warner Classics release, ℗ 2005 Parlophone Records Limited

4
La Mer, CD 111, L. 109: III. Dialogue du vent et de la mer
00:08:26

Claude Debussy, Composer - Berliner Philharmoniker, Orchestra - Sir Simon Rattle, Conductor, MainArtist

A Warner Classics release, © 2005 Parlophone Records Limited A Warner Classics release, ℗ 2005 Parlophone Records Limited

5
La boîte à joujoux, CD 136, L. 128: I. Prélude. Le Sommeil de la boîte (Orch. Caplet)
00:02:15

Claude Debussy, Composer - Berliner Philharmoniker, Orchestra - Sir Simon Rattle, Conductor, MainArtist - André Caplet, Orchestrator - Majella Stockhausen, Piano, FeaturedArtist

A Warner Classics release, © 2005 Parlophone Records Limited A Warner Classics release, ℗ 2005 Parlophone Records Limited

6
La boîte à joujoux, CD 136, L. 128: II. Le Magasin de jouets (Orch. Caplet)
00:10:37

Claude Debussy, Composer - Berliner Philharmoniker, Orchestra - Sir Simon Rattle, Conductor, MainArtist - André Caplet, Orchestrator - Majella Stockhausen, Piano, FeaturedArtist

A Warner Classics release, © 2005 Parlophone Records Limited A Warner Classics release, ℗ 2005 Parlophone Records Limited

7
La boîte à joujoux, CD 136, L. 128: III. Le Champ de bataille (Orch. Caplet)
00:09:09

Claude Debussy, Composer - Berliner Philharmoniker, Orchestra - Sir Simon Rattle, Conductor, MainArtist - André Caplet, Orchestrator - Majella Stockhausen, Piano, FeaturedArtist

A Warner Classics release, © 2005 Parlophone Records Limited A Warner Classics release, ℗ 2005 Parlophone Records Limited

8
La boîte à joujoux, CD 136, L. 128: IV. La Bergerie à vendre (Orch. Caplet)
00:06:20

Claude Debussy, Composer - Berliner Philharmoniker, Orchestra - Sir Simon Rattle, Conductor, MainArtist - André Caplet, Orchestrator - Majella Stockhausen, Piano, FeaturedArtist

A Warner Classics release, © 2005 Parlophone Records Limited A Warner Classics release, ℗ 2005 Parlophone Records Limited

9
La boîte à joujoux, CD 136, L. 128: V. Après fortune faite & VI. Épilogue (Orch. Caplet)
00:03:24

Claude Debussy, Composer - Berliner Philharmoniker, Orchestra - Sir Simon Rattle, Conductor, MainArtist - André Caplet, Orchestrator - Majella Stockhausen, Piano, FeaturedArtist

A Warner Classics release, © 2005 Parlophone Records Limited A Warner Classics release, ℗ 2005 Parlophone Records Limited

10
Préludes, Livre I, CD 125, L. 117: No. 7, Ce qu'a vu le vent d'ouest (Orch. Matthews)
00:03:25

Claude Debussy, Composer - Berliner Philharmoniker, Orchestra - Sir Simon Rattle, Conductor, MainArtist

A Warner Classics release, © 2005 Parlophone Records Limited A Warner Classics release, ℗ 2005 Parlophone Records Limited

11
Préludes, Livre II, CD 131, L. 123: No. 2, Feuilles mortes (Orch. Matthews)
00:03:35

Claude Debussy, Composer - Berliner Philharmoniker, Orchestra - Sir Simon Rattle, Conductor, MainArtist - Colin Matthews, Orchestrator

A Warner Classics release, © 2005 Parlophone Records Limited A Warner Classics release, ℗ 2005 Parlophone Records Limited

12
Préludes, Livre II, CD 131, L. 123: XII. Feux d'artifice (Orch. Matthews)
00:05:04

Claude Debussy, Composer - Berliner Philharmoniker, Orchestra - Sir Simon Rattle, Conductor, MainArtist

A Warner Classics release, © 2005 Parlophone Records Limited A Warner Classics release, ℗ 2005 Parlophone Records Limited

Albumbeschreibung

Because Debussy's iridescent orchestral music depends on the finest gradations of timbres, textures, and dynamics for its magical effects and poetic moods, recordings of such aural marvels as Prélude à l'après-midi d'un faune or La Mer often rise or fall on their sound quality. In terms of their playing, Simon Rattle and the Berlin Philharmonic are almost ideal in their nuanced and expressive interpretations and refined execution of Prélude and La Mer, as well as the seldom-heard arrangement of La boîte à joujoux, completed by André Caplet, and the three preludes, freshly orchestrated by Colin Matthews. Yet because EMI's reproduction is a little unfocused and somewhat chilly and distant, the sound is fairly veiled in the softest passages, and often feels less vibrant than it should at climaxes. One may wonder what these performances would sound like if recorded by a different label, or with some of the clarity and depth of DSD or multichannel technology; no doubt, the Berlin Philharmonic would sound deeper and much clearer, and the subtleties Rattle strives for would be more apparent and audible without straining. As it is, though, this recording is less than it should be, and falls short of transcendence only because the overly cautious engineering holds it back.

© TiVo

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