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Vesselina Kasarova|Bulgarian Soul

Bulgarian Soul

Vesselina Kasarova

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Vesselina Kasarova sings beautifully, with a fine balance of deep passion, soulful abandon, and technical finesse, and the Bulgarian folk songs (Kasarova also sings a few composed works) are simply gorgeous. Nevertheless, the listener must approach this disc with some caution, mainly because Kasarova, in an essay included in the liner notes, sketches an imaginative, even visionary, history of Bulgarian folk music, in which the reader looks in vain for reliable facts, finding instead a maze of legends and mythological references. For example, while many seek Bulgaria's origin in ancient Thrace, the home of Orpheus, the connection between Thrace and Bulgaria is purely geographical: scholars generally associate the birth of Bulgarian culture with the foundation of the Bulgarian state, in the seventh century A.D. True, folk music, particularly in the Balkans, retains characteristic vestiges of ancient pre-Christian traditions, but the fact remains that musicologists, who started recording Bulgaria's musical folklore in the early 20th century, cannot date the music with any certainty. In his imaginative, even daring, arrangements, Krassimir Kyurkchiyski attempts to present the songs in an altogether modern key, sometimes adding an unexpected sonic sheen, with the help of choral and orchestral accompaniment, to the music's natural simplicity. What sets this disc apart from similar compilations, however, is the supreme, soulful, deeply satisfying musicianship of Vesselina Kasarova. To take one example, in "Give Me, Oh God, the Wings of a Swan," her voice, which effortlessly leaps from quiet inwardness to operatic intensity, miraculously expresses the mysteriously vast feeling of nostalgia. Kasarova's subtle, sometimes almost imperceptible, changes of timbre illuminate her song, enabling the listener to discern the nuanced richness of feelings, a richness that words often fail to convey.

© TiVo

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Bulgarian Soul

Vesselina Kasarova

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1
Dilmano, Dilbero
00:01:53

Vesselina Kasarova, Mezzo-Soprano - Siegbert Ernst, Recording Engineer - Cosmic Voices from Bulgaria, Performer - Wolfram Graul, Producer - Vania Moneva, Chorus Master - Krassimir Kyurkchiyski, Adaptor - Traditional, Composer - Traditional, Lyricist

(P)2003 BMG Ariola Classics GmbH

2
Kalimanku, Denku
00:04:55

Vesselina Kasarova, Mezzo-Soprano - Tzanko Dimitrov Delibozov, Conductor - Sofia Soloists Chamber Ensemble, Performer - Siegbert Ernst, Recording Engineer - Wolfram Graul, Producer - Krassimir Kyurkchiyski, Adaptor - Traditional, Composer - Traditional, Lyricist

(P)2003 BMG Ariola Classics GmbH

3
Day mi, Bozhe, krila lebedovi (Give Me, Oh God, the Wings of a Swan)
00:04:13

Vesselina Kasarova, Mezzo-Soprano - Siegbert Ernst, Recording Engineer - Cosmic Voices from Bulgaria, Performer - Wolfram Graul, Producer - Vania Moneva, Chorus Master - Krassimir Kyurkchiyski, Adaptor - Traditional, Composer - Traditional, Lyricist

(P)2003 BMG Ariola Classics GmbH

4
Zablyalo mi e agantse (A Little Lamb Was Bleating)
00:04:02

Vesselina Kasarova, Mezzo-Soprano - Tzanko Dimitrov Delibozov, Conductor - Sofia Soloists Chamber Ensemble, Performer - Siegbert Ernst, Recording Engineer - Wolfram Graul, Producer - Krassimir Kyurkchiyski, Adaptor - Traditional, Composer - Traditional, Lyricist

(P)2003 BMG Ariola Classics GmbH

5
Polegnala e Tudora (Fair Tudora Is Dozing)
00:07:10

Vesselina Kasarova, Mezzo-Soprano - Siegbert Ernst, Recording Engineer - Wolfram Graul, Producer - Ermila Schweizer-Sekulinova, Piano - Krassimir Kyurkchiyski, Composer - Traditional, Lyricist

(P) 2003 BMG Ariola Classics GmbH

6
Rofinka bolna lezhi (Rufinka Lies Ill)
00:06:24

Vesselina Kasarova, Mezzo-Soprano - Siegbert Ernst, Recording Engineer - Cosmic Voices from Bulgaria, Performer - Wolfram Graul, Producer - Vania Moneva, Chorus Master - Krassimir Kyurkchiyski, Adaptor - Traditional, Composer - Traditional, Lyricist

(P)2003 BMG Ariola Classics GmbH

7
Melodiya
00:04:19

Vesselina Kasarova, Mezzo-Soprano - Tzanko Dimitrov Delibozov, Conductor - Sofia Soloists Chamber Ensemble, Performer - Siegbert Ernst, Recording Engineer - Wolfram Graul, Producer - Krassimir Kyurkchiyski, Adaptor - Traditional, Composer - Traditional, Lyricist

(P)2003 BMG Ariola Classics GmbH

8
Slantse ogreyalo (The Sun Is Shining)
00:04:11

Vesselina Kasarova, Mezzo-Soprano - Siegbert Ernst, Recording Engineer - Cosmic Voices from Bulgaria, Performer - Wolfram Graul, Producer - Vania Moneva, Chorus Master - Krassimir Kyurkchiyski, Adaptor - Traditional, Composer - Traditional, Lyricist

(P)2003 BMG Ariola Classics GmbH

9
Se ma yad, mamo (I'm So Angry, Mother)
00:04:01

Vesselina Kasarova, Mezzo-Soprano - Siegbert Ernst, Recording Engineer - Cosmic Voices from Bulgaria, Performer - Wolfram Graul, Producer - Vania Moneva, Chorus Master - Krassimir Kyurkchiyski, Adaptor - Traditional, Composer - Traditional, Lyricist

(P)2003 BMG Ariola Classics GmbH

10
Malkata tsvetarka (The Flowergirl)
00:04:55

Vesselina Kasarova, Mezzo-Soprano - Siegbert Ernst, Recording Engineer - Wolfram Graul, Producer - Hristo Smirnenski, Lyricist - Ermila Schweizer-Sekulinova, Piano - Krassimir Kyurkchiyski, Composer

(P)2003 BMG Ariola Classics GmbH

11
Vokaliza
00:03:40

Vesselina Kasarova, Mezzo-Soprano - Siegbert Ernst, Recording Engineer - Cosmic Voices from Bulgaria, Performer - Wolfram Graul, Producer - Vania Moneva, Chorus Master - Krassimir Kyurkchiyski, Adaptor - Traditional, Composer

(P)2003 BMG Ariola Classics GmbH

12
Mama Rada dumashe (Mama Was Telling Rada)
00:05:28

Vesselina Kasarova, Mezzo-Soprano - Tzanko Dimitrov Delibozov, Conductor - Sofia Soloists Chamber Ensemble, Performer - Siegbert Ernst, Recording Engineer - Wolfram Graul, Producer - Krassimir Kyurkchiyski, Adaptor - Traditional, Composer - Traditional, Lyricist

(P)2003 BMG Ariola Classics GmbH

13
Proshetna se Momchilitsa (Momchil's Young Wife)
00:03:51

Vesselina Kasarova, Mezzo-Soprano - Siegbert Ernst, Recording Engineer - Cosmic Voices from Bulgaria, Performer - Wolfram Graul, Producer - Vania Moneva, Chorus Master - Krassimir Kyurkchiyski, Adaptor - Traditional, Composer - Traditional, Lyricist

(P)2003 BMG Ariola Classics GmbH

14
Ya kazhi mi, oblache le byalo (Tell Me, Little White Cloud)
00:05:45

Vesselina Kasarova, Mezzo-Soprano - Siegbert Ernst, Recording Engineer - Cosmic Voices from Bulgaria, Performer - Wolfram Graul, Producer - Vania Moneva, Chorus Master - Ermila Schweizer-Sekulinova, Piano - Krassimir Kyurkchiyski, Adaptor - Traditional, Composer - Traditional, Lyricist

(P)2003 BMG Ariola Classics GmbH

Albumbeschreibung

Vesselina Kasarova sings beautifully, with a fine balance of deep passion, soulful abandon, and technical finesse, and the Bulgarian folk songs (Kasarova also sings a few composed works) are simply gorgeous. Nevertheless, the listener must approach this disc with some caution, mainly because Kasarova, in an essay included in the liner notes, sketches an imaginative, even visionary, history of Bulgarian folk music, in which the reader looks in vain for reliable facts, finding instead a maze of legends and mythological references. For example, while many seek Bulgaria's origin in ancient Thrace, the home of Orpheus, the connection between Thrace and Bulgaria is purely geographical: scholars generally associate the birth of Bulgarian culture with the foundation of the Bulgarian state, in the seventh century A.D. True, folk music, particularly in the Balkans, retains characteristic vestiges of ancient pre-Christian traditions, but the fact remains that musicologists, who started recording Bulgaria's musical folklore in the early 20th century, cannot date the music with any certainty. In his imaginative, even daring, arrangements, Krassimir Kyurkchiyski attempts to present the songs in an altogether modern key, sometimes adding an unexpected sonic sheen, with the help of choral and orchestral accompaniment, to the music's natural simplicity. What sets this disc apart from similar compilations, however, is the supreme, soulful, deeply satisfying musicianship of Vesselina Kasarova. To take one example, in "Give Me, Oh God, the Wings of a Swan," her voice, which effortlessly leaps from quiet inwardness to operatic intensity, miraculously expresses the mysteriously vast feeling of nostalgia. Kasarova's subtle, sometimes almost imperceptible, changes of timbre illuminate her song, enabling the listener to discern the nuanced richness of feelings, a richness that words often fail to convey.

© TiVo

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