Catégories :
Panier 0

Votre panier est vide

Cameo|Word Up!

Word Up!

Cameo

Disponible en
24-Bit/96 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Many of the funk bands that were big in the 1970s had a hard time surviving in the 1980s, especially if they were horn bands. Having a killer horn section was something that a lot of 1970s funk outfits prided themselves on, and it was no fun when, in the 1980s, they were told that their horns sound dated and that urban contemporary audiences only wanted to hear synthesizers, sequencers, and drum machines. But Cameo, unlike many funk bands that emerged in the late '70s, really thrived in the 1980s. Lead singer/producer Larry Blackmon insisted on changing with the times, and he did so by making Cameo more high-tech and seeing to it that albums like 1985's Single Life and 1986's Word Up! were relevant to the urban contemporary and hip-hop scenes. Nonetheless, Cameo still sounded like Cameo; Word Up!, in fact, is one of its best albums. The wildly infectious title song was a major hit, and Cameo is equally captivating on other funk treasures that include "Fast, Fierce and Funny," "Back and Forth," and "Candy." To the young urban contemporary and hip-hop fans who bought Word Up! in 1986, Cameo's funk was fresh and cutting edge; and at the same time, slightly older fans that Cameo had won over in the late '70s were still buying its records. Both commercially and creatively, Word Up! was a major triumph for Cameo. © Alex Henderson /TiVo

Plus d'informations

Word Up!

Cameo

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.

À partir de 12,49€/mois

1
Word Up! (Single Version)
00:04:18

Michel Sauvage, Recording Engineer, StudioPersonnel - Larry Blackmon, Producer, Drums, Bass Guitar, Percussion, Vocals, Vocal Arranger, Recording Arranger, Background Vocalist, AssociatedPerformer, ComposerLyricist - Tomi Jenkins, Vocals, Background Vocalist, AssociatedPerformer - Eric Calvi, Recording Engineer, Mix Engineer, StudioPersonnel - Alan Meyerson, Mix Engineer, StudioPersonnel - Larry Alexander, Recording Engineer, StudioPersonnel - Henry Falco, Asst. Recording Engineer, StudioPersonnel - Thomas Michael Jenkins, ComposerLyricist - Nathan Leftenant, Background Vocalist, AssociatedPerformer - Cameo, Vocal Arranger, Recording Arranger, MainArtist, AssociatedPerformer - David W. Ogrin, Mix Engineer, StudioPersonnel - Jerry Soloman, Recording Engineer, StudioPersonnel - Mathew Kasha, Recording Engineer, Mix Engineer, StudioPersonnel

℗ 1986 UMG Recordings, Inc.

2
Candy
00:05:39

Larry Blackmon, Producer, ComposerLyricist - Thomas Michael Jenkins, ComposerLyricist - Cameo, MainArtist

℗ 1986 UMG Recordings, Inc.

3
Back And Forth
00:06:32

Larry Blackmon, Producer, ComposerLyricist - Thomas Michael Jenkins, ComposerLyricist - Nathan Leftenant, ComposerLyricist - Kevin Kendrick, ComposerLyricist - Cameo, MainArtist

℗ 1986 UMG Recordings, Inc.

4
Don't Be Lonely
00:05:17

Larry Blackmon, Producer - Thomas Michael Jenkins, ComposerLyricist - Nathan David Leftenant, ComposerLyricist - Cameo, MainArtist - Kevin Lloyd "King" Kendrick, ComposerLyricist - Willie George Jr Morris, ComposerLyricist

℗ 1986 UMG Recordings, Inc.

5
She's Mine
00:04:36

Larry Blackmon, Producer, ComposerLyricist - Artie Matthews, ComposerLyricist - Nathan David Leftenant, ComposerLyricist - Cameo, MainArtist

℗ 1986 UMG Recordings, Inc.

6
Fast, Fierce & Funny
00:04:06

Larry Blackmon, Producer, Drums, Bass Guitar, Percussion, Vocals, Vocal Arranger, Horn Arranger, AssociatedPerformer, ComposerLyricist - Tomi Jenkins, Vocals, AssociatedPerformer - Charlie Singleton, Guitar, Background Vocalist, AssociatedPerformer - Thomas Michael Jenkins, ComposerLyricist - Nathan Leftenant, Background Vocalist, AssociatedPerformer - Nathan David Leftenant, ComposerLyricist - Aaron Mills, Bass Guitar, AssociatedPerformer - Cameo, Vocal Arranger, Horn Arranger, MainArtist, AssociatedPerformer - Melvin Wells, Saxophone, Background Vocalist, AssociatedPerformer - Michael Burnett, Guitar, Bass Guitar, Background Vocalist, AssociatedPerformer - Willie George Morris, Background Vocalist, AssociatedPerformer

℗ 1986 UMG Recordings, Inc.

7
You Can Have The World
00:04:37

Larry Blackmon, Producer, Drums, Bass Guitar, Percussion, Vocals, Vocal Arranger, Horn Arranger, AssociatedPerformer, ComposerLyricist - Tomi Jenkins, Vocals, AssociatedPerformer - Charlie Singleton, Guitar, Background Vocalist, AssociatedPerformer - Thomas Michael Jenkins, ComposerLyricist - Nathan Leftenant, Background Vocalist, AssociatedPerformer - Nathan David Leftenant, ComposerLyricist - Aaron Mills, Bass Guitar, AssociatedPerformer - Cameo, Vocal Arranger, Horn Arranger, MainArtist, AssociatedPerformer - Melvin Wells, Saxophone, Background Vocalist, AssociatedPerformer - Michael Burnett, Guitar, Bass Guitar, Background Vocalist, AssociatedPerformer - Willie George Morris, Background Vocalist, AssociatedPerformer

℗ 1986 UMG Recordings, Inc.

Chronique

Many of the funk bands that were big in the 1970s had a hard time surviving in the 1980s, especially if they were horn bands. Having a killer horn section was something that a lot of 1970s funk outfits prided themselves on, and it was no fun when, in the 1980s, they were told that their horns sound dated and that urban contemporary audiences only wanted to hear synthesizers, sequencers, and drum machines. But Cameo, unlike many funk bands that emerged in the late '70s, really thrived in the 1980s. Lead singer/producer Larry Blackmon insisted on changing with the times, and he did so by making Cameo more high-tech and seeing to it that albums like 1985's Single Life and 1986's Word Up! were relevant to the urban contemporary and hip-hop scenes. Nonetheless, Cameo still sounded like Cameo; Word Up!, in fact, is one of its best albums. The wildly infectious title song was a major hit, and Cameo is equally captivating on other funk treasures that include "Fast, Fierce and Funny," "Back and Forth," and "Candy." To the young urban contemporary and hip-hop fans who bought Word Up! in 1986, Cameo's funk was fresh and cutting edge; and at the same time, slightly older fans that Cameo had won over in the late '70s were still buying its records. Both commercially and creatively, Word Up! was a major triumph for Cameo. © Alex Henderson /TiVo

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

The Studio Albums 2009 – 2018

Mark Knopfler

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

Brothers In Arms

Dire Straits

Brothers In Arms Dire Straits

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
À découvrir également
Par Cameo

Single Life

Cameo

Single Life Cameo

Word Up

Cameo

Word Up Cameo

D Minor

Cameo

D Minor Cameo

Cardiac Arrest

Cameo

Juliet

Cameo

Juliet Cameo
Dans la même thématique...

1:59

Normani

1:59 Normani

After Hours (Explicit)

The Weeknd

Nameless

Dominique Fils-Aimé

Nameless Dominique Fils-Aimé

Starboy (Explicit Version)

The Weeknd

The Age of Pleasure

Janelle Monáe

The Age of Pleasure Janelle Monáe